Spend an Evening with Saddle Creek is the story of the record label as told by the people who made it happen. With extensive interviews, rare performances and archival footage, the film is ... See full summary »
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Spend an Evening with Saddle Creek is the story of the record label as told by the people who made it happen. With extensive interviews, rare performances and archival footage, the film is an oral and visual history of how the combination of talent, dedication and collaboration launched bands like Bright Eyes, Cursive and The Faint into the national eye and has fostered a close-knit family of artists that continues to inspire each other and their fans. Written by
Plexifilm
Cameraman:
Jake, would you like to ask Dapose a question?
Jake:
Why isn't it 'the conductor' instead of 'THE conductor?
Dapose:
...Shut the fuck up
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As a fan of much of the music that has come out of Omaha in the past 15 years, I was very disappointed at this shoddy excuse for a documentary. The filmmakers should have engaged in a bit of genre research and watched a film like 'No Direction Home', where Scorcese traces the evolution of Dylan's music with the breakdown of social order in 1960s America. As it is, 'An Evening With Saddle-Creek' makes no effort to connect the music, bands or community with the world outside Omaha. The viewer is left to remark, "who cares?," no matter how much they may or may not like the music. Of course, it may be argued this little music community doesn't actually have any connection or relevance to anyone that isn't immersed in the indie-pop music scene. Even if this were the case (and I tend to agree that it is) an interesting film could still have been made. It would have been a wise move to focus on one or two especially interesting characters and turned the film into a character study a la 'Don't Look Back'. Instead, 'An Evening' tries to pretend that every band on the label is equally compelling, so it stitches together a series of mini-documentaries (some a mere 5 minutes long) on each petty project that each peripheral friend of the label is engaged in. Big boring mistake. Let's face it, all people want to see is Conor anyways.
7 of 17 people found this review helpful.
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As a fan of much of the music that has come out of Omaha in the past 15 years, I was very disappointed at this shoddy excuse for a documentary. The filmmakers should have engaged in a bit of genre research and watched a film like 'No Direction Home', where Scorcese traces the evolution of Dylan's music with the breakdown of social order in 1960s America. As it is, 'An Evening With Saddle-Creek' makes no effort to connect the music, bands or community with the world outside Omaha. The viewer is left to remark, "who cares?," no matter how much they may or may not like the music. Of course, it may be argued this little music community doesn't actually have any connection or relevance to anyone that isn't immersed in the indie-pop music scene. Even if this were the case (and I tend to agree that it is) an interesting film could still have been made. It would have been a wise move to focus on one or two especially interesting characters and turned the film into a character study a la 'Don't Look Back'. Instead, 'An Evening' tries to pretend that every band on the label is equally compelling, so it stitches together a series of mini-documentaries (some a mere 5 minutes long) on each petty project that each peripheral friend of the label is engaged in. Big boring mistake. Let's face it, all people want to see is Conor anyways.