| César Troncoso | ... | Beto | |
| Virginia Méndez | ... | Carmen | |
| Mario Silva | ... | Valvulina | |
| Virginia Ruiz | ... | Silvia | |
| Nelson Lence | ... | Meleyo | |
| Henry De Leon | ... | Nacente | |
| Jose Arce | ... | Tica | |
| Rosario Dos Santos | ... | Teresa | |
| Hugo Blandamuro | ... | Tartamudo |
Directed by | |||
| César Charlone | |||
| Enrique Fernández | |||
Writing credits(in alphabetical order) | ||
| César Charlone | writer | |
| Enrique Fernández | writer | |
Original Music by | |||
| Gabriel Casacuberta | |||
| Luciano Supervielle | |||
Cinematography by | |||
| César Charlone | |||
Film Editing by | |||
| Gustavo Giani | |||
Casting by | |||
| Bruno Aldecosea | |||
Production Design by | |||
| Inés Olmedo | |||
Art Direction by | |||
| Inés Olmedo | |||
Set Decoration by | |||
| Omar Alaniz | |||
| Daniel Fernandez | |||
| Diego Mendez | |||
Costume Design by | |||
| Alejandra Rosasco | |||
Makeup Department | |||
| Claudia González | .... | key makeup artist | |
| Estela Vallegra | .... | makeup artist | |
Production Management | |||
| Sergio De León | .... | unit production manager | |
| Diego Ferrando Mazzotti | .... | assistant production manager | |
| Mirtha Molina | .... | production manager | |
| Gustavo Ribeiro | .... | post-production manager | |
| Carlos Vecchi | .... | post-production supervisor | |
Art Department | |||
| Rodrigo Borda | .... | assistant art director | |
| Daniel Fernandez | .... | props | |
| Mariana Pereyra | .... | assistant art director | |
Sound Department | |||
| Pablo Benedetto | .... | boom operator | |
| Daniel Márquez | .... | sound director | |
| Nicolás Scaduto | .... | foley editor | |
Visual Effects by | |||
| Marcelo Ferreira PeeJay | .... | digital effects artist | |
| Robson Sartori | .... | visual effects coordinator | |
| Karina Vanes | .... | post-production coordinator | |
| Andre Waller | .... | visual effects supervisor | |
| Mariana Zdravca | .... | post production coordinator | |
Casting Department | |||
| Santiago Turell | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Ana Dominguez | .... | wardrobe assistant | |
| Adriana Levin | .... | wardrobe assistant | |
Editorial Department | |||
| Alex Ferreira Barreiro | .... | assistant editor | |
| Mauricio Osaki | .... | assistant editor | |
| Sergio Pasqualino | .... | colorist | |
Transportation Department | |||
| Sonia Acosta | .... | transportation | |
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| Plata quemada | The Aryan Couple | The Straight Story | Aparte | Secuestro express |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Uruguay section | Add this title to MyMovies |
If you are looking for effects, heroes and such, don't watch it. If you watch movies as a thread of facts, or scenes, you'll never understand a movie like this. But if you open your mind enough to understand what poverty does to the characters; their broken dreams, their lack of material goods, their lack of education, food, etc., and read carefully each one of the subtle (and not so subtle sometimes) messages about honesty, friendship and family values, and how strong those values can be, you'll find you are watching a little jewel; surprisingly, non-pro actors almost outperform pro actors, thus making a very fresh and simple film, very natural. A message goes to church: it seems church doesn't care about poor people but only when is good marketing; feeding kids in poor countries (just an example, not related with the film) may be of great impact, but getting involved with problems and faith of people seems not to be important at all. That doesn't means stop feeding kids; that means not making a display of richness each time a country is visited, cause seems that the church laughs at people's poverty and suffering. I guess that's why so many of us in Uruguay believe in god, but doesn't trust the church as an institution anymore. Press credibility is at stake too. My personal opinion from now on: the message is clear.. the flame of values is still alive. Don't let it die, cause only values will keep us alive as big family.