Emmy Coer, a computer genius, devises a method of communicating with the past by tapping into undying information waves. She manages to reach the world of Ada Lovelace, founder of the idea ... See full summary »
A writer, Tucker Harding, is hired to cover an article on the hydrogen-bomb test, Nevada, 1952. While there, radiation mutates her code/soul, spawning in her the ability to travel through ... See full summary »
Anxious to use artificial life to improve the world, Rosetta Stone, a bio-geneticist creates a Recipe for Cyborgs and uses her own DNA in order to breed three Self Replicating Automatons, ... See full summary »
In an eerily familiar city, a calendar reform has dispensed with the past and the future, leaving citizens faceless, without memory or anticipation. Unimaginable happiness abounds - until a woman recovers her face...
When Stephanie has her beeping egg, she and her family attend church. The pulpit is is decorated with red fabric, indicating that it was Pentecost Sunday, seven weeks after Easter, between May 10 an June 13 (depending on the year). Pentecost is the only Sunday in the liturgical calendar that uses red paraments (cloths used to decorate the church). Later, there is an ad for cars offering no payments until April 2005, so the movie likely occurs in 2004, making May 30 Pentecost Sunday. See more »
In "Stephanie Daley," Tilda Swinton stars as Lydie Crane, a forensic psychologist in her final months of pregnancy. Despite her condition and the fact that she had a miscarriage less than a year earlier, Lydie agrees to take on the case of a teenaged girl named Stephanie Daley (Amber Tamblyn) who is accused of killing her newborn at childbirth.
Written and directed by Hilary Brougher, "Stephanie Daley" is a human drama wrapped inside a legal whodunit (it's sort of like "Agnes of God" minus the nuns' habits and beatific visions). Set in scenic Upstate New York, the movie explores the anxieties and fears that many women face before, during and after pregnancy. Lydie's situation very much parallels Stephanie's at times, resulting in a strange symbiotic relationship between the two women. Those parallels aren't always as clearly drawn as they might be, but the positive result is that the story is made less obvious and more intriguing by the ambiguity.
"Stephanie Daley" is a low-keyed, thoughtful work that doesn't go in for flashy melodrama or thematic overstatement. It allows its narrative to unfold slowly, finding much of its drama in the minutiae of everyday life in the small town in which it is set.
The movie is blessed with sensitive, subtle work from not only Swinton and Tamblyn but a large cast of secondary performers, including Timothy Hutton, Kel O'Neill, Denis O'Hare, and others. The relationships in the movie are intricate and complex, and the plot doesn't seek out a preset path or formula to follow. It's not a movie designed to appeal to mainstream audiences much, but for those who prefer their films to wander a bit off the well-beaten path, "Stephanie Daley" offers substantial rewards.
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