A married woman realizes how unhappy her marriage really is, and that her life needs to go in a different direction. After a painful divorce, she takes off on a round-the-world journey to "find herself".
Episodic look at the life of Cuban poet and novelist, Reinaldo Arenas (1943-1990), from his childhood in Oriente province to his death in New York City. He joins Castro's rebels. By 1964, ... See full summary »
Olatz López Garmendia
Scorpion in Love is an urban fable that tells us the story of Julián, a young man who with his best friend Luis participates actively in a group of violent neonazis leaded by a fanatic man ... See full summary »
Miguel Ángel Silvestre,
In Colombia just after the Great War, an old man falls from a ladder; dying, he professes great love for his wife. After the funeral, a man calls on the widow - she dismisses him angrily. Flash back more than 50 years to the day Florentino Ariza, a telegraph boy, falls in love with Fermina Daza, the daughter of a mule trader. Ariza is persistent, writing her constantly, serenading, speaking poetically of love. Her father tries to keep them apart, and then, one day, she sees this love as an illusion. She's soon married to Urbino, a cultured physician, and for years, Ariza carries a torch, finding solace in the arms of women, loving none. After Urbino's fall, are Ariza's hopes delusional? Written by
Was initially set to be filmed in Brazil because of security concerns in Colombia. See more »
When Dr. Juvenal Urbino visits Florentino Ariza he asks him
what kind of music Ariza likes. "The music of Carlos Gardel", Ariza answers. The time of the action is somewhere between 1890 and 1895. Gardel was born between (the date is not confirmed) 1883 and 1897. So, he was just a kid at that time, and he couldn't be known at all as the famous singer that died in a plane crash in Medellin (Colombia) in 1935, at the age of 48 or 52. See more »
[updating his diary of conquests]
Number 2: The widow Nazareth... Wouldn't stop talking about her dead husband... Very disturbing !
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Quick, before the general release on Friday change the silent movie line back to "My God, this is longer than sorrow". What did she mumble instead, was it "interminable"? Why was that wonderful line changed?
I so loved the book, I cannot get an unbiased grip on the movie. My mind elaborated it favorably but with simultaneous disappointment over deviations like the "sorrow" line. "Forever" worked better in the book as the boat was ordered to return upstream. I do wish it had closed with the "ripple" video that is on the internet.
The film touched too many threads while missing the book's soul, like trying to read Fermina's heart on her tongue. Maybe it isn't possible for a movie to do justice to any masterpiece but Florentino's long-standing relationships with the widows are as important as the "body count".
Young Fermina was too old, as was America. I would have cast a 15-year-old as the young Fermina and have had her reappear as America with died hair or similar artifice. I cannot forgive the script for ignoring the perversion and her suicide. I would have rather America had been entirely written out.
Bardem was the perfect Florentino. Fernanda Montenegro and Hector Elizondo gave terrific performances. Marcela Mar is such a heart-throb I nearly forgive her for being twice her age. Cartagena was underplayed. The Shakira soundtrack was ideal.
I'll reluctantly recommend the movie but won't shake peoples' shoulders as I do when I tell them that they must read the book.
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