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Two stage magicians engage in competitive one-upmanship in an attempt to create the ultimate stage illusion.

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(screenplay), (screenplay) | 1 more credit »
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Top Rated Movies #50 | Nominated for 2 Oscars. Another 6 wins & 28 nominations. See more awards »

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Cast

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Storyline

In the end of the Nineteenth Century, in London, Robert Angier, his beloved wife Julia McCullough and Alfred Borden are friends and assistants of a magician. When Julia accidentally dies during a performance, Robert blames Alfred for her death and they become enemies. Both become famous and rival magicians, sabotaging the performance of the other on the stage. When Alfred performs a successful trick, Robert becomes obsessed trying to disclose the secret of his competitor with tragic consequences. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

A Rivalry That Turned Deadly. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for violence and disturbing images | See all certifications »

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Details

Country:

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Language:

Release Date:

20 October 2006 (USA)  »

Also Known As:

El gran truco  »

Box Office

Budget:

$40,000,000 (estimated)

Opening Weekend:

$14,801,808 (USA) (20 October 2006)

Gross:

$53,082,743 (USA) (2 February 2007)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Chung Ling Soo was a stage character created by a Caucasian American man, William Ellsworth Robinson, who disguised himself as a Chinese man to cash in on audiences' enthusiasm for the exotic. Robinson lived as Chung, never breaking character while in public. He died in March 1918 when a bullet catch trick went wrong. "My God, I've been shot" were both his last words and the first English he had spoken on stage in 19 years. See more »

Goofs

During the magic show where Alfred meets Sarah for the first time, on both sides of the stage there are statues looking exactly like the two guardian statues found in King Tutankhamen's tomb, not discovered until 1922. See more »

Quotes

[first lines]
Alfred Borden: Are you watching closely?
See more »

Connections

Referenced in Tosh.0: Magician Fail (2011) See more »

Soundtracks

Princess Waltz
Written by W. Davies
Courtesy of APM
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Storytelling at its best!
21 October 2006 | by (Canada) – See all my reviews

The Prestige is a masterful exercise in storytelling with superb direction and powerful performances by a grand ensemble cast. From set and production design to cinematography, from script to presentation, Christopher Nolan has once again demonstrated why he is one of the film world's brightest up and coming directors. The Prestige only helps solidify his standing as one of the landmark directors of his generation.

Told in a narrative that jumps between various points along its time line, playing out like a magic act itself, the story is that of two magicians on the rise in their careers. The first -- played by Christian Bale -- is an expert in understanding the fundamentals of any trick, but lacks showmanship. The second -- played by Hugh Jackman -- is a master showman who is more entertaining than technical. A tragic series of events pits the two performers against each other in a battle of wits that spirals further and further out of control, consuming both of them and everything and everyone they care about.

With a story that requires actors with a great deal of emotive range, Nolan has assembled what could be described as a dream cast. Both Bale and Jackman suit their respective roles perfectly, and pitting these two performers against each other was a stroke of casting genius. Michael Caine takes what could have been a forgettable role by any lesser actor and elevates it with his demanding screen presence. Probably the most surprising performance comes from David Bowie whose unforgettable turn as master physicist Nikola Tesla absolutely shines. Add Andy Serkis to the mix, and what is assembled is a group of performers who know how to fully engage the audience.

The Prestige is hard to pigeonhole into any specific genre as it walks the fine line between mystery, drama, suspense and fantasy. In that, the story becomes a never-ending stream of wonder for the mind: one can never tell exactly where the story is going to lead next, becoming more and more as time goes on. This gives Christopher Nolan ample opportunity to play. And play he does. With narration by several characters, each adding their own viewpoint to the events, and with a direction that moves between time to mystify and distract, the end result is a climax that itself is a series of puzzles that each unravel beautifully.

The only major criticisms that can be leveled at the Prestige are a confusing play with the seasons during Tesla's introduction (winter suddenly becomes spring/summer and back again) and a strange choice of music for the closing credits (a pop song at the end of a film such as this seems tacky). However, neither is significant enough of a problem to warrant any need to avoid the film at all.

In the end, the Prestige is a fantastic display of what can be accomplished when you bring together superior talent. It is certainly worth the price of admission and as good as any magic show you are to come across.


334 of 410 people found this review helpful.  Was this review helpful to you?

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