A married woman realizes how unhappy her marriage really is, and that her life needs to go in a different direction. After a painful divorce, she takes off on a round-the-world journey to "find herself".
A very fantastic story about a robber (Hector) and a magitian (Maria). Once they were lovers, but he left her. One fine day they reenccount and become lovers again. She takes him appart ... See full summary »
Episodic look at the life of Cuban poet and novelist, Reinaldo Arenas (1943-1990), from his childhood in Oriente province to his death in New York City. He joins Castro's rebels. By 1964, ... See full summary »
Olatz López Garmendia
In Colombia just after the Great War, an old man falls from a ladder; dying, he professes great love for his wife. After the funeral, a man calls on the widow - she dismisses him angrily. Flash back more than 50 years to the day Florentino Ariza, a telegraph boy, falls in love with Fermina Daza, the daughter of a mule trader. Ariza is persistent, writing her constantly, serenading, speaking poetically of love. Her father tries to keep them apart, and then, one day, she sees this love as an illusion. She's soon married to Urbino, a cultured physician, and for years, Ariza carries a torch, finding solace in the arms of women, loving none. After Urbino's fall, are Ariza's hopes delusional? Written by
For the days of shooting in Cartagena, Giovanna Mezzogiorno was given an entire beautiful old house to live in. One night, she heard some strange noises behind a closet and thought it was a ghost. When help arrived and investigated, they encountered with an owl's nest. Two owls were found and later named after the main characters of the movie, Florentino and Fermina. See more »
When the Widow Nazaret takes refuge in the Ariza home and has a drink with Florentino's mother, the mother reaches over as if to replace the cork in the decanter but doesn't do so; in the following reverse shot, the cork is in the decanter, but upon cutting back to the original angle it is again out. See more »
The screenplay writer took much pains to try and conserve the essential meaning behind Garcia Marquez's writing, but failed to capture the sentiment behind each scene. Another disappointment was directors interpretation of Dr. Urbino Juvenal character, played by Benjamin Bratt. He seems like a soulless social clown who does not know anything about his surroundings or of the social society of which he is apart of. The director's portrayal of Ariza and Daza's relationship as one of a rekindled romance during the latter part of the film, is incorrect as i believe that Marquez' intention was to show that two characters towards the end of their lives who had finally found a connection because they had suffered similar circumstances that had left both characters empty. Although it is true that most novels fail to capture the meanings behind such sentiment, this was at most a mediocre attempt. Out of a possible 10 i have to give it a 4, only because a writer as masterful as Marquez should not be misinterpreted in this way.
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