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Directed by | |||
| Scott Hicks | |||
Writing credits(WGA) | ||
| Carol Fuchs | (screenplay) | |
| Sandra Nettelbeck | (screenplay "Mostly Martha") | |
Produced by | |||
| Sergio Aguero | .... | producer (as Sergio Agüero) | |
| Bruce Berman | .... | executive producer | |
| Susan Cartsonis | .... | executive producer | |
| Kerry Heysen | .... | producer | |
| Mari-Jo Winkler | .... | co-producer (as Mari Jo Winkler-Ioffreda) | |
Original Music by | |||
| Philip Glass | |||
Cinematography by | |||
| Stuart Dryburgh | (director of photography) | ||
Film Editing by | |||
| Pip Karmel | |||
Casting by | |||
| Ronna Kress | |||
Production Design by | |||
| Barbara Ling | |||
Art Direction by | |||
| W. Steven Graham | |||
Set Decoration by | |||
| Leslie E. Rollins | |||
Costume Design by | |||
| Melissa Toth | |||
Makeup Department | |||
| Jerry DeCarlo | .... | key hair stylist | |
| Marjorie Durand | .... | makeup artist (as Margie Durand) | |
| Elisabeth Fry | .... | hair stylist: Mr. Eckhart | |
| Elisabeth Fry | .... | makeup artist: Mr. Eckhart | |
| Karyn Huston | .... | hair stylist: Ms. Zeta-Jones (as Karyn Alexander Huston) | |
| Todd Kleitsch | .... | key makeup artist | |
| Jackie Payne | .... | hair stylist (as Jacqueline Payne) | |
| Cindy J. Williams | .... | makeup artist: Ms. Zeta-Jones (as Cindy Williams) | |
| Vincent Schicchi | .... | additional make up artist (uncredited) | |
Production Management | |||
| Erica Kay | .... | production supervisor | |
| Sylvia Walker-Wilson | .... | post-production supervisor | |
| Mari-Jo Winkler | .... | unit production manager (as Mari Jo Winkler-Ioffreda) | |
| Bill Daly | .... | post-production executive (uncredited) | |
| Mark Scoon | .... | executive in charge of production (uncredited) | |
Second Unit Director or Assistant Director | |||
| Daniela Barbosa | .... | second second assistant director | |
| Nicole Feder | .... | dga trainee | |
| Peter Soldo | .... | second assistant director | |
| Jeffrey Wetzel | .... | first assistant director | |
| Aaron D. Forste | .... | key second assistant director: reshoots (uncredited) | |
Art Department | |||
| Anthony Baldasare | .... | first assistant props | |
| Wayne Brackett | .... | set dresser | |
| Roland Brooks | .... | charge scenic artist | |
| Garf Brown | .... | scenic artist | |
| Diana Burton | .... | property master | |
| Joseph Deluca | .... | set dresser | |
| Kathryn Freund | .... | assistant props | |
| Emily Gaunt | .... | stand-by scenic artist | |
| Edward A. Ioffreda | .... | graphic artist (as Edward Ioffreda) | |
| Karen Kates | .... | first assistant props | |
| Erik Knight | .... | art department coordinator | |
| Marion Kolsby | .... | assistant art director | |
| Eoin V. Lambe | .... | second assistant props (as Eion V. Lambe) | |
| Eric Lewin | .... | set dresser | |
| Brian Mannain | .... | set dresser | |
| Christine Moosher | .... | assistant set decorator | |
| Kris Moran | .... | assistant props | |
| Ken Nelson | .... | construction coordinator (as Kenneth D. Nelson) | |
| Edward Pisoni | .... | assistant art director | |
| John Ralbovsky | .... | paint foreman | |
| Julio Rodriguez | .... | set dresser | |
| James Sadek | .... | construction foreman | |
| Rodney Sterbenz | .... | on-set dresser (as Rodney T. Sterbenz) | |
| Chris Vogt | .... | set dresser | |
| Robert Vogt | .... | set dresser | |
| Lance R. Walters | .... | carpenter | |
| Dave Weinman | .... | leadman | |
| Kenneth Brzozowski | .... | shop craftsman (uncredited) | |
| Gerard J. Furey | .... | set construction foreman (uncredited) | |
| Jorge Luis Gonzalez | .... | key scenic industrial (uncredited) | |
| Derrick Kardos | .... | additional graphic designer (uncredited) | |
