After kidnapping and brutally assaulting two young women, a gang unknowingly finds refuge at a vacation home belonging to the parents of one of the victims: a mother and father who devise an increasingly gruesome series of revenge tactics.
A loan officer who evicts an old woman from her home finds herself the recipient of a supernatural curse. Desperate, she turns to a seer to try and save her soul, while evil forces work to push her to a breaking point.
Desperate to repay his debt to his ex-wife, an ex-con plots a heist at his new employer's country home, unaware that a second criminal has also targeted the property, and rigged it with a series of deadly traps.
The plot follows a family of four who have been evicted from their home due to the economy, and are paid a visit by the same three strangers from the first film. It is not known whether the... See full summary »
After returning from a wedding reception, a couple staying in an isolated vacation house receive a knock on the door in the mid-hours of the night. What ensues is a violent invasion by three strangers, their faces hidden behind masks. The couple find themselves in a violent struggle, in which they go beyond what either of them thought capable in order to survive. Written by
The movie was not shot inside of an actual house, the interior of the home was built on a sound stage. See more »
When Kristen falls and hurts her ankle in the leaves, she starts to climb and crawl. The black tie covering her wound is not on her hand. In the next shot, the tie is back on her hand. See more »
What you are about to see is inspired by true events. According to the FBI, there are an estimated 1.4 million violent crimes in America each year. On the night of February 11, 2005, Kristen McKay and James Hoyt left a friend's wedding reception and returned to the Hoyt family's summer home. The brutal events that took place there are still not entirely known.
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I seem to be approaching nihilist films on a streak, viewing "The Virgin Spring" recently. The Strangers has a lot of that "philosophy" crammed in. I read comments claiming the film doesn't connect us to the characters, and is crammed of every cliché to be. Oh the irony. When we see horror films, being attached to characters is a repeated figure, a screenwriter's must. Bertino does good in creating the night horror without any development, no overbearing crudeness, playing suspense and psychological terror like piano keys.
This is the approach: the strangers attack because their victims "are at home", and they do not respond to pleas, long reasonings or emotions. It's nihilism pure: they kill because they find control and domination powerful, and they don't care about consequences, moral or of any other kind.
In that optic, "The Strangers" is truly scary. We are not dealing with supernatural beings, but human beings, who chose the path of downright evil and can't be convinced of not doing it. People like that may be lurking out there, and that scares most of us viewers.
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