| Photos (see all 38 | slideshow) | Videos (see all 18) |
| Jim Carrey | ... | Walter Sparrow / Fingerling | |
| Virginia Madsen | ... | Agatha Sparrow / Fabrizia | |
| Logan Lerman | ... | Robin Sparrow | |
| Danny Huston | ... | Isaac French / Dr. Miles Phoenix | |
| Lynn Collins | ... | Suicide Blonde / Mrs. Dobkins / Young Fingerling's Mother | |
| Rhona Mitra | ... | Laura Tollins | |
| Michelle Arthur | ... | Sybil | |
| Mark Pellegrino | ... | Kyle Flinch | |
| Paul Butcher | ... | Young Fingerling / Young Walter | |
| David Stifel | ... | Hotel Clerk | |
| Corey Stoll | ... | Sergeant Burns | |
| Ed Lauter | ... | Father Sebastian | |
| Troy Kotsur | ... | Barnaby | |
| Walter Soo Hoo | ... | Chinese Restaurant Owner | |
| Patricia Belcher | ... | Dr. Alice Mortimer | |
| Rudolph Willrich | ... | Dr. Nathaniel | |
| John Fink | ... | Young Walter's Father / Young Fingerling's Father | |
| Julie Remala | ... | Mail Clerk | |
| Tara Karsian | ... | Box Company Clerk | |
| Kerry Hoyt | ... | Suicide Blonde's Father | |
| Jennifer Lee Grafton | ... | Suicide Blonde's Mother | |
| Tom Lenk | ... | Bookstore Salesperson | |
| Ka'ramuu Kush | ... | Fingerling's Sergeant | |
| Helen Jordan | ... | Lady Walking Dog | |
| Eddie Rouse | ... | Building Super | |
| Lesli Margherita | ... | Attractive Coed | |
| Maile Flanagan | ... | Charades Friend | |
| Bob Zmuda | ... | Desk Clerk | |
| Susan Kitchen | ... | Party Goer | |
| Coier Amerson | ... | Party Goer | |
| Michael Hurley | ... | Agatha's Friend | |
| Donna G. Earley | ... | Agatha's Friend | |
| Shannon Gayle | ... | Lucinda | |
| rest of cast listed alphabetically: | |||
| Tony Alameda | ... | Parcel Deliveryman (uncredited) | |
| Bud Cort | ... | Dr. Sirius Leary (uncredited) | |
| Taylor McCluskey | ... | Ex-boyfriend (uncredited) | |
| Jean-Pierre Parent | ... | Patient (uncredited) | |
| K.T. Rowe | ... | The Girlfriend (uncredited) | |
Directed by | |||
| Joel Schumacher | |||
Writing credits(WGA) | ||
| Fernley Phillips | (written by) | |
Produced by | |||
| Richard Brener | .... | executive producer | |
| Mike Drake | .... | executive producer | |
| Toby Emmerich | .... | executive producer | |
| Linda Fields | .... | associate producer (as Linda Fields Hill) | |
| Beau Flynn | .... | producer | |
| Keith Goldberg | .... | executive producer | |
| Fernley Phillips | .... | co-producer | |
| Eli Richbourg | .... | executive producer | |
| Tripp Vinson | .... | producer | |
| Brooklyn Weaver | .... | executive producer | |
Original Music by | |||
| Harry Gregson-Williams | |||
Cinematography by | |||
| Matthew Libatique | (director of photography) | ||
Film Editing by | |||
| Mark Stevens | |||
Casting by | |||
| Mali Finn | |||
Production Design by | |||
| Andrew Laws | |||
Art Direction by | |||
| Jon Billington | |||
| David Sandefur | |||
Set Decoration by | |||
| Daniel B. Clancy | |||
Costume Design by | |||
| Daniel Orlandi | |||
Makeup Department | |||
| Mishell Chandler | .... | key hair stylist | |
| Cydney Cornell | .... | hair stylist: Mr. Carrey | |
| Bill Corso | .... | makeup department head | |
| Lisa M. Cubero | .... | key hair stylist (as Lisa Cubero) | |
| Frances Mathias | .... | hair department head | |
| Ned Neidhardt | .... | makeup artist | |
| Cheryl Ann Nick | .... | key makeup artist (as Cheryl Nick) | |
Production Management | |||
| Erik Holmberg | .... | executive in charge of production | |
| Karyn McCarthy | .... | unit production manager | |
| Sara Romilly | .... | post-production supervisor | |
Sound Department | |||
| David Barbee | .... | sound effects editor | |
| Steve Bartkowicz | .... | re-recording engineer | |
| Ron Bedrosian | .... | adr mixer | |
| Paul Curtis | .... | supervising sound editor | |
| Cris Davis | .... | sound intern | |
| Nerses Gezalyan | .... | foley mixer | |
| Christopher S.P. Jones | .... | second boom operator | |
| Bradley C. Katona | .... | sound effects editor | |
| Jay Meagher | .... | sound mixer | |
| Michael Miller | .... | adr mixer | |
| Christian P. Minkler | .... | sound re-recording mixer | |
| James Moriana | .... | foley artist | |
| Hugh Murphy | .... | sound effects editor | |
| Steve Nelson | .... | sound editor | |
| Unsun Song | .... | sound re-recordist | |
| Greg Steele | .... | adr mixer | |
| Jon Taylor | .... | sound re-recording mixer | |
| Jeffrey Wilhoit | .... | foley artist | |
| Greg Zimmerman | .... | adr recordist | |
Special Effects by | |||
| Mike Sasgen | .... | special effects foreman | |
Visual Effects by | |||
| Greg Astles | .... | lead compositor: Intelligent Creatures Inc. | |
| Sneha Astles | .... | 3d artist: Intelligent Creatures Inc. (as Sneha Prabhakaran) | |
