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Ingrid Bolsø Berdal,
Rolf Kristian Larsen,
Tomas Alf Larsen
A descent into Hell is triggered when "Ex-Lord" Donald Brocklebank finds that he must leave Longleigh House for London to find a way to pay for the medical treatments for his wife Nancy. Alone, his over-protected, delusional, adult son, James, fancies himself in charge of the manor house with his terminally ill mother, and barricades the two of them into the house for a series of ever more panicked home treatments, mistakenly protecting her from the arrival of Nurse Mary and any outside help. Written by
The film is dedicated to the memory of Sheila and David Rumley, parents of director Simon Rumley. Three months after his father had passed away from a heart attack, his mother was diagnosed with cancer. She died three months later. See more »
Hello? Hello? Yes, yes I know. No, I didn't know that. No, that's not good at all. No, she doesn't know. Hmm. Hmm. Exactly. Okay, goodbye.
They going to make it?
No, they're not.
Can I look after mummy this time.
I'm not going away.
But you always say that, you always do.
Some one's at the door!
Stop James, I said stop!
[...] See more »
In a decaying mansion in England, the former Lord Donald Brocklebank (Roger Lloyd Pack) lives with his wife Nancy (Kate Fahy), who is very ill, and their retarded and schizophrenic teenage son James (Leo Bill) that needs to use several pills to calm down. Donald is completely broken, apparently for paying for Nancy's medical treatment, and has been pressed to see his manor.
One day, Donald needs to travel early in the morning to London for a business and he summons Nurse Mary (Sarah Ball). However, James decides to prove to his father that he is capable to take care of his mother and he closes all the accesses to the house and locks himself with his mother inside the house. He gives an overdose of pills to his mother expecting to heal her and Nancy dies. In the funeral, there is another problem with James driving Donald insane.
"The Living and the Dead" is a harrowing and disturbing journey to insanity. The screenplay entwines reality and madness, past and present, in an environment of nightmare and the viewer needs to be very concentrated in the film to understand the story.
Leo Bill and Kate Fahy deliver top-notch performances and the camera work is amazing. This is the first work of Simon Rumley that I see and I noted in IMDb that many viewers have not understood the unpleasant journey to hell and insanity of Donald Brocklebank that is indicated to specific audiences. My vote is seven.
Title (Brazil): "Distúrbio Fatal" ("Fatal Disorder")
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