| Kari Wahlgren | ... | Saya Otonashi (50 episodes, 2005-2006) | |
| Ben Diskin | ... | Kai (50 episodes, 2005-2006) | |
| Crispin Freeman | ... | Haji (50 episodes, 2005-2006) | |
| Olivia Hack | ... | Irene / ... (50 episodes, 2005-2006) | |
| Dave Wittenberg | ... | Solomon / ... (25 episodes, 2005-2006) | |
| Steve Blum | ... | Collins / ... (22 episodes, 2006) |
Series Directed by | |||
| Michael Hack | (50 episodes, 2005-2006) | ||
| Akiko Honda | (6 episodes, 2005-2006) | ||
| Naomichi Yamato | (3 episodes, 2005-2006) | ||
| Kiyoko Sayama | (2 episodes, 2005-2006) | ||
| Naoyasu Hanyu | (2 episodes, 2006) | ||
| Shigeyasu Yamauchi | (2 episodes, 2006) | ||
| Junichi Fujisaku | (1 episode, 2006) | ||
Series Writing credits | ||
| Joe D'Ambrosia | (50 episodes, 2005-2006) | |
| Junichi Fujisaku | (50 episodes, 2005-2006) | |
| Tom Teves | (50 episodes, 2005-2006) | |
| Shotaro Suga | (12 episodes, 2005-2006) | |
| Shigeru Morita | (10 episodes, 2005-2006) | |
| Reiko Yoshida | (8 episodes, 2005-2006) | |
| Kurasumi Sunayama | (8 episodes, 2006) | |
| Yoshiki Sakurai | (3 episodes, 2005-2006) | |
| Michiko Yokote | (3 episodes, 2006) | |
Series Produced by | |||
| Phil S. Crain | .... | producer (50 episodes, 2005-2006) | |
| Mitsuhisa Ishikawa | .... | executive producer (50 episodes, 2005-2006) | |
| Hideo Katsumata | .... | executive producer (50 episodes, 2005-2006) | |
| Mamoru Oshii | .... | co-planner (unknown episodes) | |
Series Original Music by | |||
| Mark Mancina | (50 episodes, 2005-2006) | ||
Series Cinematography by | |||
| Hiroshi Tanaka | (unknown episodes) | ||
Series Second Unit Director or Assistant Director | |||
| Shigeru Morikawa | .... | director: opening animation (13 episodes, 2005-2006) | |
| Naoyoshi Shiotani | .... | director: opening animation (13 episodes, 2006) | |
| Jun Matsumoto | .... | director: closing animation (12 episodes, 2006) | |
| Kazuto Nakazawa | .... | director: opening animation (12 episodes, 2006) | |
Series Art Department | |||
| Naoyoshi Shiotani | .... | storyboard artist: opening animation (13 episodes, 2006) | |
| Hitomu Kumoi | .... | storyboard artist (4 episodes, 2006) | |
| Kiyoko Sayama | .... | storyboard artist (3 episodes, 2005-2006) | |
| Naoyasu Hanyu | .... | storyboard artist (3 episodes, 2006) | |
| Tadahito Matsubayashi | .... | storyboard artist (3 episodes, 2006) | |
| Naomichi Yamato | .... | storyboard artist (3 episodes, 2006) | |
| Takashi Sano | .... | storyboard artist (2 episodes, 2005-2006) | |
| Akiko Honda | .... | storyboard artist (2 episodes, 2006) | |
| Nanako Shimazaki | .... | storyboard artist (2 episodes, 2006) | |
| Shigeyasu Yamauchi | .... | storyboard artist (2 episodes, 2006) | |
| Akiharu Ishii | .... | director of concept design (unknown episodes) | |
| Kazushige Kanehira | .... | art design assistant: Kusanagi (unknown episodes) | |
| Yumiko Katayama | .... | color designer (unknown episodes) | |
| Iho Narita | .... | art design: Kusanagi (unknown episodes) | |
Series Sound Department | |||
| David W. Barr | .... | adr recording engineer (50 episodes, 2005-2006) | |
| Yoshikazu Iwanami | .... | sound director (unknown episodes) | |
| Daisuke Jinbo | .... | sound effects (unknown episodes) | |
| Akiko Noguchi | .... | audio production assistant (unknown episodes) | |
| Hanae Takagi | .... | foley artist (unknown episodes) | |
| Emi Takanashi | .... | foley artist (unknown episodes) | |
| Fumiaki Tanaka | .... | assistant sound recordist (unknown episodes) | |
| Minoru Yamada | .... | sound producer (unknown episodes) | |
| Satoshi Yano | .... | sound recording engineer (unknown episodes) | |
Series Special Effects by | |||
| Masahiro Murakami | .... | special effects: opening animation (11 episodes, 2006) | |
