| Photos (See all 44 | slideshow) | Videos (see all 2) |
| Keith Allen | ... | Norman | |
| Steffan Boje | ... | Karlheinz | |
| Penélope Cruz | ... | Anna / Melodia | |
| Danny DeVito | ... | Mel | |
| Sonia Doubell | ... | Shawna | |
| Martin Freeman | ... | Gary Shaller | |
| Michael Gambon | ... | Alan Weigert | |
| Stephen Graham | ... | Victor | |
| Kate Harper | ... | Ballet Teacher | |
| Gael Le Cornec | ... | The kitchen chef | |
| Bruno Lastra | ... | Italian Slickster #2 | |
| Martino Lazzeri | ... | Italian Slickster #1 | |
| Meredith MacNeill | ... | Tica | |
| Gwyneth Paltrow | ... | Dora Shaller | |
| Simon Pegg | ... | Paul | |
| Amber Sealey | ... | Terry | |
| Skye Bennett | ... | Ballerina (as Deva Bennett Skye) | |
| Joyce Springer | ... | Gary's Neighbor | |
| Finty Williams | ... | Studio Assistant | |
| Juliana Kiehl | ... | Naresta | |
| rest of cast listed alphabetically: | |||
| Amanda Abbington | ... | Vivian Jesson (uncredited) | |
| Jarvis Cocker | ... | Himself (uncredited) | |
| Lucy DeVito | ... | (uncredited) | |
| Sean Francis George | ... | Italian Slickster (uncredited) | |
| Ani James | ... | Door Host (uncredited) | |
| Peter Rnic | ... | Diner (uncredited) | |
Directed by | |||
| Jake Paltrow | |||
Writing credits(WGA) | ||
| Jake Paltrow | (written by) | |
Original Music by | |||
| Alec Puro | |||
Cinematography by | |||
| Giles Nuttgens | (director of photography) | ||
Film Editing by | |||
| Rick Lawley | |||
Casting by | |||
| Nina Gold | |||
Production Design by | |||
| Eve Stewart | |||
Art Direction by | |||
| Leon McCarthy | |||
| Lisa McDiarmid | |||
Costume Design by | |||
| Verity Hawkes | |||
Makeup Department | |||
| Georgiana Creanga | .... | hair and make up artist | |
| Leslie Fuller | .... | key makeup artist: New York | |
| Rebecca Lafford | .... | makeup designer | |
| Ana Lozano | .... | makeup designer: Penelope Cruz | |
| Kerrie Smith | .... | key hair stylist: New York | |
| Lisa Tomblin | .... | hair designer | |
| Mary-Anne Waite | .... | hair stylist assistant (as Mary Anne Waite) | |
| Mary-Anne Waite | .... | makeup artist assistant (as Mary Anne Waite) | |
Production Management | |||
| Tori Parry | .... | production supervisor | |
| Lucille Smith | .... | production manager: New York (as Lucille Masone Smith) | |
Second Unit Director or Assistant Director | |||
| Vicki Allen | .... | second assistant director | |
| Nick Heckstall-Smith | .... | first assistant director | |
| Colin MacLellan | .... | second assistant director: New York (as Colin A.J. MacLellan) | |
| Richard Patrick | .... | first assistant director: New York | |
| Samar Pollitt | .... | third assistant director | |
| Jennifer D. Wilkins | .... | dga trainee: New York (as Jennifer Wilkins) | |
| Sarah Mooney | .... | trainee assistant director (uncredited) | |
Art Department | |||
| Gina Acuna | .... | art department work experience | |
| Lawrence Amanuel | .... | property master: New York (as Larry Amanuel) | |
| Tycho Andrews | .... | storeman | |
| Paul Campbell | .... | dressing props | |
| Hannah Capron | .... | graphics designer | |
| Jonathan Carter | .... | assistant props: New York | |
| Ben Collins | .... | draughtsman | |
| Cory Copeland | .... | third propman: New York | |
| Chris Cull | .... | property master | |
| Martin Day | .... | carpenter | |
| Derek Ede | .... | stand-by stagehand | |
| James Ede | .... | stand-by painter | |
| Steve Ede | .... | stand-by carpenter | |
| Jason Lee Etienne | .... | art department assistant (as Jason Etienne) | |
| Ernie Foster | .... | scenic artist: New York (as Ernest Foster) | |
| Gordon Gertsen | .... | set dresser: New York | |
| Kevin Harris | .... | construction manager | |
| Stuart Headley-Read | .... | stand-by props (as Stuart Read) | |
| Martin Lane | .... | stand-by painter | |
| Gary S. May | .... | scenic artist: New York (as Gary May) | |
| Stephen McGregor | .... | chargehand carpenter | |
| Sarah Miller | .... | art department runner | |
| Jeff Naparstek | .... | on-set dresser: New York | |
| David Newell | .... | carpenter (as Dave Newell) | |
| Claire Pidgeon | .... | assistant buyer | |
| Simon Riley | .... | stand-by props | |
| Tony Roberts | .... | construction rigger | |
