Directed by | |||
| Robert Breer | |||
|
|
|
|
|
| Rubber Cement | T.Z. | Fuji | Swiss Army Knife with Rats and Pigeons | 77 |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| IMDb Short section | IMDb USA section |
Robert Breer's images exist in a vacuum - where they are free to float, merge, and disperse. Breer's single-frame animation - hand-drawn instead of using cels - demonstrates to great effect the amorphousness of images that cinema brought to art through the innovation of motion pictures. These drawings flicker and flash across the screen, dissolving into and overlapping each other, creating countless associations and modifications. To assign an all-encompassing metaphor would undermine the film's sheer beautiful dissonance. Regard it as an object to be viewed from more than just a linear perspective. Even Pixar could not achieve this intricacy.