Critic Reviews



Based on 14 critic reviews provided by Metacritic.com
Marshall reveals himself to be a terrific showman of chaos and comic savagery. This is Baz Luhrmann's "Mad Max."
One caveat: The film has more blood-splatter than a dozen zombie movies. If you can handle that, Doomsday's drunken mash-up of futuristic and feudal is surprisingly satisfying.
Neil Marshall's flair for visceral action more than compensates for his script's lack of conceptual novelty in Doomsday. Principally South Africa-shot tale of a post-apocalyptic Great Britain cobbles together large chunks of "Escape From New York," "The Road Warrior," "28 Days Later" and "Resident Evil," but those with a taste for revved-up, splattery fantasy thrills won't be complaining.
Marshall delivers what he promises and Mitri makes for a cool, kick-arse heroine in the Ellen Ripley mold.
The Hollywood Reporter
Mitra, clad in the requisite tight, sexy outfits, conveys a suitable toughness but little in the way of personality, while such distinguished British actors as Bob Hoskins and Adrian Lester dutifully show up to collect their paychecks.
Doomsday tries to cram so much into its limited 105 minutes that aspects end up feeling rushed and confused (especially the political situation in England) and the ending is perfunctory.
Film Threat
As a guilty pleasure, it's spectacularly entertaining
Marshall cribs whole sections from other movies (Aliens and The Road Warrior, most blatantly) so baldly that you have to wonder how he'd like it if someone ripped off "The Descent" this egregiously.
Marshall, like his characters, does not mess around: Good people do bad things to not-entirely bad people while the Man (in this case No. 10 Downing St.) seeks ways to screw everyone.
Marshall's film is crammed full of good ideas but doesn't have the cohesion to pull them all together. Less effective than "Dog Soldiers," never mind "The Descent."

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