A descent into Hell is triggered when "Ex-Lord" Donald Brocklebank finds that he must leave Longleigh House for London to find a way to pay for the medical treatments for his wife Nancy. ... See full summary »
Mum and Dad, and their 'adopted' children, Birdie & Elbie, work at the airport. The family live off whatever they scavenge from cargo holds, offices and hotels - including a steady stream ... See full summary »
While a narrator tells the story of a night of terror that changes his life forever, 16 young people chat about their lives in London. With topics ranging from the drug "ecstasy," to AIDs ... See full summary »
A seedy bar owner hires a mysterious Croatian to commit murder, but a planned double-crossing backfires when a young waitress is taken hostage. A suspenseful, yet darkly humorous chain of events builds to a bloodcurdling climax.
A descent into Hell is triggered when "Ex-Lord" Donald Brocklebank finds that he must leave Longleigh House for London to find a way to pay for the medical treatments for his wife Nancy. Alone, his over-protected, delusional, adult son, James, fancies himself in charge of the manor house with his terminally ill mother, and barricades the two of them into the house for a series of ever more panicked home treatments, mistakenly protecting her from the arrival of Nurse Mary and any outside help. Written by
The Longleigh House location was once a World War I hospital, the Hawtreys School for young men, and then was run as a drug rehabilitation clinic. Local reports are that at least three ghosts, an old woman, a soldier, and a child who fell 75 feet while sliding down the banisters, still inhabit the Tottenham House near Savernake, England. See more »
Hello? Hello? Yes, yes I know. No, I didn't know that. No, that's not good at all. No, she doesn't know. Hmm. Hmm. Exactly. Okay, goodbye.
They going to make it?
No, they're not.
Can I look after mummy this time.
I'm not going away.
But you always say that, you always do.
Some one's at the door!
Stop James, I said stop!
[...] See more »
Unlike the previous comment(er) on this film, I'd have to say that I quite enjoyed the film, also saw at the RFF, when quite a few people walked out. The thing is you see is that I am film fodder, and I find many things enjoyable that bemuse the people I know. This is a film that dwells on suffering, and, knowing first hand what it is like to suffer, and be around suffering, I can honestly say that the film engages the element of undue pain very well. Sometimes within films it is necessary to linger upon things for longer than some viewers would like, and this is one of those cases. I hope that the collaborators of this film will not be forced into procrastination by the previous comment(er), as I would very much like to see further works of the same mould, albeit without having to travel across the sea to view them. For most people you'll need to watch this film twice to really find the intensity that was so brilliant, there are gaps, but then again, TITANIC is the highest ever grossing film, who knows perfection?
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