| Photos (See all 47 | slideshow) | Videos (see all 18) |
| Alex Fisher | ... | Mormon Boy #1 | |
| Peter Clayton-Luce | ... | Mormon Boy #2 | |
| Scott Speedman | ... | James Hoyt | |
| Liv Tyler | ... | Kristen McKay | |
| Gemma Ward | ... | Dollface | |
| Kip Weeks | ... | Man in the Mask | |
| Laura Margolis | ... | Pin-Up Girl | |
| Glenn Howerton | ... | Mike | |
| rest of cast listed alphabetically: | |||
| Jordan Del Spina | ... | Jordan - 911 caller (voice) (uncredited) | |
Directed by | |||
| Bryan Bertino | |||
Writing credits(WGA) | ||
| Bryan Bertino | (written by) | |
Produced by | |||
| Thomas J. Busch | .... | co-producer | |
| Doug Davison | .... | producer | |
| Joseph Drake | .... | executive producer (as Joe Drake) | |
| Marc D. Evans | .... | executive producer | |
| Nathan Kahane | .... | producer | |
| Kelli Konop | .... | executive producer | |
| Roy Lee | .... | producer | |
| Trevor Macy | .... | executive producer | |
| Sonny Mallhi | .... | executive producer | |
Original Music by | |||
| tomandandy | |||
Cinematography by | |||
| Peter Sova | (director of photography) | ||
Film Editing by | |||
| Kevin Greutert | |||
Casting by | |||
| Lindsey Hayes Kroeger | |||
| Tracy Kilpatrick | |||
| David Rapaport | |||
Production Design by | |||
| John D. Kretschmer | |||
Art Direction by | |||
| Linwood Taylor | |||
Set Decoration by | |||
| Missy Berent Ricker | (as Missy Berent) | ||
Costume Design by | |||
| Susan Kaufmann | |||
Makeup Department | |||
| Coni Andress | .... | head of hair department | |
| Wendy Bell | .... | makeup department head | |
| Jennifer Santiago | .... | key hair stylist (as Jennifer A. Santiago) | |
| Vincent Schicchi | .... | key makeup artist (as Vincent T. Schicchi) | |
| Leigh Ann Yandle | .... | assistant makeup artist (as Leigh Ann Yandle-Perry) | |
Production Management | |||
| Thomas J. Busch | .... | unit production manager | |
| Jason Leib | .... | post-production supervisor | |
| Tom Nicoll | .... | production supervisor | |
| Judy Richter | .... | production consultant | |
| Andrew Rona | .... | executive in charge of production | |
Second Unit Director or Assistant Director | |||
| Linda Brachman | .... | first assistant director | |
| Nicole Feder | .... | dga trainee | |
| Tim Fitzgerald | .... | second second assistant director (as David T. Fitzgerald) | |
| Rudy A. Persico | .... | second assistant director | |
Art Department | |||
| Jerry Adderton | .... | set dresser | |
| Gillian V. Albinski | .... | property master | |
| Daniel Auber | .... | storyboard artist (as Daniele Auber) | |
| John B. Clarey III | .... | carpenter | |
| Danielle Couture | .... | buyer | |
| Joshua L. Ellsworth | .... | propmaker | |
| Craig Gilmore | .... | storyboard artist | |
| Geoffrey S. Grimsman | .... | set designer | |
| Chris Holcombe | .... | leadman | |
| Doug Kelejian | .... | set dresser | |
| Otto Lindsey | .... | on set dresser | |
| Stephanie Macomber | .... | scenic (as Stephanie Macomber Kern) | |
| Dim McRemnant | .... | graphic artist | |
| Kelly Rubottom | .... | assistant property master | |
| Thomas Michael Ryan | .... | foreman | |
| Jeffrey Schlatter | .... | construction coordinator | |
| Deanna Tilley | .... | art dayplayer | |
| Helen Williams Ward | .... | storyboard artist | |
| Luci Wilson | .... | prop assistant | |
| Andre Hyland | .... | mask assistant (uncredited) | |
| Steve A. Stephenson | .... | carpenter (uncredited) | |
Sound Department | |||
| Jeffree Bloomer | .... | production sound mixer | |
| Brad Brock | .... | foley mixer | |
| Gary A. Hecker | .... | supervising foley artist | |
| Scott Hecker | .... | supervising sound editor (as Scott A. Hecker) | |
| Albert Hedgepeth | .... | second boom operator / sound utility | |
| Rick Hromadka | .... | sound effects editor | |
| Marti D. Humphrey | .... | sound re-recording mixer | |
| Chris M. Jacobson | .... | sound re-recording mixer | |
| Cliff Latimer | .... | sound editor | |
| Derek Pippert | .... | foley editor | |
| Philip Rogers | .... | adr recordist | |
| Jeff Rosen | .... | dialogue/adr supervisor | |
| Roy Seeger | .... | first assistant sound editor (as R.W. Seeger) | |
| Brad Semenoff | .... | assistant sound re-recording mixer | |
Special Effects by | |||
| David Beavis | .... | special effects technician | |
| David Hill | .... | special effects foreman | |
| Michael J. Hudson | .... | special effects technician | |
| William Purcell | .... | special effects coordinator (as Will Purcell) | |
| Susan Beavis | .... | special effects buyer (uncredited) | |
Visual Effects by | |||
| Ozzie Carmona | .... | digital compositor | |
| Michael Degtjarewsky | .... | digital compositor | |
| Mark Freund | .... | visual effects supervisor | |
| Maureen Healy | .... | digital compositor | |
| Phillip Hoffman | .... | visual effects coordinator | |
| Bill Holloway | .... | digital compositor | |
| Patrick Keenan | .... | digital compositor | |
| Erin L. Nelson | .... | digital restoration | |
| Jim O'Hagan | .... | digital compositor: Pacific Title | |