| Steve Samson | .... | chargehand carpenter | |
| Justin Scoppa Jr. | .... | set decorator: New York (as Justin Scoppa) | |
| Nicole Scoppa | .... | lead person: New York | |
| Jamie Shelley | .... | scenic painter | |
| Jeff Shilton | .... | carpenter | |
| David Stapleton | .... | chargehand carpenter (as Dave Stapleton) | |
| Danny Thomas | .... | carpenter | |
| Wolfgang Wahler | .... | stand-by construction rigger | |
| Stephen Whitworth | .... | carpenter (as Steve Whitworth) | |
| Jason Whyman | .... | carpenter | |
| Lee Wiseman | .... | dressing props | |
Sound Department | |||
| Gary Alper | .... | production sound mixer: New York | |
| Gregg Barbanell | .... | foley artist (as Greg Barbanell) | |
| Nancy Barker | .... | first assistant sound editor | |
| Bob Baron | .... | adr mixer | |
| Paul Berolzheimer | .... | foley mixer | |
| Weldon Brown | .... | adr mixer | |
| David A. Cohen | .... | dialogue editor (as David Cohen) | |
| Dane A. Davis | .... | supervising sound designer | |
| Tony Dawe | .... | production sound mixer | |
| Marshall Garlington | .... | sound re-recording mixer | |
| Victor Iorillo | .... | sound effects editor | |
| Neda Joncich | .... | mix facility coordinator | |
| Jörg Klaussner | .... | dubbing mixer | |
| Michael Kneafsey | .... | boom operator (as Mike Kneafsey) | |
| Daryl Lathrop | .... | adr recordist | |
| Lee Lemont | .... | supervising adr editor | |
| Michelle Mader | .... | cable puller: New York | |
| Michael A. Morongell | .... | sound mix engineer (as Michael Morongell) | |
| Chris Navarro | .... | adr recordist | |
| Michael Neafsey | .... | boom operator (as Mike Kneafsey) | |
| Paul Ordonez | .... | sound mixing recordist | |
| Bryan Pennington | .... | sound consultant: Dolby (as Brian Pennington) | |
| Sam Perry | .... | boom operator: New York | |
| Ken S. Polk | .... | sound re-recording mixer | |
| Solange S. Schwalbe | .... | supervising foley editor (as Solange Schwalbe) | |
| James Simcik | .... | supervising adr editor | |
| Eric Thompson | .... | adr mixer | |
| Jim Ward | .... | adr recordist | |
| Denise Yarde | .... | boom operator | |
| Richard E. Yawn | .... | sound designer | |
| Richard E. Yawn | .... | supervising sound editor | |
| Matthew T. Duncan | .... | sound recordist (uncredited) | |
| Ezra Dweck | .... | sound re-recording mixer (uncredited) | |
| James Gibb | .... | trainee: FT2 (uncredited) | |
Special Effects by | |||
| James Brooks | .... | special effects technician | |
| Dean Ford | .... | special effects technician | |
| Stuart Prior | .... | special effects technician | |
| Robert Schofield | .... | special effects wire rigger (as Bob Scoffield) | |
| Jamie Weguelin | .... | special effects supervisor | |
Visual Effects by | |||
| Siddhartha Abbazi | .... | dustbuster: Fotokem Digital Film Services | |
| Asregadoo Arundi | .... | compositor (as Arundi Asregadoo) | |
| David Booth | .... | film scanning and recording: Fotokem Digital Film Services | |
| Jerry Callaghan | .... | film scanning and recording: Fotokem Digital Film Services | |
| Peter Connelly | .... | compositor | |
| Catherine Gibson | .... | dustbuster: Fotokem Digital Film Services | |
| Vincent Goodsell | .... | compositor (as Vince Goodsell) | |
| Charley Henley | .... | visual effects supervisor | |
| Martin Hobbs | .... | visual effects producer | |
| Rick Lopez | .... | film scanning and recording: Fotokem Digital Film Services | |
| Charlotte Loughnane | .... | compositor | |
| Alasdair McNeill | .... | roto artist | |
| Les Meek | .... | film scanning and recording: Fotokem Digital Film Services | |
| Jose Parra | .... | dustbusting manager: Fotokem Digital Film Services | |
| David Rosenthal | .... | I/O supervisor: Fotokem Digital Film Services | |
| Richard Stammers | .... | visual effects supervisor | |
| Les Vary | .... | film scanning and recording: Forokem Digital Film Sdervices | |
| Christine Wong | .... | compositor | |
| Alastor Arnold | .... | digital intermediate editor (uncredited) | |
| Michael Elson | .... | executive producer: MPC (uncredited) | |
| Lionel Heath | .... | roto/prep: MPC (uncredited) | |
| Paul McWilliams | .... | digital artist (uncredited) | |
| Laurel Schneider | .... | coordinator: Moving Picture Co. (uncredited) | |
