Barkley Michaelson is in a deep life rut. He's struggling to finish his PhD thesis when his father, the learned Eli Michaelson, wins the Nobel Prize for Chemistry. Barkley and his mother, ... See full summary »
A frustrated man decides to take justice into his own hands after a plea bargain sets one of his family's killers free. He targets not only the killer but also the district attorney and others involved in the deal.
Martine offers Terry a lead on a foolproof bank hit on London's Baker Street. She targets a roomful of safe deposit boxes worth millions in cash and jewelry. But Terry and his crew don't realize the boxes also contain a treasure trove of dirty secrets - secrets that will thrust them into a deadly web of corruption and illicit scandal.
Stephen Campbell Moore
Beautiful Carmen Colson and her ironworker husband Wayne are placed in the Federal Witness Protection program after witnessing an "incident". Thinking they are at last safe, they are targeted by an experienced hit man and a psychopathic young upstart killer. The ensuing struggle will test Carmen to the limit.
Barkley Michaelson is in a deep life rut. He's struggling to finish his PhD thesis when his father, the learned Eli Michaelson, wins the Nobel Prize for Chemistry. Barkley and his mother, Sarah, a renowned forensic psychiatrist, now have the ill-fortune of living with a man-eating monster whose philandering ways have gotten less and less discrete. As if Barkley's world is not bad enough, on the eve of his father receiving the Nobel, Barkley is kidnapped and the requested ransom is the $2,000,000 in Nobel prize money. Needless to say, Eli refuses to pay it and so starts a venomous tale of familial dysfunction, lust, betrayal and ultimately revenge. In the words of Michel De Montaigne, the 16th century philosopher: "There is more barbarity in eating a man alive than in eating him dead." Written by
Randall Miller & Jody Savin
During Barkley and City's love scene, a patch covering her right nipple is briefly visible. See more »
The French essayist, Michel de Montaigne, once said, "I think there is more barbarity in eating a man alive than in eating him dead." The wisdom of it. When you were a kid with an open soul, they told the world consists of good guys and bad guys. I always liked the bad guys. Scar Face over Superman.
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This wasn't all bad, but it didn't seem to know where it was going. First of all the lousy music. This was intrusive, too loud and in places even drowned out the dialogue. I found myself reaching for the remote to lower it every time the nutter came on. He was accompanied by crazy music to let us know he was crazy. Then you had to turn the sound up again to catch the next bit of dialogue. The music was terrible, and sounded as if it was added at the last minute to change the direction of the movie in post edit. Then I realised what had happened. The original comedy movie had been made into a 'dark comedy' after shooting was over. The cannibalism, mutilation, kidnapping, murders and beatings were a little too much for the review audiences, so it had to become a thriller. The Woody Allen style poetry group and the presence of so many comedy actors, Rickman, Danson, Steenburgen, De Vito surely meant that this began as a comedy, but someone (one of the 5 producers ? ) decided to change tack. Was De Vito originally meant to be more enhanced role and he was cut down to practically a cameo ? Why was Danson given only a few cutting lines as the University Dean ? Given Benny Hill style music, or even a decent rock score, but hey they have to be paid for, the whole film would have been better. Why did this go straight to DVD here in the UK, and then be given away in a newspaper ? I think a fine cast was let down here by a too many cooks effect and a corporate writing and editing debacle.
5 of 6 people found this review helpful.
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