ONE WAY follows the character of Stephen, a twenty-five year old trapped in the vices of habit. Returning home from a business trip, Stephen finds that he quickly settles into his old ways ... See full summary »
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Alexandra Maria Lara,
Christoph Maria Herbst
In New York, the competent creative director of Birk Advertising Eddie Shneider is living a successful moment of his professional life and is engaged and has just proposed Judy Birk, the daughter of the owner of the company where he works. Eddie is also a wolf and very successful with many women, and is having an affair with a neighbor of the street where he lives with Judy. When he gets the account of the greatest American airline for his company, he is promoted to partner and he celebrates with his assistant and friend Angelina Sable in a lunch party in a restaurant. After hours, when they are in the garage, Angeline notes that she had forgotten her car keys in the office, and when she returns, she is violently raped by the despicable brother of Judy, Anthony Birk. On the next morning, when Eddie arrives in the garage, he finds the traumatized Angeline on the floor and he takes her to a hospital. He returns to the company and Anthony blackmails Eddie with pictures of his many ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
When the general visits Angelina in the battered women's shelter, she sits down on the windowsill. During their conversation, the curtain behind her changes its position, from hanging correctly to hanging askew to hanging correctly again, between shots. See more »
Til Schweigers movie "One Way" let you feel the pain
My husband and I saw "One Way", the new movie of the German actor Til Schweiger. There were no coughing, no feet-stamping and no murmurs to hear during the whole movie. Even at the end the silence continued. Than my husband broke it, saying: "Man, what a good movie was that!" The story and the pictures are very intense. They catch the viewer's whole attention which you can hardly escape.
The topic of the movie is rape. It's about guilt and atonement.About law, morals and justice.
In a today's criticism I read the sentence: "Sometimes it is the start of a movie that gives rise to doubts. In "One Way", the movie of the Swiss Reto Salimbini, a girl is followed by several men and raped brutally, as a black figure wearing a uniform (Michael Clareke Duncan) appears and butchers the wrongdoers with a machine gun. The plot changes from this revenge-fantasy to the New Yorker world of the publicity expert Eddie (Til Schweiger) " Now I ask myself seriously: What is so disconcerting about the imagination that the victim imagines the death of the men that are raping her? Isn't it even understandable somehow? The visualization in the movie makes the fantasy visible for the viewers - and uncomfortable. "One Way" is consequently shown from the rape victim's point of view, which is definitely not a daily mean.
In an other criticism it is said that the rape scenes are shown very drastically. So I watched them critically. My judgment: I have seen more drastically rape scenes in movies and on television before. But what is really hard to the spectator is - during the whole rape the camera is filming the victim's face. Vivid, oppressive and frightening.
The pictures do not allow any evading and phrases like " somehow she wanted that, too " or "It's not as bad as it seems " are absolutely wrong and out of place. The victim is injured with great physical and psychological pain.
Is it a woman allowed to take revenge if she has been raped, humiliated and emotionally killed? If she can't trust her pretending best friend or in justice? In "One Way" two raped and humiliated women experience emotional justice in the end and an initial slime ball develops into a better man. This is more than reality can (unfortunatly) sometimes offer.
Fill the movie theaters and watch it! It's worth it! Marte Cormann, www.kinoplausch.de
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