A married woman realizes how unhappy her marriage really is, and that her life needs to go in a different direction. After a painful divorce, she takes off on a round-the-world journey to "find herself".
Episodic look at the life of Cuban poet and novelist, Reinaldo Arenas (1943-1990), from his childhood in Oriente province to his death in New York City. He joins Castro's rebels. By 1964, ... See full summary »
Olatz López Garmendia
Miranda is a crew member of a nightly radio programmme. She and her husband Felix, a cop, are parents of a girl. Miranda's daily dog walking strolls are excuses to pursue sexual encounters ... See full summary »
Manuel Gómez Pereira
Al enamorarnos, apostamos. Y es un juego demasiado íntimo para asimilar con facilidad el fracaso. Elena sabe que el enfriamiento que atraviesa su matrimonio no es algo temporal. Alberto , ... See full summary »
In Colombia just after the Great War, an old man falls from a ladder; dying, he professes great love for his wife. After the funeral, a man calls on the widow - she dismisses him angrily. Flash back more than 50 years to the day Florentino Ariza, a telegraph boy, falls in love with Fermina Daza, the daughter of a mule trader. Ariza is persistent, writing her constantly, serenading, speaking poetically of love. Her father tries to keep them apart, and then, one day, she sees this love as an illusion. She's soon married to Urbino, a cultured physician, and for years, Ariza carries a torch, finding solace in the arms of women, loving none. After Urbino's fall, are Ariza's hopes delusional? Written by
When the Widow Nazaret takes refuge in the Ariza home and has a drink with Florentino's mother, the mother reaches over as if to replace the cork in the decanter but doesn't do so; in the following reverse shot, the cork is in the decanter, but upon cutting back to the original angle it is again out. See more »
The only thing that hurts me is that I don't have enough strength to give you the beating that you deserve for being so insolent and evil-minded. But you will leave this house right now and I swear to you on my mother's grave that you will not set foot in it again as long as I live. Life crippled that poor man 50 years ago, because he was too young and now you want to do it because we are too old.
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We had to stop watching after about an hour because we couldn't stand the wooden action and the contrived set piece scenes. Fermina's father was like something out of panto. The whole thing was ridiculous, and really isn't worth 10 lines, so I am at a loss as to how to fill the space up to the minimum. What about: the actors' ages were all wrong - the father looks about 30 in the opening scenes, the elderly Fermina, who is about 68-70, looks about 45 (if that), and Florentino's mother looks as if she was about 55 when he was born. Florentino ages about 30 years from Unax Ubalde to Xavier Bardem, while Fermina ages about a month in the same time. Thank goodness, that's 10 lines. Can I stop now?
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