| Laurel Schneider | .... | liason: Los Angeles (uncredited) | |
Stunts | |||
| Jim Dowdall | .... | stunt coordinator | |
| Guy List | .... | stunt performer | |
Camera and Electrical Department | |||
| Sonny Burdis | .... | best boy | |
| Gavin Curran | .... | company electrician: New York | |
| Carlos De Carvalho | .... | focus puller | |
| Devin Donegan | .... | video assist operator: New York | |
| Edwin Effrein | .... | first assistant camera: New York (as Edwin A. Effrein) | |
| Steve Finberg | .... | electrician | |
| Greg Finkel | .... | second assistant camera: New York | |
| Eammon Fitzgerald | .... | lighting truck (as Eamonn Fitzgerald) | |
| Victoria Hanna | .... | FT2 camera trainee (as Victoria Simpson) | |
| Zachary Henderson | .... | company grip: New York (as Zach Henderson) | |
| John Jordan | .... | focus puller | |
| Stephen Lee | .... | video assist operator | |
| John Mazzoni | .... | company grip: New York (as John G. Mazzoni) | |
| Jessica Miglio | .... | still photographer: New York | |
| Guy Minoli | .... | generator operator | |
| Derek Murphy | .... | best boy: New York | |
| Peter Myslowski | .... | key grip | |
| Mike O'Shea Jr. | .... | Steadicam operator: New York (as Michael O'Shea) | |
| Jennie Paddon | .... | clapper loader | |
| Glen Patrick | .... | electrical runaround | |
| Ang Richards | .... | camera trainee (as Angharad Richards) | |
| Stephen Rooney | .... | company grip: New York | |
| Mark Schmidt | .... | camera operator: New York | |
| Frank Schumo | .... | company grip: New York (as Frank Schiumo) | |
| Joseph Sciretta | .... | gaffer: New York | |
| Robert Sciretta | .... | company electrician: New York | |
| Charles Sherron | .... | key grip: New York (as Charles J. Sherron) | |
| David Smith | .... | gaffer (as Dave Smith) | |
| Laurie Sparham | .... | still photographer | |
| Perry Unjang | .... | company grip: New York | |
| Rory Walsh | .... | best boy: New York | |
| Andrew Watson | .... | rigging gaffer | |
| Daniel Wiener | .... | camera loader: New York (as Dan Wiener) | |
| Ian Barwick | .... | rigging gaffer (uncredited) | |
| Luke Myslowski | .... | daily grip (uncredited) | |
| Tom Scott | .... | rigger (uncredited) | |
| Russell Tann | .... | electrician (uncredited) | |
Casting Department | |||
| Barbara Harris | .... | adr voice casting | |
| Stephen Moore | .... | casting assistant | |
| Hayley Williams | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Kevin P. Faherty | .... | wardrobe supervisor: New York (as Kevin Faherty) | |
| Philip Goldsworthy | .... | costume daily | |
| Marcus Love-McGuirk | .... | assistant costume designer (as Marcus Love) | |
| Marcus Love-McGuirk | .... | costume supervisor (as Marcus Love) | |
| Harriet Lyons | .... | wardrobe stand-by | |
| Marie Meyer | .... | wardrobe stand-by | |
| Marcia Patten | .... | wardrobe supervisor: New York | |
| Faith Thomas | .... | wardrobe mistress | |
Editorial Department | |||
| John Daro | .... | digital intermediate editor: Fotokem Digital Film Services | |
| Bob Fredrickson | .... | color timer: Fotokem Digital Film Services (as Bob Frederickson) | |
| Michael L. Griffin | .... | digital intermediate artist: lineup, Fotokem Digital Film Services (as Mike Griffin) | |
| Andrew Haigh | .... | assistant editor: dailies | |
| Page Marsella | .... | first assistant editor | |
| Kelley Moore | .... | DFS coordinator: Fotokem Digital Film Services | |
| John Nicolard | .... | digital intermediate supervisor: Fotokem Digital Film | |
| Mike Piascik | .... | digital intermediate artist: lineup, Fotokem Digital Film Services | |
| Bill Schultz | .... | digital intermediate general manager: Fotokem Digital Film Services | |
| Nate Tufts | .... | DFS expediter: Fotokem Digital Film Services | |
| Walter Volpatto | .... | digital intermediate colorist: Fotokem Digital Film Services | |
Music Department | |||
| Dylan Maulucci | .... | music arranger | |
| Dylan Maulucci | .... | orchestrator | |
| Ashburn Miller | .... | music recordist | |
| Christopher S. Parker | .... | music consultant | |
| Jeremy Rubolino | .... | composer: additional music | |
| Jeremy Rubolino | .... | music arranger | |
| Jeremy Rubolino | .... | orchestrator | |