Series Animation Department | |||
| Yoshimitsu Yamashita | .... | key animator: opening animation / key animator (14 episodes, 2005-2006) | |
| Akiharu Ishii | .... | chief animation director (unknown episodes) | |
| Kenji Teraoka | .... | mechanical designer (unknown episodes) | |
Series Casting Department | |||
| Michael Hack | .... | casting: English version (50 episodes, 2005-2006) | |
Series Music Department | |||
| Chuck Choi | .... | music post-production supervisor (unknown episodes) | |
| Nobuo Furukawa | .... | musician: cello (unknown episodes) | |
| Steve Kempster | .... | score mixer (unknown episodes) | |
| Kory Kruckenberg | .... | scoring engineer (unknown episodes) | |
| Robert Puff | .... | music preparation (unknown episodes) | |
| David Sabee | .... | orchestra contractor (unknown episodes) | |
| Hans Zimmer | .... | music producer (unknown episodes) | |
Series Other crew | |||
| Noriyuki Jinguji | .... | title designer (unknown episodes) | |
| Atsushi Matsumoto | .... | chief unit director (unknown episodes) | |
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| "Cowboy Bebop" | "Ikki tôsen" | Godzilla vs. King Ghidorah | "RIN ~Daughters of Mnemosyne~" | Dreamcatcher |
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| Episode guide | Full cast and crew | Company credits |
| External reviews | IMDb TV section | IMDb Animation section |
| IMDb Japan section |
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NOTE: I have seen the whole 50-episode series already, but not to worry, this is a NO-SPOILER review.
I used to watch a fair amount of anime, but over the past few years, my interest in it had been gradually waning, partly because of the decreasing number of good shows being produced, and partly because of lack of time due to my heavy workload.
However, this trend was reversed when I had the good fortune of coming across Blood+. I had never heard of it before, but the premise seemed interesting enough, though not particularly original or unique. I decided to give it a shot, expecting at least a decent and entertaining show but not much more than that.
But what I got was much, much more I had dared to hoped for. What starts out as a fairly conventional storyline gradually unravels, revealing a vastly more complex and intricate narrative tapestry. Its deliberate pacing may be misconstrued by some as being "slow", but as the story progresses, all the puzzle pieces that are uncovered early on start to fall into place, and things that once seemed insignificant or nonsensical begin to make sense.
As for the technical merits of this show, other people have already discussed its superb animation and hauntingly evocative soundtrack, so I won't go into too much detail on them. Suffice it to say that they complement the mood of the series exceptionally well.
However, what really won me over was the exceptional character development displayed here. Without giving too much away, I can say that these characters actually felt like real, living, breathing people and not just 2-D images on the TV screen. They change and evolve as time goes by, and after a particular event occurs, don't be surprised if you find yourself regarding certain characters in a totally different light.
To make a long story short, Blood+ is one of only a handful of shows that transcends the boundaries of its genre, and one of the best amines I have ever had the pleasure of experiencing. In fact, it practically single-handedly revived my passion for anime and spurred me on to seek many other great shows, which I probably would not have bothered to watch otherwise. And that is probably the greatest compliment one can pay to any medium of entertainment.