A boy stands on a station platform as a train is about to leave. Should he go with his mother or stay with his father? Infinite possibilities arise from this decision. As long as he doesn't choose, anything is possible.
For his final assignment, a top temporal agent must pursue the one criminal that has eluded him throughout time. The chase turns into a unique, surprising and mind-bending exploration of love, fate, identity and time travel taboos.
Astronaut Sam Bell has a quintessentially personal encounter toward the end of his three-year stint on the Moon, where he, working alongside his computer, GERTY, sends back to Earth parcels of a resource that has helped diminish our planet's power problems.
With the help of a mysterious pill that enables the user to access 100 percent of his brain abilities, a struggling writer becomes a financial wizard, but it also puts him in a new world with lots of dangers.
In the year 2092, one hundred eighteen year old Nemo is recounting his life story to a reporter. He is less than clear, often times thinking that he is only thirty-four years of age. But his story becomes more confusing after he does focus on the fact of his current real age. He tells of his life at three primary points in his life: at age nine (when his parents divorced), age sixteen and age thirty-four. The confusing aspect of the story is that he tells of alternate life paths, often changing course with the flick of a decision at each of those ages. One life path has him ultimately married to Elise, a depressed woman who never got over the unrequited love she had for a guy named Stefano when she was a teenager and who asked Nemo to swear that when she died he would sprinkle her ashes on Mars. A second life path has him married to Jean. Their life is one of luxury but one also of utter boredom. And a third life path has him in a torrid romance with his step-sister Anna, the two who,... Written by
An earlier, longer, work-in-progress version of the film was rejected for competition by Cannes, which offered that cut of "Mr. Nobody" a out-of-competition berth. See more »
When Nemo drowns in his car, it would actually have been rather easy to escape, because once the car filled with water the pressure would have equalized, making opening the door no more difficult than usual. See more »
Nemo Nobody adult:
Like most living creatures, the pigeon quickly associates the pressing of the level with the reward. But when a timer releases a seed automatically every 20 seconds, the pigeon wonders, what did I do to deserve this? If it was flapping its wings at the time, it will continue to flap, convinced that its actions have the decisive influence on what happens. We call this "pigeon superstition".
Nemo Nobody adult:
[cut to Nemo on a gurney]
What did I do to deserve this?
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This is the kind of film you don't see too often. It is truly a visual masterpiece. I haven't heard about this french director, but "Mr Nobody" really blew my mind in all its images, dreams, romance and complexity. The movie has similarities to films by Michel Gondry but i think this film was more magical. Dreamlike and existential films. Some might think Mr Nobody is too complex, too demanding. It is not for everyone, but I loved it. Like other surreal movies, Peter Jacksons "The Lovely Bones", and "Synechdohe: New York" "Dr. Parnassus", "Micmacs"- these dreamlike and "difficult" films must be terribly expensive to produce and I ask myself how can the companies go through with these productions? These flicks never generate big box office money. Im amazed that they still make this kinds of demanding visual movies for cinema. And glad.
I discovered the greatness of Jared Leto as an actor when he played John Lennons Killer in Chapter 23. That was a truly disturbing and amazing acting of a disturbed fanatic loner. Mr Nobody is however the role of his life! If you like this kinds of movies I recommend "Eternal sunshine of the spotless mind", "Synechdohe: New York" and "THE FOUNTAIN". They really make you think!
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