Barkley Michaelson is in a deep life rut. He's struggling to finish his PhD thesis when his father, the learned Eli Michaelson, wins the Nobel Prize for Chemistry. Barkley and his mother, ...
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Matthew Barnes is a young exec on the move up who finds himself a pawn in corporate in-fighting when he's sent to London to oversee a merger. He's to replace John Gissing; Gissing's gotten ... See full summary »
Set right after World War II, a naive teenage girl joins a shabby theatre troupe in Liverpool. During a winter production of Peter Pan, the play quickly turns into a dark metaphor for youth... See full summary »
A bickering couple drive fast through a downpour to catch the last ferry to their island retreat. In a flash, they recognize a crumpled body laying at the side of the road after much ... See full summary »
A young writer is interrogated by a sadistic secret policeman. She is accused of embedding political messages in her children's stories. The entire movie takes place in one room, with only ... See full summary »
A woman and her lover, who has made a living by running sex scams at hotels, decide to enter the big time by kidnapping a computer company owner and demanding $4 million ransom. The two ... See full summary »
After some years of tension, Richard begins a sexual relationship with his sister Natalie, who is now married. The relationship between Richard and Natalie proves dangerously obsessional. ... See full summary »
Barkley Michaelson is in a deep life rut. He's struggling to finish his PhD thesis when his father, the learned Eli Michaelson, wins the Nobel Prize for Chemistry. Barkley and his mother, Sarah, a renowned forensic psychiatrist, now have the ill-fortune of living with a man-eating monster whose philandering ways have gotten less and less discrete. As if Barkley's world is not bad enough, on the eve of his father receiving the Nobel, Barkley is kidnapped and the requested ransom is the $2,000,000 in Nobel prize money. Needless to say, Eli refuses to pay it and so starts a venomous tale of familial dysfunction, lust, betrayal and ultimately revenge. In the words of Michel De Montaigne, the 16th century philosopher: "There is more barbarity in eating a man alive than in eating him dead." Written by
Randall Miller & Jody Savin
After Det. Mariner questions Eli for the second time, Eli and his mother follow the detective out to his car, which is parked with its wheels partially off the asphalt. In the next shot, all of the wheels are on the asphalt. See more »
The French essayist, Michel de Montaigne, once said, "I think there is more barbarity in eating a man alive than in eating him dead." The wisdom of it. When you were a kid with an open soul, they told the world consists of good guys and bad guys. I always liked the bad guys. Scar Face over Superman.
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Feed Your Mind (Underworld Mix)
Written by Paul Oakenfold, Ian Green and Clifford Magreto
Performed by Paul Oakenfold
Remixed by Karl Hyde and Rick Smith (as Richard Smith)
Courtesy of Maverick Recording Company, Perfecto Records and EMI France
By arrangement with Warner Music Group Film & TV Licensing See more »
i was expecting this to actually be good because of a positive review by a critic who knows film and writes for my local paper. i'm surprised at just how bad it is. first off, the lighting leaves much to be desired. it's far too dark throughout the film. i'm sure this is on purpose, for some reason. second, the editing. lots of scenes in this film are shot like a music video, with quick editing and electronic music playing over it. it also doesn't cover up the flat direction that i believe is at the heart of this film. third, the music again. it's not just played in the quick-edit montages but throughout more static moments in the film. it does not help the film, in my opinion. also, i don't believe that it adds the sense of excitement that i think it is probably intended to. although with a film this uninvolving and flat i don't know that there's any music that could have helped. but the electronica seemed a bad choice.
also, there's little to no character development. i really didn't care what happened to any of the characters after a while, so i stopped watching. all in all, i found this film to be a sub-mediocre disappointment of an attempt at quirky black comedy. i give it a 2 because it has some good-to-decent acting despite the uninspired, flat direction.
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