Directed by | |||
| Nick Hurran | |||
Writing credits(in alphabetical order) | ||
| Geoff Deane | ||
Original Music by | |||
| Christian Henson | |||
Cinematography by | |||
| Steve Danyluk | |||
Film Editing by | |||
| John Richards | |||
Casting by | |||
| Robin D. Cook | |||
| Nicole Hilliard-Forde | |||
Production Design by | |||
| Craig Lathrop | |||
Art Direction by | |||
| Jon P. Goulding | |||
Set Decoration by | |||
| Crispian Sallis | |||
Costume Design by | |||
| Donna Wong | |||
Makeup Department | |||
| Joan Chell | .... | assistant makeup artist | |
| Katarina Chovanec | .... | key hair stylist | |
| Debi Drennan | .... | makeup department head | |
Production Management | |||
| James Crouch | .... | production manager | |
Art Department | |||
| Pierre Bonhomme | .... | art department apprentice | |
| Jamie Burke | .... | construction coordinator | |
| Carlo Cesta | .... | head painter | |
| Craig Grant | .... | property master | |
| Jason Herriott | .... | key scenic | |
| Tanya Lemke | .... | assistant property master | |
| Rick Little | .... | set dresser | |
| John Moran | .... | assistant art director | |
| Harry Pain | .... | assistant art director | |
| Timothy Peel | .... | graphic designer | |
| Howard Weaver | .... | scenic artist | |
| Mickey Woolfson | .... | property master | |
Sound Department | |||
| Hugo Adams | .... | foley editor | |
| Craig Baker | .... | boom operator | |
| Ben Barker | .... | supervising sound effects editor | |
| Courtney Bishop | .... | adr recordist | |
| Andrew Caller | .... | sound re-recording mixer | |
| Peter Clements | .... | sound mixer | |
| Robert Edwards | .... | adr recordist | |
| Lee Herrick | .... | adr editor | |
| Lee Herrick | .... | dialogue editor | |
| Claire Mahoney | .... | foley artist | |
| Michael Miller | .... | adr mixer | |
| Brendan Nicholson | .... | sound re-recording mixer | |
| Jamie Roden | .... | adr mixer | |
| Andy Thompson | .... | adr mixer | |
| Iain Jamieson | .... | assistant adr recordist (uncredited) | |
Special Effects by | |||
| Brock Jolliffe | .... | special effects supervisor | |
Visual Effects by | |||
| Craig Allison | .... | network and operations: The Senate VFX | |
| Simon Carr | .... | digital artist: The Senate VFX | |
| Sean Farrow | .... | visual effects supervisor: The Senate VFX | |
| Sarah Hemsley | .... | visual effects producer: The Senate VFX | |
| David Margolis | .... | digital artist: The Senate VFX | |
| Nick New | .... | digital artist: The Senate VFX | |
| Samantha Spacey | .... | visual effects coordinator: The Senate VFX | |
Stunts | |||
| Dan Belley | .... | stunt rigger | |
| Marco Bianco | .... | key stunt rigger | |
| Marco Bianco | .... | stunt double | |
| Matt Birman | .... | stunt coordinator | |
| Christopher Cordell | .... | stunt rigger | |
| Dana Jones | .... | stunt double | |
Camera and Electrical Department | |||
| Johnny Askwith | .... | camera operator | |
| Tim Barg | .... | electrician | |
| Kathryn Cox | .... | video assist operator | |
| Gabriele DiChiara | .... | gaffer | |
| Grace Donaldson | .... | additional grip | |
| Christian Drennan | .... | key grip | |
| Carl Flood | .... | electrician | |
| Russ Goozee | .... | director of photography: second unit | |
| Mike Gowland | .... | generator operator | |
| Adrienne Hayward | .... | camera trainee | |
| Peter Irvine | .... | grip | |
| Alex Jordan | .... | best boy | |
| Sean Jordan | .... | electrician | |
| Alex Lisman | .... | daily camera trainee: second unit | |
| Brent Marrale | .... | lighting technician | |
| Brooke Palmer | .... | still photographer | |
| Chad S. Roberts | .... | daily electrician (2005) | |
| Brent Robinson | .... | first assistant camera: "b" camera | |
| Darren Spriet | .... | second assistant camera: "b" camera | |
| Amanda Wojtaszek | .... | camera loader | |
| Matt Kiskis | .... | grip (uncredited) | |
Editorial Department | |||
| Marie-Hélène Boulianne | .... | telecine assistant | |
