A family's moral codes are tested when Ray Tierney investigates a case that reveals an incendiary police corruption scandal involving his own brother-in-law. For Ray, the truth is revelatory, a Pandora's Box that threatens to upend not only the Tierney legacy but the entire NYPD.
As homicide detective Thomas Craven investigates the death of his activist daughter, he uncovers not only her secret life, but a corporate cover-up and government collusion that attracts an agent tasked with cleaning up the evidence.
When Keller Dover's daughter and her friend go missing, he takes matters into his own hands as the police pursue multiple leads and the pressure mounts. But just how far will this desperate father go to protect his family?
A frustrated man decides to take justice into his own hands after a plea bargain sets one of his family's killers free. He targets not only the killer but also the district attorney and others involved in the deal.
A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in Los Angeles. He must find a way to save both himself and one last victim.
A family of police officers - patriarch, two sons, and a son-in-law - deals with corruption in a precinct in Washington Heights. Four officers die in an ambush at a drug dealer's apartment. It's brother Francis's precinct, so when the investigation led by brother Ray finds hints of police corruption, there's pressure to close ranks and save Frankie's career. Dad, a police brass, promises Ray that he and Frankie can clean things up, and Ray should focus on catching the drug dealer who killed the cops. Meanwhile, brother-in-law Jimmy, a hothead and an enforcer, is visited at home by a lowlife. Is Jimmy involved in the corruption? Where can this take the family? Written by
In the scene where Ray is staking out the junkie informant in the Santa hat to find Tezo, when he he jumps out of the car and starts running, he has an empty, unsnapped and flapping holster on his left hip (rear view) but is not carrying a weapon in his hand. When we next see him, he has the holster on his right hip, gun in it and snapped closed. He then un-holsters his weapon from that left hip holster when he readies to enter the building. See more »
When we were kids, all we ever talked about was being cops.
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Films revolving around a family of policemen are nothing new. Pride & Glory, starring Norton & Farrell, isn't anything revolutionary in the genre but takes a generally strong storyline and adds some good acting.
Story revolves around a group of cops (led by Farrell) up to their necks in trouble after their corrupt scams have backfired on them, and to cover their backs they need to tread deeper into the mire. On the other hand is Norton (Farrell's brother-in-law) who slowly discovers what's going on, and it all goes helter-skelter.
In many ways in these films they can get a little clichéd and melodramatic, but this film seems conscious of that fact, and in general has strayed away from what it could have been. Nevertheless, its nothing special but still interesting. The main interest is the family politics and dynamics and that should keep your interest with the generally good acting. An enjoyable movie.
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