| Hillary Aaron | ... | Herself | |
| Joe Aaron | ... | Himself | |
| Adam | ... | Himself | |
| Conroe Brooks | ... | Himself | |
| Elaine Hall | ... | Herself | |
| Rosanne Katon | ... | Herself | |
| Lexi | ... | Herself | |
| Neal | ... | Himself | |
| Henry Stills | ... | Himself (as Henry) | |
| Kristen Stills | ... | Herself | |
| Stephen Stills | ... | Himself | |
| Wyatt | ... | Himself | |
| Simon Hamlin | ... | Himself (uncredited) | |
| Olanna Taskey | ... | Herself (uncredited) |
Directed by | |||
| Tricia Regan | |||
Produced by | |||
| Nancy Abraham | .... | senior producer | |
| Sasha Alpert | .... | producer | |
| Joey Carson | .... | executive producer | |
| Perrin Chiles | .... | producer | |
| Zoe Clarke-Williams | .... | associate producer | |
| Robert Claycombe | .... | associate producer | |
| Randy Dugan | .... | line producer | |
| David S. Glynn | .... | executive producer | |
| Janet Grillo | .... | executive producer | |
| Jonathan Murray | .... | executive producer | |
| Sheila Nevins | .... | executive producer: HBO | |
| Tricia Regan | .... | producer | |
| Kristen Stills | .... | executive producer | |
Original Music by | |||
| Mike Semple | |||
Cinematography by | |||
| Tricia Regan | |||
Film Editing by | |||
| Kim Roberts | |||
Production Management | |||
| Russell Joy | .... | production manager: performance footage | |
| Charlene Olson | .... | post-production supervisor | |
| Mark Raudonis | .... | post-production supervisor | |
| Stacey Weaver | .... | associate post-production supervisor | |
Sound Department | |||
| Dhavia Antis | .... | sound mixer: performance footage | |
| Rick Ash | .... | sound recordist | |
| Robert Claycombe | .... | sound | |
| Tricia Regan | .... | sound | |
| Keith Rishkofski | .... | dialogue editor | |
| Keith Rishkofski | .... | sound editor | |
Camera and Electrical Department | |||
| Drew Dalton | .... | camera operator: "c" camera, performance footage | |
| Terry Davis | .... | camera operator: "b" camera, performance footage | |
| Cindy Gold | .... | still photographer | |
| Steve Oakley | .... | camera operator: "d" camera, performance footage | |
| Tricia Regan | .... | camera operator: "a" camera, performance footage | |
| Jason Thomas | .... | lighting assistant: performance footage | |
Animation Department | |||
| Robert Vega | .... | animator | |
Editorial Department | |||
| Eileen Finklestein | .... | second editor | |
| Carla Garcia | .... | assistant editor | |
| Jeffrey McMahon | .... | assistant editor | |
| Tom Overton | .... | color timer | |
Music Department | |||
| Jenny Cho | .... | musician: additional singer | |
| Greg Gordon | .... | music mixer | |
| Martin Hingman | .... | additional musician | |
| Woody Jackson | .... | additional musician | |
| Max Luces | .... | music coordinator (as Max Luces-Tucker) | |
| Mike Semple | .... | music mixer | |
| Mike Semple | .... | music producer | |
| Mike Semple | .... | musician | |
| Dave Stone | .... | music supervisor | |
Other crew | |||
| Barbara Biddle | .... | in-house producer | |
| Gil Goldschein | .... | business and legal affairs | |
| Nina Porzucki | .... | production assistant | |
| Deborah Ross | .... | title designer | |
Thanks | |||
| David Crosby | .... | thanks | |
| Stephen Stills | .... | thanks | |
| Neil Young | .... | thanks | |
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| Easy A | Kings & Queen | Happy Endings | Imaginary Heroes | The Squid and the Whale |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
Powerful, poignant, and beautifully candid, this documentary brings awareness to the viewer in a unique, eye-opening, and often endearing manner. Stemming from their participation in The Miracle Project, a theatre arts program created by Elaine Hall, five autistic children and their parents are followed over a seven-to-eight month period. The viewer is allowed an intimate look into the daily routines of family life, school, therapy, music lessons, and holidays. We are allowed the rare opportunity of entering the world of autism through the eyes of the child and the parents, and gain a seldom-seen or heard perspective from them both that brings about a strong feeling of connectedness. The candor from the parents is both stunning and, at times, raw in its painful truth of autism's impact on the individual parent and in their spousal relationships. Through it all, humor and wit help maintain an upbeat feel so that one leaves not with a sense of heaviness, but with greater awareness, understanding, and hope of what can be. Not to be missed !