Set in a futuristic world where humans live in isolation and interact through surrogate robots, a cop is forced to leave his home for the first time in years in order to investigate the murders of others' surrogates.
Ex-con Jensen Ames is forced by the warden of a notorious prison to compete in our post-industrial world's most popular sport: a car race in which inmates must brutalize and kill one another on the road to victory.
When a cure is found to treat mutations, lines are drawn amongst the X-Men, led by Professor Charles Xavier, and the Brotherhood, a band of powerful mutants organized under Xavier's former ally, Magneto.
In a future mind-controlling game, death row convicts are forced to battle in a 'doom'-type environment. Convict Kable, controlled by Simon, a skilled teenage gamer, must survive 30 sessions in order to be set free. Or won't he?
Michael C. Hall
A lethal virus spreads throughout the British isles,infecting millions and killing hundreds of thousands. To contain the threat, acting authorities brutally quarantine the country as it succumbs to fear and chaos. The quarantine is successful. Three decades later, the Reaper virus violently resurfaces in a major city. An elite group of specialists, including Eden Sinclair, is urgently dispatched into the still-quarantined country to retrieve a cure by any means necessary. Shut off from the rest of the world, the unit must battle through a landscape that has become a waking nightmare. Written by
The car featured in the chase scene is a 2008 Bentley Continental GT Speed. Bentley does not participate in product placement, so the film's producers purchased three of the cars for approximately $150,000. One car was mistakenly driven into a gorge; the second was used for the lion's share of the stunt shots. The filmmakers were astonished at how durable the car was despite the punishment it took; by the time filming concluded, the car only needed a cosmetic refit. Its frame and engine were all intact. See more »
During the PM's brief, during which the contingency plan to isolate "All of London north of the river" is outlined, a map of London and the flood barrier is shown. Judging by the scale (approximately determinable by the readily recognizable kink in the Thames), the barrier only goes as far north as Hackney, and thus is isolating maybe 20-30 square miles out of the 600 or so square miles of London. See more »
Like so many epidemics before, the loss of so many lives began with a single microscopic organism. It's human nature to seek even the smallest comfort in reason, or logic for events as catastrophic as these. But a virus doesn't choose a time or place. It doesn't hate or even care. It just happens.
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A fun but deliberately dumb movie with nothing original
Like Greg Mclean, director of "Wolf Creek" and another great white hope for the horror genre, Neil Marshall followed a very promising horror flick with a deliberately trashy project. Where Mclean directed his attention to a murderous crocodile, Marshall took a bow to two of his favorite movies, "Escape From New York" and "Mad Max". "Doomsday" is not just influenced by those two movies, it's practically a mash-up with the female heroine from "Underworld" thrown-in. So, the first thing you should forget about when you pop in this movie is originality. Marshall makes no excuses for paying homage to his heroes George Miller and John Carpenter (hell, he even named two characters in this movie after them).
Like "Escape From New York" and "Mad Max", "Doomsday" demands a lot of suspension of disbelief to be enjoyable. However, maybe sci-fi flicks could get away with more stupidity in the 80's or maybe Marshall's movie is just extra dumb. Sometimes it seems like the director wasn't even trying to fill plot holes or avoid laughable action scenes. If you're looking out for mistakes in "Doomsday", you'll find plenty to complain about.
So, no, this isn't the high profile follow up one would have wished for after the dense, claustrophobic "The Descent". On the other hand, "Doomsday" doesn't fail to entertain. It's fast paced and charmingly old fashioned. Who else dares to come up with a post-apocalyptic world in which punks and knights rule the country in this day and age? Marshall's love for the project is somehow transmitted to the viewer and actually gives you a very pleasant feeling.
If you're able and willing to turn off your brain, "Doomsday" can be a very entertaining, old-fashioned action movie. It may not be a masterpiece or even a good movie, but it can definitely be seen as a fun little interlude by a director that must not be written off just yet.
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