A descent into Hell is triggered when "Ex-Lord" Donald Brocklebank finds that he must leave Longleigh House for London to find a way to pay for the medical treatments for his wife Nancy. ... See full summary »
In 1943, group of Croatian soldiers overtake a strategically important point in western Bosnia with a goal to destroy a group of communist partisans. On the way they met some supernatural ... See full summary »
After breaking-up with his girlfriend Veronica, the unemployed John Hare rents a cheap room in an old boarding house owned by the nice Martin Stone and the landlord tells him that the house... See full summary »
An HIV positive woman's quest to infect as many men as possible has gruesome consequences after she attracts the attention of a psychotic former Army interrogator and an emotionally fragile young man caring for his ailing mother.
Jon Michael Davis
While a narrator tells the story of a night of terror that changes his life forever, 16 young people chat about their lives in London. With topics ranging from the drug "ecstasy," to AIDs ... See full summary »
Greta Scacchi, plays a lonely spinster Julia Parchant living on her own on a secluded farm in the mid-west of the USA. Unable to keep the farm by herself she hires a drifter Caleb Tucker, ... See full summary »
A descent into Hell is triggered when "Ex-Lord" Donald Brocklebank finds that he must leave Longleigh House for London to find a way to pay for the medical treatments for his wife Nancy. Alone, his over-protected, delusional, adult son, James, fancies himself in charge of the manor house with his terminally ill mother, and barricades the two of them into the house for a series of ever more panicked home treatments, mistakenly protecting her from the arrival of Nurse Mary and any outside help. Written by
The Longleigh House location was once a World War I hospital, the Hawtreys School for young men, and then was run as a drug rehabilitation clinic. Local reports are that at least three ghosts, an old woman, a soldier, and a child who fell 75 feet while sliding down the banisters, still inhabit the Tottenham House near Savernake, England. See more »
Hello? Hello? Yes, yes I know. No, I didn't know that. No, that's not good at all. No, she doesn't know. Hmm. Hmm. Exactly. Okay, goodbye.
They going to make it?
No, they're not.
Can I look after mummy this time.
I'm not going away.
But you always say that, you always do.
Some one's at the door!
Stop James, I said stop!
[...] See more »
Imagine a retelling of "The Shining" (1980) by Stanley Kubrick - but instead of Steven King's menacing snow storm and ghosts of the dead at the Overlook Hotel - this nuclear family is threatened by the bankruptcy of the landed aristocracy by health care, death by terminal cancer, and an over-protected adult son who is permanently child-like and requires vast infusions of anti-psychotics. Add to this helplessness, depression, anxiety, guilt, anger, and an oedipal-complex repressed by English manners, and you have the explosive makings for "The Living and the Dead" (2006).
Kubrick's famous emotional distance from the story is replaced by Rumley's intense personal need to pull the audience into the madness which modern medicine creates with false hopes and budget efficiencies, and especially, its patent inability to assist the emotional needs of both the terminal patient and their families. Rumley succeeds where others fear to tread by plunging the audience into the thick of it.
36 of 63 people found this review helpful.
Was this review helpful to you?