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Love in the Time of Cholera (2007)

R  |   |  Drama, Romance  |  16 November 2007 (USA)
6.4
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Ratings: 6.4/10 from 17,707 users   Metascore: 43/100
Reviews: 113 user | 114 critic | 29 from Metacritic.com

Florentino, rejected by the beautiful Fermina at a young age, devotes much of his adult life to carnal affairs as a desperate attempt to heal his broken heart.

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(screenplay), (novel)
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Title: Love in the Time of Cholera (2007)

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Nominated for 1 Golden Globe. Another 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Gina Bernard Forbes ...
Digna Pardo
...
...
...
America Vicuña
Juan Ángel ...
Marco Aurelio - 40's
Liliana Gonzalez ...
Marco Aurelio's Wife (as Liliana Alvarez Gonzalez)
Catalina Botero ...
Ofelia Urbino - 40's
Miguel Angel Pazos Galindo ...
Ofelia's Husband
Maria Cecilia Herrera ...
Urbino's Sweet Wife
Luis Fernando Hoyos ...
Urbino Urbino
Carlos Duplat ...
Mourner
Francisco Raul Linero ...
Mourner
...
Florentino - Teen
...
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Storyline

In Colombia just after the Great War, an old man falls from a ladder; dying, he professes great love for his wife. After the funeral, a man calls on the widow - she dismisses him angrily. Flash back more than 50 years to the day Florentino Ariza, a telegraph boy, falls in love with Fermina Daza, the daughter of a mule trader. Ariza is persistent, writing her constantly, serenading, speaking poetically of love. Her father tries to keep them apart, and then, one day, she sees this love as an illusion. She's soon married to Urbino, a cultured physician, and for years, Ariza carries a torch, finding solace in the arms of women, loving none. After Urbino's fall, are Ariza's hopes delusional? Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Taglines:

How long would you wait for love?

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for sexual content/nudity and brief language | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

16 November 2007 (USA)  »

Also Known As:

El amor en los tiempos del cólera  »

Box Office

Budget:

$45,000,000 (estimated)

Opening Weekend:

$1,924,860 (USA) (16 November 2007)

Gross:

$4,584,886 (USA) (14 December 2007)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The melody in the song "Hay Amores" (Bolero) sung by Shakira in this film is based on an anonymous traditional popular song called "La Panaderita" (The little baker woman) from the small town of Torrecilla en Cameros, La Rioja, Spain. Whether intentionally or by pure coincidence is not clear. The lyrics in Shakira's song are totally different, of course. See more »

Goofs

When the Widow Nazaret takes refuge in the Ariza home and has a drink with Florentino's mother, the mother reaches over as if to replace the cork in the decanter but doesn't do so; in the following reverse shot, the cork is in the decanter, but upon cutting back to the original angle it is again out. See more »

Quotes

Florentino Ariza: Shoot me. There is no greater glory than to die for love.
See more »


Soundtracks

Despedida
Music by Shakira and Antonio Pinto
Lyrics by Shakira
Produced by Shakira
Co-produced by Pedro Aznar
Performed by Shakira
See more »

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User Reviews

 
Gabriel García Márquez' novel 'El amor en los tiempos del cólera' without the Magical Realism
20 March 2008 | by (United States) – See all my reviews

For devotees of Gabriel García Márquez this unprofessional adaptation of his sweepingly romantic novel 'El amor en los tiempos del cólera' will sadly disappoint. Ronald Harwood's screenplay is a patchwork quilt that attempts to tell the story of longing for love in the manner of a novella/travelogue and despite the presence of some very fine actors in the key roles, director Mike Newell forgets to grasp the atmosphere that makes the original novel ethereal.

Young Florentino Ariza (Unax Ugalde) is a poor dreamer working as a telegraph operator and sees and falls in love with young Fermina Daza (Giovanna Mezzogiorno), daughter of a wealthy mule trader Lorenzo Daza (John Leguizamo) who upon hearing of the infatuation whisks Fermina away as Florentino pledges undying love and fidelity to Fermina. Florentino's mother Tránsito (Fernanda Montenegro), his uncle Leo (Hector Elizondo), and his friend Lotario Thugut (Liev Schreiber) comfort him and try to encourage his mating with another woman, but as Florentino matures (now Javier Bardem) even the long list of sexual encounters cannot turn his mind away from Fermina. Fermina marries Dr. Juvenal Urbino (Benjamin Bratt), travels widely, has his child and ultimately discovers her husband's infidelity. Florentino inherits his Uncle's shipping wealth, becoming one of the wealthy class that would have made him an eligible suitor for Fermina when he originally met her. But time changes everything except Florentino's commitment to Fermina and after the death of Dr. Urbino, he has the chance to realize his long awaited dream of being with the now 70+ year old lover.

The story spans fifty years in an unnamed city in Columbia (here Cartagena) and across the beauty of both South America and Europe. All of the basic elements are in place: the important missing piece is the magic of Gabriel García Márquez's prose. The huge cast is wasted on a script that is less than pedestrian: Javier Bardem tries to make Florentino a credible sympathetic character but is stuck in the mud of his lines; the brilliant Fernanda Montenegro attempts to paste together the pared down role of Florentino's mother; an unremarkable Giovanna Mezzogiorno fails to make Fermina worthy of Florentino's devotion; John Leguizamo is grossly and embarrassingly miscast; fine actors such as Unax Ugalde, Liev Schrieber, Catalina Sandino Moreno, Ana Claudia Talancón, Hector Elizondo and others are little more than cardboard caricatures of the original creations.

One wonders how Newell and Harwood could have strayed so far from the mark of the potential that this beautiful novel promised as a cinematic transition. But what resulted from their collaboration is an overlong, boring, and sloppy version of the original story. Sad to see fine actors wasted in this film. Grady Harp


39 of 52 people found this review helpful.  Was this review helpful to you?

Message Boards

Recent Posts
Worst Title Ever..... bigsv
terrible film fay06
en español (Should be in Spanish) corazan34
Doesn't Javier Bardem look like he's retarded in this movie? alessandra1984-1
An interesting and different take on the ending... MovieMaker828
If you were Fermina... Javier or Ben? moviefanatic52
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