A boy stands on a station platform as a train is about to leave. Should he go with his mother or stay with his father? Infinite possibilities arise from this decision. As long as he doesn't choose, anything is possible.
For his final assignment, a top temporal agent must pursue the one criminal that has eluded him throughout time. The chase turns into a unique, surprising and mind-bending exploration of love, fate, identity and time travel taboos.
An exploration of how the actions of individual lives impact one another in the past, present and future, as one soul is shaped from a killer into a hero, and an act of kindness ripples across centuries to inspire a revolution.
Astronaut Sam Bell has a quintessentially personal encounter toward the end of his three-year stint on the Moon, where he, working alongside his computer, GERTY, sends back to Earth parcels of a resource that has helped diminish our planet's power problems.
In the year 2092, one hundred eighteen year old Nemo is recounting his life story to a reporter. He is less than clear, often times thinking that he is only thirty-four years of age. But his story becomes more confusing after he does focus on the fact of his current real age. He tells of his life at three primary points in his life: at age nine (when his parents divorced), age sixteen and age thirty-four. The confusing aspect of the story is that he tells of alternate life paths, often changing course with the flick of a decision at each of those ages. One life path has him ultimately married to Elise, a depressed woman who never got over the unrequited love she had for a guy named Stefano when she was a teenager and who asked Nemo to swear that when she died he would sprinkle her ashes on Mars. A second life path has him married to Jean. Their life is one of luxury but one also of utter boredom. And a third life path has him in a torrid romance with his step-sister Anna, the two who,... Written by
While on a break from filming the Neanderthal scenes, Sarah Polley received a call from a friend, who informed her that a Toronto Star reporter had discovered that her biological father was not Michael Polley, but Montreal film producer Harry Gulkin, whom her mother had an affair with in 1978 while performing in a play at the Centaur Theater in Montreal. Sarah, who had already discovered the truth herself, contacted the reporter and ran outside to a park bench in full make up and began crying as she convinced the reporter to sit on the story as she had not yet told Michael and wasn't sure that she wanted to. The reporter agreed and afterwards, Sarah decided to create a documentary film about her mother and the events that led to her conception and her family learning the truth - Stories We Tell (2012). See more »
After correctly stating that the left typing hand's home position is over A,S,D,F, the narrator then says that the right typing hand's home position is over H,J,K,L, but in reality it's over J,K,L & semicolon. See more »
Nemo Nobody adult:
Like most living creatures, the pigeon quickly associates the pressing of the level with the reward. But when a timer releases a seed automatically every 20 seconds, the pigeon wonders, what did I do to deserve this? If it was flapping its wings at the time, it will continue to flap, convinced that its actions have the decisive influence on what happens. We call this "pigeon superstition".
Nemo Nobody adult:
[cut to Nemo on a gurney]
What did I do to deserve this?
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This is the first time I have felt the need to post a review of a film, but the experience that this movie provided was so unique and profoundly moving that I feel compelled to post something of my thoughts.
I have just finished watching Mr Nobody after knowing nothing about the movie beforehand (perhaps a good thing as I may have avoided it otherwise), but was simply astonished by the originality, cinematography, acting, script, soundtrack and profoundly thought provoking ideas.
I realise that this film will not be to everyones taste, certainly I think it will not be fully comprehended by the younger generation as it does require a certain lifetime of experiences to relate, such as birth, love, marriage, children, separation, divorce, death, life changing choices etc.., but nevertheless it does make you deeply consider your own past decisions and future choices, and everyone of all ages will have made and will make these decisions.
The production values are very high and would not look out of place in a 'hollywood blockbuster' but it is the mix of cinematography and music mingled with the dramatic scenarios that make it truly memorable.
It is a difficult film to describe as it does not follow a traditional narrative structure, but that is what makes it so unique and truly memorable. An experience that will hopefully stay with you long after you have seen it. It certainly made for a hugely memorable experience for me. Others may differ in opinion, but I don't think anyone can argue that it is not intelligent, fresh, original and thought provoking.
Well done to all involved in providing something original, intelligent and very entertaining.
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