| Sneha Astles | .... | digital compositor: Intelligent Creatures Inc. (as Sneha Prabhakaran) | |
| Darren A. Bell | .... | visual effects producer: Intelligent Creatures Inc. | |
| Brent M. Bowen | .... | visual effects | |
| Thomas R. Bryant | .... | visual effects editor | |
| Kris Carson | .... | digital compositor: Intelligent Creatures Inc. | |
| Dominic Cheung | .... | 3D artist: Intelligent Creatures Inc. | |
| Patrick Clancey | .... | digital opticals | |
| Amy Daye | .... | digital compositor: Intelligent Creatures Inc. (as Amy Spencer) | |
| Dan Dixon | .... | visual effects supervisor | |
| David Geoghegan | .... | digital compositor | |
| Raymond Gieringer | .... | visual effects production executive: Intelligent Creatures Inc. | |
| Jamie Hallett | .... | visual effects supervisor: Intelligent Creatures Inc. | |
| Michael Hatton | .... | visual effects technical advisor: Intelligent Creatures Inc. | |
| David Jones | .... | visual effects consultant: Intelligent Creatures Inc. | |
| Min Young Kim | .... | 3D artist: Intelligent Creatures Inc. | |
| Jeffrey Klug | .... | systems administrator: Intelligent Creatures Inc. | |
| Ken Lam | .... | concept artist: Intelligent Creatures Inc. | |
| Wendy Lanning | .... | executive visual effects producer: Intelligent Creatures Inc. | |
| Danny Lee | .... | digital compositor: Intelligent Creatures Inc. | |
| Sam Lee | .... | digital compositor: Intelligent Creatures Inc. | |
| Laurence Lok | .... | digital effects designer: Intelligent Creatures Inc. | |
| Laurence Lok | .... | lead compositor: Intelligent Creatures Inc. | |
| Jason Maher | .... | senior 3D artist: Intelligent Creatures Inc. | |
| Seth Martiniuk | .... | digital compositor: Intelligent Creatures Inc. | |
| Douglas Melville | .... | visual effects production manager: Intelligent Creatures Inc. | |
| Alison Middaugh | .... | senior 3D artist: Intelligent Creatures | |
| Lon Molnar | .... | visual effects creative advisor: Intelligent Creatures Inc. | |
| Chris Nokes | .... | visual effects production supervisor: Intelligent Creatures Inc. | |
| Ciaran O'Connor | .... | digital compositor | |
| Ciaran O'Connor | .... | matte painter | |
| Scott Parker | .... | systems administrator: Intelligent Creatures Inc. | |
| Lisa Reid | .... | visual effects production manager: Intelligent Creatures Inc. | |
| Scott Riopelle | .... | lead compositor: Intelligent Creatures Inc. | |
| Tyler Robb | .... | production assistant: Intelligent Creatures Inc. | |
| Geoff Sayer | .... | digital compositor: Intelligent Creatures Inc. | |
| Vicki Silva | .... | digital compositor: Intelligent Creatures Inc. | |
| Clancy Silver | .... | lead compositor: Intelligent Creatures Inc. | |
| Danita Slaughter | .... | digital opticals editor | |
| Mitchell Stuart | .... | 3D artist: Intelligent Creatures Inc. | |
| Mahvash Tehrani | .... | digital compositor: Intelligent Creatures Inc. | |
| Carol VanHook | .... | visual effects | |
| Pat Wakefield | .... | digital compositor: Intelligent Creatures Inc. | |
| Tim Warnock | .... | concept artist: Intelligent Creatures Inc. | |
| Tim Warnock | .... | senior digital matte painter: Intelligent Creatures Inc. | |
| Dan Wheaton | .... | concept artist: Intelligent Creatures Inc. | |
| Dan Wheaton | .... | senior digital matte painter: Intelligent Creatures Inc. | |
| Andrea Yomtob | .... | visual effects | |
| Thomas Mathai | .... | data manager (uncredited) | |
Stunts | |||
| John Alden | .... | stunts | |
| Pat Banta | .... | stunt coordinator | |
| Simone Bargetze | .... | stunt double: Virginia Madsen | |
| Dotan Bonen | .... | stunts | |
| Charlie Brewer | .... | stunts | |
| Bob Brown | .... | stunts (as Robert Brown) | |
| Kevin Chase | .... | stunt rigger | |
| Jon H. Epstein | .... | stunts | |
| Martin Grace | .... | stunts | |
| Deborah L. Mazor | .... | stunt double: Lynn Collins | |
| Bobby Ore | .... | stunts | |
| Pat Romano | .... | stunt rigger | |
Casting Department | |||
| Lauren Bass | .... | casting associate | |
| Elizabeth Shoai | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Carrie Arakaki | .... | costumer | |
| Linda Henrikson | .... | costume supervisor | |
| Marjorie McCown | .... | assistant costume designer | |
| Natasha Paczkowski | .... | costume manufacturing foreperson | |
| David Page | .... | costumer: Mr. Carrey | |
| Debbie Travis | .... | on-set costumer | |
Editorial Department | |||
| Steve Bowen | .... | digital intermediate colorist | |
| Gary Burritt | .... | negative cutter | |
| Javier Marcheselli | .... | assistant editor | |
| Justin Worthington | .... | digital intermediate assistant producer | |
