|Page 1 of 5:||    |
|Index||42 reviews in total|
I thoroughly enjoyed this show. The characters were engaging and
likable, the situations were amusing, and the sets and effects were
fine for what the show was trying to do.
I am interested in how much British viewers dislike it. Their main complaint seems to be that is not Red Dwarf. I have seen Red Dwarf and found it funny enough, but not something I really cared much about one way or the other. Not being a fan of Red Dwarf, I must say I don't see any similarities at all. The situations are very much different, as are the characters. I'd agree with someone here who ventured that Hyperdrive really is more a comedy version of Star Trek. I can understand that dedicated fans of Red Dwarf would like more, but shouldn't this show be judged for what it is, rather than for how it fails to meet your expectations?
I'd watch another season of it if it's made.
For starters, I don't get what the big deal is comparing this show to Red Dwarf. Aside from both being British sci-fi series set in space, Hyperdrive is hardly a ripoff. If you ask me, it's more like Star Trek than anything else, albeit a twisted, bureaucratic, hilarious Star Trek set in a less-than-perfect-future. Exploring strange new worlds, seeking out new lifeforms and new civilizations, to boldly sell stuff where no man has sold stuff before! :) And even if the concept may not be the most original in the history of scifi, the characters more than make up for that. York is just deliciously evil, Jeffers is perfect as the wannabe-badass, Teal is just plain cheerful and fun, and Sandstrom... well, I just like her because she reminds me of Radical Edward. :D
The crew of the ship Camden Lock search the stars on behalf of Great
Britain to represent it as a country and promote the country as a great
place to do business. Promoting places like Tipton and Milton Keynes
was never an easy task even on a national level but on a galactic level
it is even tougher. To carry out this task a brave crew is assigned led
by the Brentish Commander Henderson. He is supported by the warlike and
slightly insane First Officer York, the Commander-adoring Teal and the
offhand Jeffers with only the remote guidance of Space Commander
I'll leave all the comparisons to Red Dwarf to the army of fans that can do it much better than I can but suffice to say that personally I don't bend myself out of shape comparing two things that happen to share a genre. This sci-fi comedy uses the basic frame of the British ship in space to create something that is much closer to the downbeat humour of The Office than it is Red Dwarf. It mixes the British sense of the downbeat with the exaggeration of the sci-fi and I found it quite amusing even if it is a bit inconsistent. The plots are more like a series of ideas cobbled together rather a solid series narrative but it doesn't really matter because I was laughing just about enough to make it worthwhile. The general air of amusement carries it more than anything because I was never rolling with laughter but I did chuckle quite a lot.
The cast are mixed but are mostly good enough to do the job. Frost is funny but at times he is too close to David Brent for my taste at times. That said his was still a good character and I enjoyed the very British sense of bad management that he gave. Eldon may have a similar character but it worked for me and I was amused by him throughout the series. Hart, Antopolski, Evans and Massey are solid enough and Joseph made for quite a famous face in a minor role. Generally the cast all buy into the material and their delivery compliments the material even if it rarely lifts it. The effects are pretty good for a BBC2 comedy and Henderson has a healthy feel for the genre.
Overall this is not a great comedy but I found it consistently amusing. The cross between sci-fi and The Office isn't exactly original or inspiring but it does work for the most part and produces a very British sense of humour. The cast match this and compliment the material without really making it better than it is. Generally though, an amusing British sci-fi comedy.
This show shows promise. I think we all hated the first few episodes but for those of us who stuck with it we found out that as the series progressed it started to become genuinely funny. It is a wonderful, detached a quirky comedy with more than a few noticeable flaws. But these are outweighed by other laugh out loud moments the likes of which have only ever been seen on Red Dwarf. The characters, while underdeveloped, are humorous and quirky and add to the hilarity, especially York, the sadistic security officer. I know this show has very definite and profound flaws, but it is these moments of brilliance that make the show worth watching, that make all those cringe worthy flop gags worth cringing for, give this show a chance, you won't regret it.
*** This review may contain spoilers ***
I am a fan of Red Dwarf. I still think Hyperdrive is funny. Isn't that
odd? Seriously, though, I liked this series from beginning to end.
Sure, some episodes were funnier than others, and it was fairly obvious
quite a lot of the time, but who cares? Particularly of note (and it's
here that the spoilers come in, so stop reading if you don't want it,
well, spoilt) is the episode (I can't remember the name) in which
Henderson attempts to make peace between two warring alien species, and
does succeed in uniting them...in their quest to destroy The Camden
Lock. This is probably the funniest episode of the series, and I
actually found this funnier than a lot of Red Dwarf.
Everybody seems to forget that Red Dwarf pretty much sucked in it's first season, only to improve as time went on. If Hyperdrive improves at the same rate there's no reason why it won't last.
All together now: "Kill the humans, and their culture..."
On first pass, this sci-fi comedy immediately invites comparisons with
Red Dwarf, Star Trek, and even The Office. However, Hyperdrive is
really just the everyday working class gone forth, not so much boldly,
but just... there.
