6.3/10
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11 user 3 critic

La educación de las hadas (2006)

In a time of crisis, a young boy tries to make sense of the fine line between fantasy and reality in this drama from Spain. Nicolas (Ricardo Darin) is a toy designer who has married Ingrid ... See full summary »

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Cast

Cast overview, first billed only:
...
Nicolás
...
Ingrid (as Irene Jacob)
...
Sezar
Víctor Valdivia ...
Raúl (as Víctor Valvidia)
Jordi Bosch ...
Matarredona
Abdelaziz Arradi ...
Kateb
Bert Palmen
Glòria Roig ...
Luisa (as Gloria Roig)
Neuman ...
Rachid
...
Celador
Harris Gordon
Hans Richter
Magali Mestre
Carles Arquimbau
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Storyline

In a time of crisis, a young boy tries to make sense of the fine line between fantasy and reality in this drama from Spain. Nicolas (Ricardo Darin) is a toy designer who has married Ingrid (Irene Jacob), a scientist studying birds who has been raising her son Raul (Victor Valdivia) on her own since her husband was killed while serving in Iraq. Nicolas and Raul develop a close bond, and when the boy asks his new step-father about why his dad died, he tells the youngster stories about the fairies that be believed guided the world when he was a boy. Nicolas also shows Raul the shack he built in the woods where he used to go when he was troubled as a kid. While Nicolas's relationship with Ingrid falls apart, he remains close to Raul. One night, Nicolas befriends Sezar (Bebe), a clerk at a grocery store who is beaten when her unscrupulous boss is attacked by a gang of toughs while driving her home. With nowhere else for her to stay, Nicolas takes Sezar back to his shack so she can get a ... Written by AnonymousB

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Drama

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Release Date:

23 June 2006 (Spain)  »

Also Known As:

A Educação das Fadas  »

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Did You Know?

Soundtracks

Tiempo pequeño
Music by Lucio Godoy
Lyrics by Bebe
Performed by Bebe
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User Reviews

 
Amateurish editing and uneven acting spoils an otherwise fair(y) story
22 December 2007 | by (United States) – See all my reviews

The presence of Darin in a film draws me to it. Until now. Too bad he had to be part of one that eschews subtlety, that is edited in such an amateurish way, and that depends excessively on large and small contrivances for plot development. The acting is uneven but I felt it was more the fault of the director.

Darin plays a husband to a wife with a young kid from a previous marriage. When the current marriage begins to unravel, secrets come to the surface gradually.

There is a secondary thread in the form of an Algerian woman, Sezar, whose life eventually intersects that of the character played by Darin. When that happens, the film gains focus.

Unless you are a die-hard fan of Darin, better avoid this one.


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