| Susan Perlman | .... | set decorating coordinator (uncredited) | |
| Giovanni Rodriguez | .... | scenic artist (uncredited) | |
| Joan Winters | .... | graphic designer (uncredited) | |
Sound Department | |||
| Steve Burgess | .... | foley editor | |
| Steve Burgess | .... | foley recordist | |
| Bruce Emery | .... | sound consultant: Dolby | |
| Helen Field | .... | sound facilities manager: Soundfirm | |
| Chris Goodes | .... | sound assistant | |
| Julie Lewington | .... | sound studio manager | |
| Kim Maitland | .... | cable | |
| Aileen Maquiraya | .... | audio post-conform | |
| Andrew Neil | .... | sound effects editor | |
| Andrew Neil | .... | sound re-recording mixer | |
| Glenn Newnham | .... | sound effects editor | |
| Glenn Newnham | .... | supervising sound editor | |
| T.J. O'Mara | .... | sound mixer | |
| Dan Paikin | .... | boom operator (as Daniel Paikin) | |
| Livia Ruzic | .... | adr editor | |
| Livia Ruzic | .... | dialogue editor | |
| Roger Savage | .... | sound re-recording mixer | |
| Nicola Tate | .... | sound studio manager | |
| Mario Vaccaro | .... | foley artist | |
| Martyn Zub | .... | sound engineer | |
| Benjamin Cheah | .... | sound effects recordist (uncredited) | |
| Jamie Roden | .... | adr mixer (uncredited) | |
| Andy Wright | .... | assistant re-recording mixer (uncredited) | |
Special Effects by | |||
| Michael Bird | .... | special effects technician | |
| Fred Buchholz | .... | special effects coordinator | |
| Richard Bryan Douglas | .... | special effects foreman | |
| Lorenzo Hall | .... | special effects technician | |
| Steven Kirshoff | .... | special effects supervisor (as Steve Kirshoff) | |
Visual Effects by | |||
| Marty Pepper | .... | visual effects | |
| Dan Ashton | .... | film recording technician: Weta Digital (uncredited) | |
| Nick Booth | .... | film recording supervisor: Weta Digital (uncredited) | |
| Mark Chataway | .... | visual effects (uncredited) | |
| Stephen Roucher | .... | film recording technician: Weta Digital (uncredited) | |
| Pete Williams | .... | film recording manager: Weta Digital (uncredited) | |
Stunts | |||
| G.A. Aguilar | .... | stunt coordinator | |
| Kacie Borrowman | .... | stunts | |
| George B. Colucci Jr. | .... | stunt driver (as George B. Colucci) | |
| Blaise Corrigan | .... | additional stunt coordinator | |
| Geoffrey Dowell | .... | stunt driver | |
| Samantha MacIvor | .... | stunts | |
| Jodi Michelle Pynn | .... | stunts | |
| Keith Siglinger | .... | stunts | |
| Kacie Borrowman | .... | stunt double: Abigail Breslin (uncredited) | |
| Ian Mclaughlin | .... | stunt driver (uncredited) | |
Casting Department | |||
| Barbara Harris | .... | adr voice casting | |
| Barbara McNamara | .... | extras casting | |
| Courtney Sheinin | .... | casting associate | |
| Chelsea Watson | .... | casting assistant | |
| Matt Carr | .... | background casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Arlynn Abseck | .... | costumer | |
| Stephanie Biear | .... | master seamstress | |
| Cara Czekanski | .... | costumer | |
| Leah Katznelson | .... | assistant costume designer | |
| Stev Taylor | .... | costumer | |
| Deirdre N. Williams | .... | costume supervisor (as Deirdre Williams) | |
| Benjamin Wilson | .... | costume supervisor | |
| Natalie Arango | .... | costumer (uncredited) | |
| Ellen Houlihan | .... | costume intern (uncredited) | |
| Monica Ruiz-Ziegler | .... | additional costumer (uncredited) | |
Editorial Department | |||
| Colette Birrell | .... | post-production editorial production assistant | |
| David Birrell | .... | first assistant editor | |
| Kate Butler | .... | post-production facilities manager | |
| Louisa Forni | .... | post-production editorial production assistant | |
| James W. Harrison III | .... | apprentice editor | |
| Kevin L. James | .... | post-production coordinator (as Kevin James) | |
