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All About Love (2005)
"Tsoi suet yuk chi ngo oi nei" (original title)

6.2
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Ratings: 6.2/10 from 306 users  
Reviews: 11 user | 4 critic

Andy Lau takes two roles in the movie and the two of him is in love with Charlie Yeung and Charlene Choi respectively... See full synopsis »

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Title: All About Love (2005)

All About Love (2005) on IMDb 6.2/10

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Cast

Credited cast:
...
Ko / Derek
...
Tse Yuen Sam
...
Zi Qing
Rest of cast listed alphabetically:
Tung Cho 'Joe' Cheung
Sasha Hou
Shiu Hung Hui ...
Zi Qing's father
Suet Lam ...
Ko's colleague
Andrew Lin
Gigi Wong Suk Yee
Wong Sin Ting Zeni ...
Derek's model
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Storyline

Andy Lau takes two roles in the movie and the two of him is in love with Charlie Yeung and Charlene Choi respectively... See full synopsis »

Add Full Plot | Plot Synopsis

Genres:

Drama | Romance

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Details

Official Sites:

Country:

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Release Date:

20 October 2005 (China)  »

Also Known As:

All About Love  »

Filming Locations:


Box Office

Opening Weekend:

$301,292 (Hong Kong) (28 October 2005)

Gross:

$1,465,246 (Hong Kong) (11 November 2005)
 »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Soundtracks

"Continue to talk love"
Performed by Andy Lau
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User Reviews

 
Romantic slickness
8 May 2006 | by (Berkeley, California) – See all my reviews

Andy Lau as two characters with a doppelgänger with a goatee and pretty ladies Charlie Young and Charlene Choi and Amber. A man falls in love with a woman who turns out to have his dead wife's heart. Of course he falls in love with her -- you knew that, right? This lady's estranged husband looks just like Andy, and that's because he's played by Andy too. This contains lots of cute Hong Kong romantic gimmicks from movies and novels, including ones that Wong Kar-wai has often used in his rapturously stylized reworkings. Here the style is conventional and the thinking trite. The only interest is to see the technical displays, split-up editing, superabundance of flashbacks and computer manipulations, which are extremely slick, without making the material convincing -- though at times it's good for a laugh. This doesn't seem suitable for an international film festival -- so the choice to include it in San Francisco's 49th (April 2006) seems questionable. Nonetheless students and fans of Chinese film-making might want to watch it for its mastery of current clichés and tricks.


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