| Carl Sealove | .... | music editor | |
| Del Spiva | .... | music consultant | |
| Zob | .... | music mixer: The Village Recorder | |
| Tracy McKnight | .... | executive soundtrack producer (uncredited) | |
Transportation Department | |||
| Robert Bermudez | .... | driver: New York | |
| Sophie Burden | .... | driver: minibus | |
| Ian Drinkwater | .... | driver: minibus | |
| Lawrence Duncan | .... | facilities captain | |
| Richard Eksteen | .... | facilities driver | |
| Fredrik Herneoja | .... | production driver (as Freddy Hemoeja) | |
| Lee Isgar | .... | unit driver: Simon Pegg | |
| Colin Kiddell | .... | unit driver | |
| Chris Komak | .... | driver: New York | |
| Kerry Magee | .... | driver: New York | |
| Jimmy Mahr | .... | driver: New York (as James P. Mahr) | |
| Enyo Mortty | .... | unit driver | |
| Gdeorge Nadramia | .... | driver: New York | |
| Rocco Ottomanelli | .... | driver: New York | |
| Joe Parvis | .... | driver: New York | |
| John Riggins | .... | driver: New York | |
| Dennis Salomone Jr. | .... | driver: New York | |
| Brian Salomone | .... | driver: New York | |
| Dennis Salomone | .... | transportation captain: New York | |
| Darren Thackeray | .... | driver | |
| Darren Thackeray | .... | unit driver | |
| Pete Trotman | .... | unit driver (as Peter Trotman) | |
| Kevin R. Wood | .... | driver: New York (as Kevin Wood) | |
| Drew Yanarella | .... | driver: New York | |
Thanks | |||
| Amanda Abbington | .... | very special thanks | |
| Jarvis Cocker | .... | very special thanks | |
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| Dreamgirls | Happy Endings | The English Patient | Nowhere Boy | Toto the Hero |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
If indie dramas are to believed, there are essentially two reasons why there is so much unhappiness in the world (at least among the more privileged classes who have the time and resources to think of such things): a) people can't stand the idea of being alone in the world, yet they also can't stand the idea of being with another person for long stretches of time either, and b) it's hard to come to terms with the contrast between what we imagined our life would be like and what it actually turned out to be.
A case in point is "The Good Night," a mid-life-crisis drama with a surrealistic twist. Gary is a songwriter/musician who used to be part of a band but who has now been reduced to writing commercial jingles and scores for second-rate TV shows. A somewhat de-glamorized Gwyneth Paltrow plays Gary's nagging long-time girlfriend who's definitely become disenchanted with their relationship, while the ultra-glamorous Penelope Cruz stars as the literal woman of his dreams until she materializes and becomes a part of his waking world that is. In fact, a fairly large chunk of the movie's running time is taken up with Gary's dreams, which inevitably feature this alluring figure who stands in obvious counterpoint to Dora's flesh-and-blood imperfections. And then there's Danny De Vito as the scene-stealing New Age dream-whisperer who attempts to maneuver Gary through his crisis.
The point of the film, written and directed by Jake Paltrow (brother of Gwyneth), seems to be that ideal worlds and ideal relationships exist only in dreams, and that, if you want to survive and maybe even find a little bit of happiness in this life, you had better start accepting some compromises and limitations and not, as Voltaire once opined, make the perfect the enemy of the good. Even Gary's dream-woman is eventually unmasked as a relatively pedestrian fashion model who definitely does not live up to the dreams and fantasies Gary has about her before he meets her in the actual flesh.
The movie does a nice job transitioning back and forth between the world of reality and the world of dreams, and the actors demonstrate an astute understanding of the roles they are playing. Some of the conversations and arguments the lovers engage in are almost too painfully realistic at times, with Dora, in particular, unloading her feelings on Gary to withering effect.
It's not exactly a world-shaking human drama, but it offers some insightful observations into those maddeningly messy things we euphemistically call "romantic relationships."