Eileen is pleased to announce that Charles Dance will be addressing the Guild and hires a marquee for him. Everyone still believes that he is to be moving into the barn conversion but Jock tells Sal ...
New Beginnings. Tash and Spike are about to move when Tash's dozy friend Tish, who thinks that all vans are like horse-boxes where you use reverse gear to go forward, backs the van into Sal's house, ...
After several setbacks and second thoughts Tash finally marries Spike in an open air ceremony in a field by the river. The wedding is organized by the Guild and Tash and some of the other guests are ...
This BBC comedy skit show is the brainchild of longtime comedy duo Dawn French and Jennifer Saunders. Each episode would feature satire on British life, television, and parodies on big box ... See full summary »
It's 1782 and welcome to the fabulous Palace of Versailles, France. Outside the gates, the peasants are on the verge of revolting (already well past vile), whilst inside lives one of the ... See full summary »
Edina Monsoon and her best friend Patsy drive Eddie's sensible daughter, Saffron, up the wall with their constant drug abuse and outrageous selfishness. Numerous in-jokes and heavy doses of... See full summary »
Revolving around the life of Vivienne Vyle, a daytime TV presenter/agony aunt in the mold of Trisha, the show focuses on not only the problems of her guests but the problems Vivienne faces herself in regards to her love and home life.
Mary Trewednack lives above her post office in the Cornish village of St. Gweep, with her neurotic partner Angela. Lesbians until something better comes along. Witchcraft and wife-swapping ... See full summary »
The series follows Arbiter Maven (the 17th Arbiter and 'Wearer of the Hat') and Operative Sporall (nice hair and 'Wearer of the Beige Suit') as they keep a close eye on the 791 residents of... See full summary »
In her autobiography, Jennifer Saunders writes about coming up with the series. She was frustrated that the only depictions of country life on television consisted of extremely posh upper class people and extremely dim dirty people and nothing inbetween. She also writes she was largely inspired by the movie 'Calendar Girls'. See more »
So, yeah, it's not abfab and it's true: at first, it feels like one of those inside-joke french and Saunders sketches that go on too long. HOWEVER, this show isn't meant to be the laugh-fest that abfab was. It's a much more balanced and calm series, one that finds humor in very human situations and subtleties. This may sound far-fetched, but there definitely is a sort of Chekhovian feel to Saunders' writing. Nothing much happens, but it is fascinating to watch the characters interact. The show touches on the awkwardness of living with such truth -- and therein lies the comedy (as with Chekhov, some viewers will only read tragedy... it's really a matter of perspective). The reason it may not catch on at first is because of the time necessary to establish the characters (there are perhaps too many) and adjust to the numerous subplots (it is an extremely ambitious show, spanning many tele-genres). Because of the character development and greater humanity of the writing, the show feels more like a full TV series than Jennifer Saunders' other work, and I think it's a sign of a certain maturity on her part. The classic Saunders quirks and humor are all still there, but it's toned down to approach something more like reality (unlike abfab, it is sans a laugh track, if that says anything). So, yeah, you have to realize Jam is a different animal.
Also, you've got to give Saunders credit for assembling a fine ensemble of older woman -- a demographic that is widely ignored by contemporary TV.
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