A married woman realizes how unhappy her marriage really is, and that her life needs to go in a different direction. After a painful divorce, she takes off on a round-the-world journey to "find herself".
Episodic look at the life of Cuban poet and novelist, Reinaldo Arenas (1943-1990), from his childhood in Oriente province to his death in New York City. He joins Castro's rebels. By 1964, ... See full summary »
Olatz López Garmendia
A young man is plunged into a life of subterfuge, deceit and mistaken identity in pursuit of a femme fatale whose heart is never quite within his grasp. Remake of François Truffaut's 1969 film 'Mississippi Mermaid'
In Colombia just after the Great War, an old man falls from a ladder; dying, he professes great love for his wife. After the funeral, a man calls on the widow - she dismisses him angrily. Flash back more than 50 years to the day Florentino Ariza, a telegraph boy, falls in love with Fermina Daza, the daughter of a mule trader. Ariza is persistent, writing her constantly, serenading, speaking poetically of love. Her father tries to keep them apart, and then, one day, she sees this love as an illusion. She's soon married to Urbino, a cultured physician, and for years, Ariza carries a torch, finding solace in the arms of women, loving none. After Urbino's fall, are Ariza's hopes delusional? Written by
When Dr. Juvenal Urbino visits Florentino Ariza he asks him
what kind of music Ariza likes. "The music of Carlos Gardel", Ariza answers. The time of the action is somewhere between 1890 and 1895. Gardel was born between (the date is not confirmed) 1883 and 1897. So, he was just a kid at that time, and he couldn't be known at all as the famous singer that died in a plane crash in Medellin (Colombia) in 1935, at the age of 48 or 52. See more »
Please allow me to wipe the slate clean. Age has no reality except in the physical world. The essence of a human being is resistant to the passage of time. Our inner lives are eternal, which is to say that our spirits remain as youthful and vigorous as when we were in full bloom. Think of love as a state of grace, not the means to anything, but the alpha and omega. An end in itself.
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Toccata from Symphony No 5 in F Op. 42 No 1
Written by Charles Marie Widor
Performed by Philip Ledger (as Phillip Ledger)
Published by kind permission of Editions Hamelle/Alphonse Leduc, Paris and United Music Publishers Ltd,
Track (p) 1992, licensed by kind permission Naxos Rights Itnernational Ltd See more »
We had to stop watching after about an hour because we couldn't stand the wooden action and the contrived set piece scenes. Fermina's father was like something out of panto. The whole thing was ridiculous, and really isn't worth 10 lines, so I am at a loss as to how to fill the space up to the minimum. What about: the actors' ages were all wrong - the father looks about 30 in the opening scenes, the elderly Fermina, who is about 68-70, looks about 45 (if that), and Florentino's mother looks as if she was about 55 when he was born. Florentino ages about 30 years from Unax Ubalde to Xavier Bardem, while Fermina ages about a month in the same time. Thank goodness, that's 10 lines. Can I stop now?
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