A family's moral codes are tested when Ray Tierney investigates a case that reveals an incendiary police corruption scandal involving his own brother-in-law. For Ray, the truth is revelatory, a Pandora's Box that threatens to upend not only the Tierney legacy but the entire NYPD.
When Keller Dover's daughter and her friend go missing, he takes matters into his own hands as the police pursue multiple leads and the pressure mounts. But just how far will this desperate father go to protect his family?
A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in Los Angeles. He must find a way to save both himself and one last victim.
A frustrated man decides to take justice into his own hands after a plea bargain sets one of his family's killers free. He targets not only the killer but also the district attorney and others involved in the deal.
A family of police officers - patriarch, two sons, and a son-in-law - deals with corruption in a precinct in Washington Heights. Four officers die in an ambush at a drug dealer's apartment. It's brother Francis's precinct, so when the investigation led by brother Ray finds hints of police corruption, there's pressure to close ranks and save Frankie's career. Dad, a police brass, promises Ray that he and Frankie can clean things up, and Ray should focus on catching the drug dealer who killed the cops. Meanwhile, brother-in-law Jimmy, a hothead and an enforcer, is visited at home by a lowlife. Is Jimmy involved in the corruption? Where can this take the family? Written by
I saw a screening of "Pride and Glory" last night. It's the kind of American movie you don't see anymore, a throwback to the big themes and dramatic tone of the 1950s, when Elia Kazan was making movies like "East of Eden" and "On the Waterfront," and Arthur Miller was writing plays like "Death of a Salesman" and "All My Sons." Family, honor, corruption, right and wrong, fathers and sons--these are the kinds of issues that director/co-writer Gavin O'Connor is taking on in "Pride and Glory," and in doing so he's made a timeless film. Sincere without being sentimental (much like "Miracle," O'Connor's last effort), "Pride and Glory" gets elbow deep in a corruption scandal that threatens to crack the blue wall of the NYPD and destroy the Tierney family legacy (patriarch Jon Voight, sons Ed Norton and Noah Emmerich, and outlaw brother-in-law Colin Farrell, who has never been better). A muscular, old-school American film, with big themes splashed on a big canvas, "Pride and Glory" is familiar and original at the same time. In the Age of Irony, these are the kinds of movies you rarely see anymore. An honest, gripping drama.
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