Barkley Michaelson is in a deep life rut. He's struggling to finish his PhD thesis when his father, the learned Eli Michaelson, wins the Nobel Prize for Chemistry. Barkley and his mother, ...
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Matthew Barnes is a young exec on the move up who finds himself a pawn in corporate in-fighting when he's sent to London to oversee a merger. He's to replace John Gissing; Gissing's gotten ... See full summary »
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Set right after World War II, a naive teenage girl joins a shabby theatre troupe in Liverpool. During a winter production of Peter Pan, the play quickly turns into a dark metaphor for youth... See full summary »
A young writer is interrogated by a sadistic secret policeman. She is accused of embedding political messages in her children's stories. The entire movie takes place in one room, with only ... See full summary »
Rupert, a ten year old boy, falls hopelessly in love for the first time. When it all goes terribly wrong, he wishes never to experience heartache again. Turning to a book of magic, he invokes a spell to shield him from emotion forever.
Barkley Michaelson is in a deep life rut. He's struggling to finish his PhD thesis when his father, the learned Eli Michaelson, wins the Nobel Prize for Chemistry. Barkley and his mother, Sarah, a renowned forensic psychiatrist, now have the ill-fortune of living with a man-eating monster whose philandering ways have gotten less and less discrete. As if Barkley's world is not bad enough, on the eve of his father receiving the Nobel, Barkley is kidnapped and the requested ransom is the $2,000,000 in Nobel prize money. Needless to say, Eli refuses to pay it and so starts a venomous tale of familial dysfunction, lust, betrayal and ultimately revenge. In the words of Michel De Montaigne, the 16th century philosopher: "There is more barbarity in eating a man alive than in eating him dead." Written by
Randall Miller & Jody Savin
In the mall scene the mini cooper used was a base model but the sound coming from the motor was that of a Supercharged S model. See more »
The French essayist, Michel de Montaigne, once said, "I think there is more barbarity in eating a man alive than in eating him dead." The wisdom of it. When you were a kid with an open soul, they told the world consists of good guys and bad guys. I always liked the bad guys. Scar Face over Superman.
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I somehow managed to get a ticket to the premiere at Tribeca and it was worth the struggle. The film is a freight train that picks up speed and never stops going. Great performances from Alan Rickman, Mary Steenburgen, Bill Pullman, Danny DeVito, Shawn Hatosy, Bryan Greenberg and Eliza Dushku (so hot!). Writers Miller and Savin have us constantly off balance and Miller's direction is reminiscent of early Guy Ritchie (Lock Stock, Snatch). It's amazing that the same team that did the sweet and sensitive Marilyn Hotchkiss' Ballroom Dancing & Charm School managed to pull off this wild breathless ride of a movie.
Can't wait to see it in theaters again when it comes out.
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