Love in the Time of Cholera (2007)

Florentino, rejected by the beautiful Fermina at a young age, devotes much of his adult life to carnal affairs as a desperate attempt to heal his broken heart.

Director:

Mike Newell

Writers:

Ronald Harwood (screenplay), Gabriel García Márquez (novel)

Stars:

Benjamin Bratt, Gina Bernard Forbes, Giovanna Mezzogiorno

Nominated for 1 Golden Globe. Another 1 nomination.

Cast

Cast overview, first billed only:
Benjamin Bratt	...	Dr. Juvenal Urbino
Gina Bernard Forbes	...	Digna Pardo
Giovanna Mezzogiorno	...	Fermina Urbino
Javier Bardem	...	Florentino Ariza
Marcela Mar	...	America Vicuña
Juan Ángel	...	Marco Aurelio - 40's
Liliana Gonzalez	...	Marco Aurelio's Wife (as Liliana Alvarez Gonzalez)
Catalina Botero	...	Ofelia Urbino - 40's
Miguel Angel Pazos Galindo	...	Ofelia's Husband
Maria Cecilia Herrera	...	Urbino's Sweet Wife
Luis Fernando Hoyos	...	Urbino Urbino
Carlos Duplat	...	Mourner
Francisco Raul Linero	...	Mourner
Unax Ugalde	...	Florentino - Teen
Liev Schreiber	...	Lotario Thugut

Storyline

In Colombia just after the Great War, an old man falls from a ladder; dying, he professes great love for his wife. After the funeral, a man calls on the widow - she dismisses him angrily. Flash back more than 50 years to the day Florentino Ariza, a telegraph boy, falls in love with Fermina Daza, the daughter of a mule trader. Ariza is persistent, writing her constantly, serenading, speaking poetically of love. Her father tries to keep them apart, and then, one day, she sees this love as an illusion. She's soon married to Urbino, a cultured physician, and for years, Ariza carries a torch, finding solace in the arms of women, loving none. After Urbino's fall, are Ariza's hopes delusional?

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Plot Keywords:

love | widow | colombia | marriage | old man | 

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Taglines:

How long would you wait for love?

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Genres:

Drama | Romance

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Motion Picture Rating (MPAA)

Rated R for sexual content/nudity and brief language

Details

Official Sites:

Official MySpace Official site [jp]

Country:

USA

Language:

English

Release Date:

16 November 2007 (USA)

Also Known As:

El amor en los tiempos del cólera

Filming Locations:

Cartagena, Bolívar, Colombia

Box Office

Budget:

$45,000,000 (estimated)

Opening Weekend:

$1,924,860 (USA) (16 November 2007)

Gross:

$4,584,886 (USA) (14 December 2007)

Company Credits

Production Co:

New Line Cinema, Stone Village Pictures, Grosvenor Park Media

Technical Specs

Runtime:

139 min

Sound Mix:

SDDS DTS Dolby Digital EX

Color:

Color

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

For the days of shooting in Cartagena, Giovanna Mezzogiorno was given an entire beautiful old house to live in. One night, she heard some strange noises behind a closet and thought it was a ghost. When help arrived and investigated, they encountered with an owl's nest. Two owls were found and later named after the main characters of the movie, Florentino and Fermina.

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Goofs

The trip that Florentino Ariza takes upriver where he experiences his first 'tryst', prominently features a zipper being (un)zipped. Since the zipper was not invented until 1913, nor patented until 1916, this would have been some feat.

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Quotes

Ricardo Lighthouse: Why are you so successful with women?
Florentino Ariza: Um... because they see in me someone... guilty. In need of love. Someone who will not harm them. Hmmph. My heart has more rooms than a whore house, Ricardo.
Ricardo Lighthouse: What number are you on now?
Florentino Ariza: Prepare yourself for a shock. I'm on number 622.
Ricardo Lighthouse: Impossible.
Florentino Ariza: I speak the truth - 622.

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Connections

Featured in Siskel & Ebert: Episode dated 17 November 2007 (2007)

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Soundtracks

"Bambuco Colombiano"
Written by Jacinto Guerrero (as Jacinto Guerrero Torres), Inocencio Guerrero Torres,
Joaquin Vela Galino & Enrique Martinez Sierra (SGAE Members)
Performed & Recorded by Conchita Leonardo
Orchestra Conductor Maestro Jacinto Guerrero
Taken from the album La Revista Musical Española Vol. 5 by courtesy of Sonifolk

User Reviews

Gabriel García Márquez' novel 'El amor en los tiempos del cólera' without the Magical Realism

For devotees of Gabriel García Márquez this unprofessional adaptation of his sweepingly romantic novel 'El amor en los tiempos del cólera' will sadly disappoint. Ronald Harwood's screenplay is a patchwork quilt that attempts to tell the story of longing for love in the manner of a novella/travelogue and despite the presence of some very fine actors in the key roles, director Mike Newell forgets to grasp the atmosphere that makes the original novel ethereal.

Young Florentino Ariza (Unax Ugalde) is a poor dreamer working as a telegraph operator and sees and falls in love with young Fermina Daza (Giovanna Mezzogiorno), daughter of a wealthy mule trader Lorenzo Daza (John Leguizamo) who upon hearing of the infatuation whisks Fermina away as Florentino pledges undying love and fidelity to Fermina. Florentino's mother Tránsito (Fernanda Montenegro), his uncle Leo (Hector Elizondo), and his friend Lotario Thugut (Liev Schreiber) comfort him and try to encourage his mating with another woman, but as Florentino matures (now Javier Bardem) even the long list of sexual encounters cannot turn his mind away from Fermina. Fermina marries Dr. Juvenal Urbino (Benjamin Bratt), travels widely, has his child and ultimately discovers her husband's infidelity. Florentino inherits his Uncle's shipping wealth, becoming one of the wealthy class that would have made him an eligible suitor for Fermina when he originally met her. But time changes everything except Florentino's commitment to Fermina and after the death of Dr. Urbino, he has the chance to realize his long awaited dream of being with the now 70+ year old lover.

The story spans fifty years in an unnamed city in Columbia (here Cartagena) and across the beauty of both South America and Europe. All of the basic elements are in place: the important missing piece is the magic of Gabriel García Márquez's prose. The huge cast is wasted on a script that is less than pedestrian: Javier Bardem tries to make Florentino a credible sympathetic character but is stuck in the mud of his lines; the brilliant Fernanda Montenegro attempts to paste together the pared down role of Florentino's mother; an unremarkable Giovanna Mezzogiorno fails to make Fermina worthy of Florentino's devotion; John Leguizamo is grossly and embarrassingly miscast; fine actors such as Unax Ugalde, Liev Schrieber, Catalina Sandino Moreno, Ana Claudia Talancón, Hector Elizondo and others are little more than cardboard caricatures of the original creations.

One wonders how Newell and Harwood could have strayed so far from the mark of the potential that this beautiful novel promised as a cinematic transition. But what resulted from their collaboration is an overlong, boring, and sloppy version of the original story. Sad to see fine actors wasted in this film. Grady Harp