Colum, a recent college graduate, is blindly navigating the increasingly violent world around him. He's looking for respect and admiration, but if he doesn't open his eyes soon he could be the next victim.
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Colum, a recent college graduate, is blindly navigating the increasingly violent world around him. He's looking for respect and admiration, but if he doesn't open his eyes soon he could be the next victim.
There's a subtle beauty in M. Bessa and M. Schwartz's "And the Landscape Will Seem To Sway" that becomes more and more tangible as the picture progresses. A dolly shot, pushing in on the main character inside the restaurant where he works; the introduction of an old man's voice-over, covering his world view, on the soundtrack; playing the scene in the supermarket exclusively over the little boy; the last shot; even the use of "The Book of Love" over the end credits... But it's Bessa and Schwartz's ability to find poetry in the seemingly vapid terrain on suburban Florida that strikes the collective emotional chord. One does not remember individual scenes from "And the Landscape Will Seem To Sway" so much as the emotional experience he/she discovers while seeing it.
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There's a subtle beauty in M. Bessa and M. Schwartz's "And the Landscape Will Seem To Sway" that becomes more and more tangible as the picture progresses. A dolly shot, pushing in on the main character inside the restaurant where he works; the introduction of an old man's voice-over, covering his world view, on the soundtrack; playing the scene in the supermarket exclusively over the little boy; the last shot; even the use of "The Book of Love" over the end credits... But it's Bessa and Schwartz's ability to find poetry in the seemingly vapid terrain on suburban Florida that strikes the collective emotional chord. One does not remember individual scenes from "And the Landscape Will Seem To Sway" so much as the emotional experience he/she discovers while seeing it.