6.0/10
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34 user 44 critic

The Living and the Dead (2006)

Not Rated | | Drama, Horror, Mystery | 23 September 2006 (USA)
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1:51 | Trailer
A descent into Hell is triggered when "Ex-Lord" Donald Brocklebank finds that he must leave Longleigh House for London to find a way to pay for the medical treatments for his wife Nancy. ... See full summary »

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7 wins & 3 nominations. See more awards »
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Cast

Credited cast:
...
James Brocklebank
...
Donald Brocklebank
Kate Fahy ...
Nancy Brocklebank
Sarah Ball ...
Nurse Mary
Neil Conrich ...
Policeman
Richard Wills-Cotton ...
nurse Mike
Alan Perrin ...
nurse Bob
Richard Syms ...
Vicar
Rest of cast listed alphabetically:
Hilary Hodsman ...
Auntie Pat
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Storyline

A descent into Hell is triggered when "Ex-Lord" Donald Brocklebank finds that he must leave Longleigh House for London to find a way to pay for the medical treatments for his wife Nancy. Alone, his over-protected, delusional, adult son, James, fancies himself in charge of the manor house with his terminally ill mother, and barricades the two of them into the house for a series of ever more panicked home treatments, mistakenly protecting her from the arrival of Nurse Mary and any outside help. Written by Bob Lee

Plot Summary | Add Synopsis

Taglines:

Terror by good intentions.


Certificate:

Not Rated | See all certifications »

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Details

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Release Date:

23 September 2006 (USA)  »

Also Known As:

Entre vivos y muertos  »

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Box Office

Budget:

£650,000 (estimated)
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Company Credits

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Technical Specs

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(European Film Market)

Sound Mix:

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The Longleigh House location was once a World War I hospital, the Hawtreys School for young men, and then was run as a drug rehabilitation clinic. Local reports are that at least three ghosts, an old woman, a soldier, and a child who fell 75 feet while sliding down the banisters, still inhabit the Tottenham House near Savernake, England. See more »

Quotes

[first lines]
Donald Brocklebank: [answering phone] Hello? Hello? Yes, yes I know. No, I didn't know that. No, that's not good at all. No, she doesn't know. Hmm. Hmm. Exactly. Okay, goodbye.
James: They going to make it?
Donald Brocklebank: No, they're not.
James: Can I look after mummy this time.
Donald Brocklebank: I'm not going away.
James: But you always say that, you always do.
James: [knocking] Some one's at the door!
[starts running]
Donald Brocklebank: Stop James, I said stop!
[...]
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User Reviews

 
Rumley succeeds where others fear to tread.
5 August 2006 | by (United States) – See all my reviews

Imagine a retelling of "The Shining" (1980) by Stanley Kubrick - but instead of Steven King's menacing snow storm and ghosts of the dead at the Overlook Hotel - this nuclear family is threatened by the bankruptcy of the landed aristocracy by health care, death by terminal cancer, and an over-protected adult son who is permanently child-like and requires vast infusions of anti-psychotics. Add to this helplessness, depression, anxiety, guilt, anger, and an oedipal-complex repressed by English manners, and you have the explosive makings for "The Living and the Dead" (2006).

Kubrick's famous emotional distance from the story is replaced by Rumley's intense personal need to pull the audience into the madness which modern medicine creates with false hopes and budget efficiencies, and especially, its patent inability to assist the emotional needs of both the terminal patient and their families. Rumley succeeds where others fear to tread by plunging the audience into the thick of it.


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