| Bob Poirier | .... | visual effects associate producer | |
| Tristan Rayos | .... | digital I/O | |
| Jon Stern | .... | visual effects producer | |
| Wilson Tang | .... | digital restoration | |
Stunts | |||
| Cal Johnson | .... | stunt coordinator | |
| Cal Johnson | .... | stunt double: Glenn Howerton | |
Camera and Electrical Department | |||
| Hugh Braselton | .... | camera operator: "b" camera | |
| Hugh Braselton | .... | second assistant camera | |
| Rick Crank | .... | lighting technician | |
| Catherine Cravens | .... | electrician | |
| Lee Donaldson | .... | grip | |
| Brian Gunter | .... | gaffer | |
| Daniel R. Haizlip | .... | best boy grip | |
| Geoff Herbert | .... | dolly grip | |
| W.C. 'Chunky' Huse | .... | key grip | |
| Tony Jenzano | .... | video assist | |
| Gary Johnson | .... | second assistant camera | |
| Brian Johnston | .... | rigging electrician | |
| Roy Knauf | .... | additional assistant camera | |
| Frank McGough | .... | dimmer board operator | |
| David Morenz | .... | first assistant camera | |
| Terry O'Deen | .... | rigging gaffer | |
| Mark N. Overton | .... | electrician | |
| Harrison Palmer | .... | electrician | |
| Doug Robinson | .... | electrician | |
| James Selph | .... | dolly grip: "b" camera | |
| Steve A. Stephenson | .... | rigging grip | |
| Jeff Sterner | .... | electrician | |
| Brian Sullivan | .... | camera operator | |
| John R. Sutton | .... | rigging key grip | |
| Mike Torino | .... | film loader | |
| German Valle | .... | rigging electrician | |
| Glenn Watson | .... | still photographer | |
Casting Department | |||
| Maxann Crotts | .... | casting: stand-ins | |
| Caitlin McKenna-Wilkinson | .... | adr voice casting | |
Costume and Wardrobe Department | |||
| Catherine A. Abreo | .... | set costumer | |
| Emmie Holmes | .... | wardrobe production assistant | |
| Laura Kaminski | .... | wardrobe production assistant | |
| Karen Keyes | .... | key set costumer | |
| Janet Melody | .... | tailor | |
| Stephen K. Randolph | .... | costume supervisor | |
Editorial Department | |||
| Tony Bacigalupi | .... | assistant editor | |
| Zack Howard | .... | post-production assistant | |
| Trent Johnson | .... | supervising digital colorist | |
| Kim Roseborough | .... | assistant editor | |
| Mark Sachen | .... | colorist | |
| Akkara Srauy | .... | post-production assistant | |
| April McMorris | .... | digital intermediate producer (uncredited) | |
| Everette Webber | .... | digital intermediate editor (uncredited) | |
Music Department | |||
| Christine Bergren | .... | music legal and clearances | |
| Michael Brake | .... | music editor | |
| Todd Brodie | .... | engineer | |
| Jessica Catron | .... | musician: cello | |
| Jeremy Drake | .... | musician: guitar and effects | |
| Peter Fuchs | .... | music scoring engineer | |
| Peter Fuchs | .... | recording engineer | |
| Maarten Hofmeijer | .... | music editor | |
| Season Kent | .... | music supervisor | |
| Dwight Mikkelsen | .... | orchestrator | |
| Sheri Ozeki | .... | music editor | |
| Josh Sarles | .... | assistant to composers | |
| Josh Sarles | .... | music engineer | |
| Josh Sarles | .... | score mixer | |
| Lee Scott | .... | music editor: temp music | |
| Andrew Silver | .... | music editor | |
| G.E. Stinson | .... | musician: guitar and electronics | |
| Paul Talkington | .... | orchestra contractor | |
| tomandandy | .... | score producer | |
| Allan Wilson | .... | conductor | |
| Allan Wilson | .... | copyist | |
Transportation Department | |||
| Donald Binder | .... | driver | |
| Christie Chaplin | .... | driver | |
| Skip Long | .... | driver: honeywagon | |
| Lee Siler | .... | transportation coordinator | |
| Scott Siler | .... | transportation captain | |
Thanks | |||
| Elizabeth Rowin | .... | special thanks | |
|
|
|
|
|
| Deep Red | A Bay of Blood | High Tension | The Case of the Scorpion's Tail | Friday the 13th |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
I seem to be approaching nihilist films on a streak, viewing "The Virgin Spring" recently. The Strangers has a lot of that "philosophy" crammed in. I read comments claiming the film doesn't connect us to the characters, and is crammed of every cliché to be. Oh the irony. When we see horror films, being attached to characters is a repeated figure, a screenwriter's must. Bertino does good in creating the night horror without any development, no overbearing crudeness, playing suspense and psychological terror like piano keys.
This is the approach: the strangers attack because their victims "are at home", and they do not respond to pleas, long reasonings or emotions. It's nihilism pure: they kill because they find control and domination powerful, and they don't care about consequences, moral or of any other kind.
In that optic, "The Strangers" is truly scary. We are not dealing with supernatural beings, but human beings, who chose the path of downright evil and can't be convinced of not doing it. People like that may be lurking out there, and that scares most of us viewers.