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Directed by | |||
| Randall Miller | |||
Writing credits(WGA) | ||
| Jody Savin | (written by) & | |
| Randall Miller | (written by) | |
Produced by | |||
| Jane Baum | .... | co-producer | |
| Bridget Fonger | .... | associate producer | |
| Jeffery Goddard | .... | executive producer | |
| Jon Faiz Kayyem | .... | co-producer | |
| Art Klein | .... | executive producer | |
| Randall Miller | .... | producer | |
| J.P. O'Neill | .... | co-producer | |
| Michael Ravine | .... | executive producer | |
| Jody Savin | .... | producer | |
| Ronald Savin | .... | co-producer | |
| Tom Soulanille | .... | executive producer | |
| Terry Spazek | .... | line producer | |
| Henry Suarez | .... | co-producer | |
Original Music by | |||
| Mark Adler | |||
| Paul Oakenfold | |||
Cinematography by | |||
| Mike Ozier | |||
Film Editing by | |||
| Randall Miller | |||
Casting by | |||
| Richard Pagano | |||
Production Design by | |||
| Craig Stearns | |||
Set Decoration by | |||
| Laura Evans | |||
Costume Design by | |||
| Kathryn Morrison | |||
Makeup Department | |||
| Alexi | .... | key hair stylist | |
| Lynn Barber | .... | department head makeup | |
| Marie Larkin | .... | department head hair | |
| Annalisa V. Levin | .... | key makeup artist (as Annalisa Levin) | |
Production Management | |||
| Terry Spazek | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Mike Crotty | .... | second second assistant director (as Michael Walter Crotty) | |
| John Pontrelli | .... | second assistant director (as John 'Ponch' Pontrelli) | |
| Brian Relyea | .... | first assistant director (as Brian F. Relyea) | |
Art Department | |||
| Phil Brandes | .... | painter | |
| Susan Cho | .... | buyer | |
| Michael Cudlitz | .... | propmaker | |
| David Dickinson | .... | painter | |
| James Diggs | .... | lead painter (as James N. Diggs) | |
| Matthew D. Egan | .... | propmaker foreman (as Matthew Egan) | |
| George Galicia | .... | laborer | |
| Mitchell Hammer | .... | painter | |
| David E. Harshbarger | .... | property master (as David Harshbarger) | |
| Brandon Le Doux | .... | propmaker | |
| Staci Mallett | .... | set dresser (as Stacy Mallet) | |
| James Mize | .... | propmaker | |
| Scott Ramey | .... | co-lead painter | |
| Willy Roberts | .... | on-set dresser | |
| Rebekah Schultz | .... | assistant property master | |
| F. Andrew Scott | .... | signwriter | |
| John L. Sullivan | .... | propmaker (as John Sullivan) | |
| Nandor Szilagy | .... | set dresser (as Nandor Szilagyi) | |
| Anatonio Vasquez | .... | laborer | |
| Steven C. Voll | .... | construction coordinator | |
| Lynny Warner | .... | leadman | |
| Chris Withrow | .... | set dresser | |
Sound Department | |||
| Christopher Assells | .... | sound effects editor | |
| James Bailey | .... | foley artist | |
| Kevin Patrick Burns | .... | sound re-recording mixer | |
| Dennis Carlin | .... | sound utility | |
| Verna Mandel | .... | sound recordist | |
| Michael Miller | .... | adr mixer | |
| Kelly Oxford | .... | supervising sound editor | |
| Damien Smith | .... | foley artist | |
| Dean Thomas | .... | boom operator | |
| Steve Weiss | .... | sound mixer | |
Special Effects by | |||
| Nikki Amoriasino | .... | special effects foreman (as Nikki Amorosino) | |
| Josh Hakian | .... | special effects coordinator | |
Visual Effects by | |||
| Brian Beard | .... | digital intermediate editor | |
| Christopher Dusendschon | .... | digital imaging supervisor: iO FILM | |
| Robert Beebe | .... | digital effects technician: iO FILM (uncredited) | |
Stunts | |||
| J.J. Dashnaw | .... | stunts | |
| Jeffrey J. Dashnaw | .... | stunt coordinator (as Jeff Dashnaw) | |
Animation Department | |||
| John Hope | .... | animator (opening animation) | |
| John Hope | .... | contributing animator (opening animation) | |
Casting Department | |||
| Michele Berumen | .... | casting assistant | |
| Leanna Sheldon | .... | casting associate | |
| Pete Sutton | .... | extras casting | |
Costume and Wardrobe Department | |||
