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A married woman realizes how unhappy her marriage really is, and that her life needs to go in a different direction. After a painful divorce, she takes off on a round-the-world journey to "find herself".
Episodic look at the life of Cuban poet and novelist, Reinaldo Arenas (1943-1990), from his childhood in Oriente province to his death in New York City. He joins Castro's rebels. By 1964, ... See full summary »
Olatz López Garmendia
A very fantastic story about a robber (Hector) and a magitian (Maria). Once they were lovers, but he left her. One fine day they reenccount and become lovers again. She takes him appart ... See full summary »
In Colombia just after the Great War, an old man falls from a ladder; dying, he professes great love for his wife. After the funeral, a man calls on the widow - she dismisses him angrily. Flash back more than 50 years to the day Florentino Ariza, a telegraph boy, falls in love with Fermina Daza, the daughter of a mule trader. Ariza is persistent, writing her constantly, serenading, speaking poetically of love. Her father tries to keep them apart, and then, one day, she sees this love as an illusion. She's soon married to Urbino, a cultured physician, and for years, Ariza carries a torch, finding solace in the arms of women, loving none. After Urbino's fall, are Ariza's hopes delusional? Written by
For the days of shooting in Cartagena, Giovanna Mezzogiorno was given an entire beautiful old house to live in. One night, she heard some strange noises behind a closet and thought it was a ghost. When help arrived and investigated, they encountered with an owl's nest. Two owls were found and later named after the main characters of the movie, Florentino and Fermina. See more »
When the Widow Nazaret takes refuge in the Ariza home and has a drink with Florentino's mother, the mother reaches over as if to replace the cork in the decanter but doesn't do so; in the following reverse shot, the cork is in the decanter, but upon cutting back to the original angle it is again out. See more »
Dr. Juvenal Urbino:
I love you above all else. More than anyone else in the world. The important thing in marriage is not happiness but stability.
And love. Nothing is more difficult than love.
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I was primed to enjoy the film because some events in the book dovetail with my life. I wanted to see how it would be translated to film. I wasn't disappointed.
An enormous amount of the book was inside the film. Many of the comedic and tragic scenes in Garcia's book were included, well-captured by the dialog. The cinematography was a superb visual equivalent to the author's luminously written depictions of a fairytale world.
If I'd not read the book first, and if I didn't find some elements of my own life inside the book, I'm not sure what I would have made of the film. I can only base my review on the fact that I've read the book, and that the makers of the film obviously did their best to be as truthful to the book as possible. The core belief of the film as well as the book - that love, in various forms, can last a lifetime - is true.
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