After kidnapping and brutally assaulting two young women, a gang unknowingly finds refuge at a vacation home belonging to the parents of one of the victims: a mother and father who devise an increasingly gruesome series of revenge tactics.
A loan officer who evicts an old woman from her home finds herself the recipient of a supernatural curse. Desperate, she turns to a seer to try and save her soul, while evil forces work to push her to a breaking point.
After returning from a wedding reception, a couple staying in an isolated vacation house receive a knock on the door in the mid-hours of the night. What ensues is a violent invasion by three strangers, their faces hidden behind masks. The couple find themselves in a violent struggle, in which they go beyond what either of them thought capable in order to survive. Written by
Many theaters across the United States were sent faulty reels of the movie, containing sound problems, which made a few minutes to several scenes of the movie filled with nothing but static. Most movie-watchers didn't even realize the sound was a problem, since the dark overtone and loud background music at some areas make the static seem like part of the movie. See more »
When Kristen puts a record on, she places the needle at the beginning, and we hear Joanna Newsom's "The Sprout And The Bean." That isn't the first song on either side of any of her vinyl albums. See more »
What you are about to see is inspired by true events. According to the FBI, there are an estimated 1.4 million violent crimes in America each year. On the night of February 11, 2005, Kristen McKay and James Hoyt left a friend's wedding reception and returned to the Hoyt family's summer home. The brutal events that took place there are still not entirely known.
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I seem to be approaching nihilist films on a streak, viewing "The Virgin Spring" recently. The Strangers has a lot of that "philosophy" crammed in. I read comments claiming the film doesn't connect us to the characters, and is crammed of every cliché to be. Oh the irony. When we see horror films, being attached to characters is a repeated figure, a screenwriter's must. Bertino does good in creating the night horror without any development, no overbearing crudeness, playing suspense and psychological terror like piano keys.
This is the approach: the strangers attack because their victims "are at home", and they do not respond to pleas, long reasonings or emotions. It's nihilism pure: they kill because they find control and domination powerful, and they don't care about consequences, moral or of any other kind.
In that optic, "The Strangers" is truly scary. We are not dealing with supernatural beings, but human beings, who chose the path of downright evil and can't be convinced of not doing it. People like that may be lurking out there, and that scares most of us viewers.
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