The eight year old boy Jesús has been living in a crumbling underground facility since he was born with eight survivors of an apocalyptic war: the leader Maria and her lover Pablo; the gays...
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The thirty and something years old psychiatrist Dr. Samantha Goodman has an incurable brain tumor that has just started to grow. Felling totally stressed, she decides to spend the weekend ... See full summary »
2013. A mysterious epidemic spreads across the planet; humanity develops an irrational fear of open spaces which causes death within seconds. Soon, the entire global populace is trapped ... See full summary »
Santi, a young high-school student with a serious physical reaction to sunlight, is forced by his health to move with his single mother to a shadowy, isolated village in the mountains of ... See full summary »
El Fin is comedy about the end of the world. Depressed by the recent death of his parents and losing his job, Nico; an ordinary 26 year old, decides to take refuge in his house for six ... See full summary »
Miguel Alejandro Gomez
Luis Carlos Bogantes,
Francesca is a pediatrician who is dedicated to both motherhood and children, married to another physician, Pedro. Following the birth of a new child, Francesca begins to suffer from ... See full summary »
The eight year old boy Jesús has been living in a crumbling underground facility since he was born with eight survivors of an apocalyptic war: the leader Maria and her lover Pablo; the gays Lucas and Mateo; the astronomer Magdalena and the teenager Ana; the soldier Pedro and the lonely Judas. They are permanently under surveillance, threatened by the contaminated mutants The Strangers and once a day they have to lock themselves in their rooms without heating to protect against the dangerous ghosts The Invisibles that attack in the Cold Hour. They cannot go to the surface, destroyed by a nuclear war. When they need supplies, medications and ammunition, they organize expeditions to a store. When the menace of The Invisibles affects the safety of the group of survivors, they need to reach the surface. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
There's a final quote during the end credits: "I am become Death, the destroyer of worlds," from the Hindu scripture Bhagavad Gita, as said by J. Robert Oppenheimer after the first nuclear test detonation in Los Alamos. See more »
A sequence after the end credits shows a teddy bear (intended as part of the debris from the extinct Earth) landing on the moon surface near the historical land-site of Apollo XI. See more »
Relentlessly Creative and Inventive use of "Stock" Situations
The Cold Hour takes several cliché' horror film tropes, combines them in entirely unexpected ways, adds brilliant acting and great cinematography and ends with a purely science fictional image that will live in my mind for a really long time. This is a well put-together ensemble piece. I'd tracked it down, having been encouraged by the largely positive IMDb reviews, but mainly because of the Silke (Hornillos Klein) Rule: "Buy Anything She is In" that dates back to Julio Medem's wonderful, Philip K. Dickian, Tierra. Purely from the perspective of The Silke Rule, this film could almost have been seen as a disappointment since, although her character Maria is top billed, all of the characters are extremely well balanced and no one is really the lead. Every part is so well written and so well acted, however, that the viewer comes out ahead. In fact, the primary PoV is 8 year old Jesús, played by Omar Muñoz, and he is wonderful, despite my normal antipathy towards child actors. I can't, alas, say much more without revealing too much.
If you've read the other reviews, you already know that the primary situation appears to be similar to 28 days, et al. (This MAY actually be correct - if you prefer clear, pat explanations from a film, rather than have it ask as may questions as it answers, leaving you with a delicious sense of cognitive dissonance, then go watch something else). However, I've never seen that ultra-standard plot trope handled THIS way, or combined with THAT. Run, don't walk, to get La Hora Fría if you admire and enjoy originality, a continual sense of surprise, and a refusal on the part of the creators to spell everything out; if, like me, you prefer leaving the experience of a film with a deep sense of unease and the feeling that you have a lot of thinking to do especially about what that final shot meant. Your mind will have something to mull over for a long, long time.
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