The commander of the Camden Lock, Henderson, played warmly by Nick Frost, dreams of doing something great for Britain as he commands his ineffectual crew, ineffectually. His intentions overreach his ability, but he's no smarmy David Brent. This is a bloke who shoulders his responsibility, but could easily end up down the pub with the rest of the crew on a Friday afternoon.
This is a good role for Frost, who has previously played second-fiddle to Simon Pegg in such fan-boy classics as Spaced and Shaun of the Dead. Frost proves he is capable of gentle comedic moments, inhabiting his role with subtlety. This may be lost on some of the more rabid sci-fi crowd, who may be irked to find that this is a very different beast than say, the abrasiveness of the Rimmer/Lister relationship from Red Dwarf. It may be a stretch to say that the crew-mates of the Camden Lock enjoy each other's company but they don't actively hate each other.
The rest of the crew is rounded out nicely by Teal, the Alien Liaison officer, who has a crush on Henderson. First Officer York is gleefully homicidal, and Jeffers is note-perfect as the ship's Tech Officer, who displays just the right amount of contempt and long-suffering for his fellow humans. Sandstrom, the ship's "enhanced human" and Pilot (an obvious stab at such pilot roles found in shows like Andromeda or Farscape) provides a little mystery, and curiously, a strange eroticism. Her vacant smile is stunning.
Overall, Hyperdrive is a rewarding comedy, if you're willing to let go of hyper-critical thinking and allow yourself to enter into a far-flung universe that seems more close to home than you may think. Despite some rather average (and rare) script moments, there's enough of a foundation here to build a show that could yet become as revered and loved as a certain crimson miniature.
I really really wanted to like Hyperdrive, no I truly did and this is
why I gave it every chance but unfortunately the conclusion that this
BBC space-com is a bit of a dog is unavoidable.
Like many things which sound like a good idea and have most of the right ingredients which Hyperdrive does have, it should have worked. But then, the Titanic was a great idea whilst still in dock at Southampton. Sad fact is that the writing simply isn't up to the job. Too dependent on the futuristic setting and the (fairly obvious) gags arising from that. True, nobody does obsessional like Eldon (though for some reason I keep expecting him to go into his role as the cleaner in Black Books - just me that one I suppose...) and Frost is always watchable but the whole enterprise (no tenuous pun intended...) comes across as something a sixth form drama class might write after watching the original Beeb Hitchikers series.
A generous 4/10 from me.
Saw only the last two episodes of this spoof of Star Wars. Nick Frost
leads a strong ensemble, with great support from Kevin Eldon (lovingly
enlarging on his obsessive cleaner character from "Black Books") and
from Miranda Hart as the supportive and consoling lieutenant. ("Teal,
can you take your hand away from there, please.")
HMS Camden Lock (non-London readers please note: Camden Lock is a vaguely hippie crafts and fast food market in north London) is on a mission to protect British interests "in an ever- changing galaxy". And it's crewed by as unlikely a crowd of misfits as you could imagine. When the warship strays into forbidden space and is fired on by automatic defences, there is no one on the bridge: they are all taking psychological tests. (Henderson, hearing gunfire: "I know what you're doing. You're trying to see if I can think under stress.")
The gags and timing are mercilessly exact. It stands up to many viewings; the punchlines have become part of our lives. Can't wait toget hold of a DVD.
"Be your best."
I have long been a fan of Red Dwarf. Compared to the very best of Red
Dwarf (3rd and 4th seasons) Hyperdrive does not measure up. But there
are not a lot of comedy writers out there who could follow the team of
Grant & Naylor and expect to compare favorably.
As many here have already observed Hyperdrive does not attempt to be the same sort of comedy as Red Dwarf. I find it to be a send up of the pomposity found in the Star Trek universe. If you come to the show looking for that kind of satire then Hyperdrive will prove to be very very entertaining. At least watch it long enough to see the Cadet Ball scene. You'll see what I mean.
... And with that "joke" I've already reached the 50% of the comedy
factor found in the pilot episode of Hyperdrive.
Yes, it's sad to say, but in the episode's 30 minute runtime, I laughed twice. The rest of the time, I sat, stoney-faced wondering if I was missing something. From the other comments here, I evidently wasn't...
The big problem is the format. Hyperdrive could as easily be set in a regional development agency office in Dudley for all the sci-fi content. In fact, it wouldn't surprise me if it had been originally conceived as exactly that and "rebranded" in an attempt to ride the wave of sci-fi interest generated by the recently relaunched Doctor Who. Yes, I know it's a comedy, but SITUATION comedies are named so for a reason.
Look at Red Dwarf (the series Hyperdrive will immediately be compared to) - where the writers used the full potential of the sci-fi setting to deliver some great comedy and genuinely well-written science fiction, seamlessly mixing genre parodies, big sci-fi ideas and fart jokes to great effect.
Yet Hyperdrive has none of this. Instead, here we get a few gags about how the British are still a bit useless in the 22nd Century, a gag about call centers, some poor slapstick and some frankly embarrassing "jokes" that fall flat.
A terrible disappointment.
|Page 1 of 5:||    |
|External reviews||Official site||Main details|
|Your user reviews||Your vote history|