Music Department | |||
| Lee Blaylock | .... | music clearances | |
| Bob Bowen | .... | music executive | |
| David Buckley | .... | composer: additional music | |
| Meri Gavin | .... | assistant music editor | |
| Scott Johnson | .... | assistant music editor | |
| Costa Kotselas | .... | music technical engineer | |
| Jamie Luker | .... | music scoring engineer | |
| Malcolm Luker | .... | music scoring engineer | |
| Hugh Marsh | .... | musician | |
| Esther McIntosh | .... | orchestration coordinator | |
| Ladd McIntosh | .... | lead orchestrator | |
| Peter Rotter | .... | orchestra contractor | |
| Adam Milo Smalley | .... | music editor | |
| Geoff Stradling | .... | orchestrator | |
| Martin Tillman | .... | musician | |
| Booker White | .... | music preparation | |
| Stephen Barton | .... | composer: additional music (uncredited) | |
| Halli Cauthery | .... | composer: additional music (uncredited) | |
| Chandra Cogburn | .... | music assistant (uncredited) | |
| Clay Duncan | .... | composer: additional music (uncredited) | |
Transportation Department | |||
| Maxim Aperian | .... | driver | |
| Andrew Broomhead | .... | driver | |
| Vic Cuccia | .... | transportation captain | |
| Don Easy | .... | driver | |
| J. Armin Garza II | .... | driver: camera car | |
| Donald S. Harback | .... | driver | |
| Randy Luna | .... | driver | |
| Jim Petti | .... | teamster co-captain | |
| Dan Romero | .... | transportation coordinator | |
| Michael Sean Ryan | .... | transportation co-captain | |
| Michael Sean Ryan | .... | transportation coordinator: re-shoots | |
| David Torgerson | .... | driver | |
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| Stranger Than Fiction | 8MM | La coda dello scorpione | Kiss Kiss Bang Bang | One Hour Photo |
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| News articles | IMDb Drama section | IMDb USA section |
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Lowly dogcatcher Walter Sparrow has his life changed when he comes into contact with a self-published novel by a mysterious author. Reading it, Walter finds eerie parallels between his life and the writer (Topsy Kretts no, really) but more than that he finds that the fictional observations may well be true. The character in the novel claims to have stumbled across the evil power of the number 23 finding it woven into all aspects of life. Walter starts out just interested in the story but as he looks into this claim he finds it to be true and quickly becomes obsessed with getting to the bottom of it all.
I like a good conspiracy-type film I do. My cynicism and bitterness sets me up to easily accept something much bigger than me ultimately working against me in ways that I cannot ever defeat. Sadly The number 23 is not a "good" film by any means and, although it all looks slick and professional, it is really very weak when you take away all the protection of budget and packaging and look at it in the cold light of day. In fact, it doesn't even take the cold light of day to expose 23 for what it is because it is hard to take it seriously when you are watching it. The problems are all the way from the very idea through the script because it never convinces and indeed scenes where the number is discussed ("32 or 23 reversed") are just ridiculous and I was never able to get passed this and get into the mystery any more than this.
It is a shame because deep down there is a nice idea here and I like the gradual twist but the delivery doesn't make the most of it. Perhaps lost in the silliness of it, the film cannot make the number thing work, even when it sort of becomes a side issue (in some small way). It all looks good and I thought the visual design of the film was quite impressive as was the device of having Walter putting himself within the novel as he read it; not only does it make things easier for the viewer but it also points to the root of the obsession. Carrey is actually OK here despite my worry that he would be really badly miscast. He works and even while the audience is snickering, one can believe that at least he believes if even if nobody else does. Madsen was better than I expected although generally she was best "within" the novel bits. Huston hangs round the edges failing to do much though.
Overall then this is a professional enough film that is slickly put together and has potential in every way if only some other device other than that bl00dy stupid number had been selected as the focus. As it is, the idea of destructive obsession is lost as many viewers will be too busy shouting "nonsense" at the screen while the script tries and fails to grip the audience with a thriller based on such tosh.