A family's moral codes are tested when Ray Tierney investigates a case that reveals an incendiary police corruption scandal involving his own brother-in-law. For Ray, the truth is revelatory, a Pandora's Box that threatens to upend not only the Tierney legacy but the entire NYPD.
A family of police officers - patriarch, two sons, and a son-in-law - deals with corruption in a precinct in Washington Heights. Four officers die in an ambush at a drug dealer's apartment. It's brother Francis's precinct, so when the investigation led by brother Ray finds hints of police corruption, there's pressure to close ranks and save Frankie's career. Dad, a police brass, promises Ray that he and Frankie can clean things up, and Ray should focus on catching the drug dealer who killed the cops. Meanwhile, brother-in-law Jimmy, a hothead and an enforcer, is visited at home by a lowlife. Is Jimmy involved in the corruption? Where can this take the family? Written by
In 2001, Mark Wahlberg and Hugh Jackman were in talks to star. Production was scheduled to begin in February 2002. After the September 11, 2001 attack on New York City and the celebrated heroics of the city's police, however, it was deemed inappropriate to make a film featuring corrupt NYPD officers at the time. See more »
When Ray and Franny are driving to the convenience store, you can see the reflection of the same Duane Reade drug store over and over again in the car window. It is a continuous loop. See more »
[as Jimmy is about to commit suicide]
Don't do it! No Jimmy! Don't fuckin' do it!
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I saw a screening of "Pride and Glory" last night. It's the kind of American movie you don't see anymore, a throwback to the big themes and dramatic tone of the 1950s, when Elia Kazan was making movies like "East of Eden" and "On the Waterfront," and Arthur Miller was writing plays like "Death of a Salesman" and "All My Sons." Family, honor, corruption, right and wrong, fathers and sons--these are the kinds of issues that director/co-writer Gavin O'Connor is taking on in "Pride and Glory," and in doing so he's made a timeless film. Sincere without being sentimental (much like "Miracle," O'Connor's last effort), "Pride and Glory" gets elbow deep in a corruption scandal that threatens to crack the blue wall of the NYPD and destroy the Tierney family legacy (patriarch Jon Voight, sons Ed Norton and Noah Emmerich, and outlaw brother-in-law Colin Farrell, who has never been better). A muscular, old-school American film, with big themes splashed on a big canvas, "Pride and Glory" is familiar and original at the same time. In the Age of Irony, these are the kinds of movies you rarely see anymore. An honest, gripping drama.
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