A drama based on an ancient Chinese proverb that breaks life down into four emotional cornerstones: happiness, pleasure, sorrow and love. A businessman bets his life on a horse race; a gangster sees the future; a pop star falls prey to a crime boss; a doctor must save the love of his life.
Nick Hume is a mild-mannered executive with a perfect life, until one gruesome night he witnesses something that changes him forever. Transformed by grief, Hume eventually comes to the disturbing conclusion that no length is too great when protecting his family.
When a Las Vegas performer-turned-snitch named Buddy Israel decides to turn state's evidence and testify against the mob, it seems that a whole lot of people would like to make sure he's no longer breathing.
Armed with a license to kill, Secret Agent James Bond sets out on his first mission as 007 and must defeat a weapons dealer in a high stakes game of poker at Casino Royale, but things are not what they seem.
A frustrated and clumsy bank clerk overhears the conversation of three coworkers in the toilet about a fix in a horse race, and bets a large amount. He loses the bet and owes the money to the dangerous and powerful mobster Fingers. A gangster who works for Fingers has the ability of foreseeing pieces of the future; he is assigned to collect money for the boss, with his troublemaker nephew Tony, and is beaten up by a gang. The manager of pop-star Trista loses her contract to Fingers without her agreement and she is threatened by the gangster. A dedicated doctor seeks a blood donor that might have a rare blood type to save the life of his secret and unrequited passion, a beautiful epidemiologist who's married to a friend. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
When "Fingers" shoots "Pleasure" in his apartment and and they show a close up on the ejected brass hitting the carpet, it is obvious that the brass is from a blank. It has the "crimped" end on it where it was sealed. See more »
I always wondered, when a butterfly leaves the safety of its cocoon, does it realize how beautiful it has become? Or does it still just see itself as a caterpillar?
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A beautiful film based on the interconnection of human beings
I read several bad reviews for this film before actually being able to get my hands on a copy, but remained optimistic about it as I sat down to watch it. Thankfully, some people actually possess the ability to sit down and watch a film with an open mind and then form their own opinion, which is exactly what I did.
What I saw was not a pretentious portrayal of "cheap irony" in which the viewer lives in "Gellar's world". What I saw was a creative endeavour to intertwine four strangers through four major emotions, thus showing that through these emotions, everyone is connected - whether or not they are aware of it. This is what sociologists study and discuss everyday.
The script was performed sensationally, by a stellar cast (Brendan Frasier, Sarah Michelle Gellar, Andy Garcia, Kevin Bacon, Forest Whitaker), encompassing a gritty, fast paced storyline, with melancholic overtones. This film is not all about Gellar - she gives a heart wrenching performance as Trista, but the film is dedicated as much to Garcia, Frasier and Bacon as it is to her. Each performance is worth its weight in gold - Garcia is frightening as mafia boss "Fingers", Frasier pulls at your heart with his resignation to the terrible fates of the people around him and Bacon and Whitaker will surely gain your sympathy with the sheer level of their desperation.
The only thing this film is guilty of is invoking emotion and thought from its viewers - and isn't that the reason to watch it in the first place?
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