Ten stories are woven together by their shared theme of Halloween night in an American suburb, where ghouls, imps, aliens and axe murderers appear for one night only to terrorize unsuspecting residents.
A lethal virus spreads throughout Scotland, infecting millions and killing hundreds of thousands. To contain the threat, acting authorities brutally quarantine the country as it succumbs to fear and chaos. The quarantine is successful. Three decades later, the Reaper virus violently resurfaces in London. An elite group of specialists, including Eden Sinclair, is urgently dispatched into Scotland to retrieve a cure by any means necessary. Shut off from the rest of the world, the unit must battle through a landscape that has become a waking nightmare. Written by
The APC vehicles were manufactured with real steel plating and armor plated glass windscreens so that actors and stunt people could interact with them authentically. They took four or five weeks to design and ten weeks to build. Two were manufactured, and every piece of them was custom made. There was talk of buying similar vehicles that were being decommissioned, but it turned out to be cheaper to build their own from scratch. See more »
When the two APC's go through the gates in the wall to enter Scotland, it is pouring with rain and their windscreen wipers are on in the closeup shots, but off in the wide shot. See more »
Like so many epidemics before, the loss of so many lives began with a single microscopic organism. It's human nature to seek even the smallest comfort in reason, or logic for events as catastrophic as these. But a virus doesn't choose a time or place. It doesn't hate or even care. It just happens.
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If you enjoyed 28 Days Later, Mad Max: Beyond Thunderdome and Gladiator, this might be the film for you. Writer and Director Neil Marshall (Dog Soldiers, The Descent) an obvious student of genre movies, has managed to smoothly craft together a cinematic Frankenstein's monster of sci-fi action clichés. Gratuitous blood geysers? Check. Insane, post-apocalyptic punks? Check. Buff, beautiful, uber-bad-ass heroine that can kill without a moment's hesitation but still possesses superior morals to those that command her? Check. Ego-maniacal bad guy played by Malcolm McDowell? Check. Ticking clock to doomsday? Check.
Marshall has skillfully engineered what is truly an homage to the genre movie and an action buffet for moviegoers with appropriate kitsch and over-the-topness without lowering himself to the realm of spoof.
If you're looking for high cinema don't look here, but if you're looking for excitement, humor and an overall really good time, Doomsday will certainly fit the bill.
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