| Siobhan Boyes | .... | post-production coordinator | |
| Paul Ensby | .... | digital color timer | |
| Hugo Fowler | .... | post-production runner | |
| Dianne Gordon | .... | digital intermediate data manager | |
| Tom Harrison-Read | .... | assistant editor | |
| Christopher Haufe | .... | colorist (as Chris Haufe) | |
| Aaron Marshall | .... | first assistant editor | |
| Yan Miles | .... | first assistant editor | |
| Alexandra Montgomery | .... | post-production coordinator | |
| Dominic Thomson | .... | digital editor | |
| Jay Warren | .... | digital intermediate project manager | |
Music Department | |||
| Sharif Ahmed | .... | assistant to music supervisor | |
| Liz Gallacher | .... | music supervisor | |
| Joe Henson | .... | music programmer | |
| Joe Henson | .... | musician: bass guitar | |
| Seanine Joyce | .... | co-orchestrator | |
| Seanine Joyce | .... | score preparation | |
| Emily Rogers Swanson | .... | music editor (as Emily Rogers) | |
| Hilary Skewes | .... | musician contractor | |
| Alison Wright | .... | score coordinator: Air-Edel | |
Transportation Department | |||
| Michael Bingham | .... | driver | |
| Jeff Blake | .... | driver: honeywagon | |
| Chris Taylor | .... | picture car coordinator | |
Other crew | |||
| Mark Alleyne | .... | assistant location manager | |
| Glenn Carter | .... | location manager | |
| Jill Carter | .... | script supervisor | |
| Irene Chawko | .... | script supervisor | |
| Matt Curtis | .... | title designer | |
| Greg Denny | .... | production assistant | |
| Alice Wickwire Foster | .... | production coordinator | |
| Magali Gibert | .... | production coordinator: UK | |
| Lon J. Hall | .... | legal counsel (Canada ) | |
| Michael J. Harker | .... | completion bond representative | |
| Ed King | .... | story development executive | |
| Luke Lloyd-Davies | .... | assistant production coordinator: UK | |
| Luke Lloyd-Davies | .... | post-production assistant to producers | |
| Jennifer Markowitz | .... | assistant to director | |
| Dove O'Shea | .... | payroll accountant | |
| Jillian Ordowich | .... | assistant production coordinator | |
| Desmond Paes | .... | production accountant | |
| Esther Scannell | .... | construction accountant | |
| Chantelle Stoffel | .... | assistant to director | |
| Erik Sudmals | .... | assistant accountant | |
| Aaron Unrau | .... | assistant: Wendy Grean | |
| Enoch Wat | .... | athletic therapist | |
| Kelly Willson Harvey | .... | assistant: Steve Hamilton-Shaw, David Furnish and Martin Katz | |
| Nicholas A. Catalano | .... | stand-in: men (uncredited) | |
Thanks | |||
| Sarah Bing | .... | the producers would like to thank: SJ Berwin | |
| William A. Bong | .... | the producers would like to thank | |
| Ed Fellows | .... | the producers would like to thank: SJ Berwin | |
| Tim Johnson | .... | the producers would like to thank | |
| Ed Limato | .... | the producers would like to thank | |
| Frank Presland | .... | the producers would like to thank | |
| Luke Randolph | .... | the producers would like to thank: IFG | |
| Hal Sadoff | .... | the producers would like to thank: ICM | |
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| Easy A | The Hot Chick | Carrie | All the Right Moves | Role Models |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
This movie was actually really good Kevin Zegers done a great he was really believable you could really see the difference from when he was a guy and when he was the girl and Samaire Armstrong was amazing also loved the man walk. It was kind of typical story line, a mix of Hot Chick and Freaky Friday I'd say,nothing new, what makes this movie stand from others is the chemistry they had on screen, they worked well together which made the movie so much better. The only think I disliked was the fact that Sharon Osbourne was the mother, she seems like a great person, but I don't think she's a great actor some scenes made me cringe, they should have cast someone else. But overall I was impressed.