| Olga Ishkhanova | .... | fitter | |
| Olga Ishkhanova | .... | tailor | |
| Hailey Palla | .... | set costumer (as Hailey Pahoa) | |
| Julie Thompson | .... | key costumer | |
| Laura Wolford | .... | costume supervisor | |
Editorial Department | |||
| Michael Mintz | .... | digital film colorist | |
| Dan O'Brien | .... | assistant editor | |
Music Department | |||
| Jonathan McHugh | .... | music supervisor | |
Transportation Department | |||
| Fred Bishop | .... | driver (as Fred Bishop) | |
| Al Boone | .... | driver | |
| Steve Butler | .... | driver | |
| Glenn Carter | .... | transportation coordinator (as Glenn A. Carter) | |
| Johnny Davis | .... | driver (as Johnny T.J. Davis) | |
| John Dixon | .... | driver | |
| James M. Downs | .... | driver (as Jimmy Downs) | |
| Dan Drews | .... | driver | |
| Chris Gallegos | .... | driver | |
| David Guilbeau | .... | driver (as David 'Cajun' Guilbeau) | |
| Scott Howard | .... | driver | |
| Jim Martell | .... | driver | |
| Kenneth Newland | .... | driver (as Kenny Newland) | |
| John Suttles | .... | driver (as John R. Suttles) | |
| Scott Tibbetts | .... | driver | |
| Chuck Visconte | .... | transportation captain | |
Thanks | |||
| Jon Avnet | .... | the producers wish to thank | |
| Ward Larsen | .... | thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
I attended the World Premiere of Nobel Son at the 2007 Tribeca Film Festival. That's Nobel as in Nobel Prize, and it takes the festival prize in my book. This winning film, from writer/director/producer/editor Randall Miller (did he make lunch too?), is on my list of Top 10 Picks from among the 30 I saw at this year's festival.
Professor Eli Michaelson (Alan Rickman) is about to win the Nobel Prize. His son Barkley (Bryan Greenberg) is a promising Ph.D. candidate wanting little to do with his father's pomposity. A scheme is hatched which is sure to pit father against son in a way to maximize their inherent rivalry. Let the madness and mayhem begin. In addition to Greenberg and Rickman, Nobel Son stars a troupe of talented veterans including Bill Pullman, Shawn Hatosy, Danny DeVito, Mary Steenburgen, Ted Danson, Ernie Hudson, and Eliza Dushku.
It's always hard to single anyone out in such an amazing ensemble cast. Greenberg, the titular son, is a worthy protagonist. The roller coaster ride on which he is taken is chilling, yet his upper crust background and bravado veneer cannot hide his childlike innocence. It is that vulnerability which sucks us in and compels us to look even when we would rather look away.
Shawn Hatosy is one of the most prolific and versatile young actors in the business, and he is frighteningly brilliant here. The intensity he brings to this role never lets up from start to finish. Nobody is better at psycho-scary. Many will be blown away by his performance. If he wasn't on your radar before he will be after you see Nobel Son.
Alan Rickman provides most of the comic relief in a film that is much more dark than comedic. A lesser actor could have turned in an over-the-top performance which might have tipped the scales in favor of the lighter side of this film. That would have spoiled the intensity of the violent escapades these young men partake in. But he manages to play the buffoon as only a legend can.
I was quite surprised by the look and feel of this film. It's much more stylized than one might expect. Digital effects and clever camera work help take what could have been a standard caper movie (a la Oceans 11) and turn it into a psychological thriller, emphasis on the thrills. It is such a fascinating story and an amazing script, and kudos to Randall Miller for being able to create a work which defies categorization. Gasps and laughs are traded back and forth, yet it manages to toe the line between comedy and tragedy without losing its focus.
If Kubrick inhaled nitrous oxide while making A Clockwork Orange, it might look something like Nobel Son. It will keep you on the edge of your seat, literally. Nobel Son is a breathtaking, refreshing escape from convention.