| Henry Karjalainen | .... | second assistant editor | |
| Natalie Mandel | .... | post-production coordinator | |
| Lisa Melodia | .... | post-production editorial production assistant | |
| Ryan Murphy | .... | second assistant editor | |
| Marty Pepper | .... | colorist | |
| Dale Roberts | .... | post-production facilities manager | |
| W. Jarvis Rooker | .... | post-production editorial production assistant (as Jarvis Rooker) | |
Music Department | |||
| Nancy Allen | .... | assistant music editor | |
| John Bissell | .... | music supervisor | |
| Dan Bora | .... | scoring engineer | |
| Tom Boyd | .... | musician: oboe soloist | |
| Scott Hosfeld | .... | musician | |
| Suzana Peric | .... | music editor | |
| Michael Riesman | .... | conductor | |
| Michael Riesman | .... | score producer | |
| Tim Ryan | .... | music editor: trackdown | |
| Steven L. Smith | .... | music preparation | |
| James Thatcher | .... | musician: french horn | |
| Michael Trepagnier | .... | assistant scoring engineer | |
| Mauricio Vazquez Salido | .... | assistant scoring engineer | |
| Natalie Baartz | .... | music coordinator (uncredited) | |
| Peter Rotter | .... | orchestra contractor (uncredited) | |
Transportation Department | |||
| Jim Buckman | .... | transportation captain | |
| Robert Buckman | .... | transportation co-captain | |
| Tom Fitzsimmons | .... | driver: Ms. Zeta-Jones | |
| Robert Foster Jr. | .... | driver | |
| Scott Lieberz | .... | driver: Mr. Eckhart | |
| Gary O'Connell | .... | driver: Ms. Breslin | |
| Billy Stuart | .... | driver: Mr. Hicks and Ms. Heysen | |
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| Mostly Martha | Head-On | I Am Love | The Five Senses | Giant |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Despite what I recall of the advertising campaign last year, this soft-hearted 2007 film is far less a Food Network-derived romantic comedy than a Lifetime-oriented drama about grief and work/life balance. Directed by Scott Hicks ("Shine") and written by first-timer Carol Fuchs, this film offers the most insightful peek into the workings of an upscale Manhattan restaurant since 2000's "Dinner Rush" (i.e., if you don't count last year's CGI-generated, French food-fest, "Ratatouille"), but it also seems intent in splintering the story between the romantic sparks between the co-stars and the unexpected relationship that a single aunt forms with her orphaned niece. The result is heartwarming but rather diluted considering the potential inherent in the material presented. Hicks and Fuchs also seem intent on inserting predictable clichés along the way to reinforce the formulaic approach taken with the story.
Basically a remake of the 2001 German comedy, "Mostly Martha", the plot centers on perfectionist chef Kate who runs a tightly efficient kitchen in a chic SoHo bistro. As a resolute overachiever, she is able to get up before dawn to get to the fish market and stay late at the restaurant making her impeccably presented dishes until closing. So tightly wound is Kate that restaurant owner Paula forces her to see a therapist to address her supposedly difficult personality. This is the first of several disconnects I had with the film as Kate strikes me as demanding but not particularly abusive to her staff. Regardless, her life is turned upside down by the sudden death of her sister and the addition of her niece Zoe to her structured life. As if that wasn't enough, Paula has hired Nick, a rowdy opera-loving sous-chef, to partner with Kate as she struggles with her personal transition at home. Taking a number from the Tracy-Hepburn manual for romantic comedy, tempers flare as do sparks. Zoe's recovery from her mother's death becomes a complicating factor, but the rest of the story plays out basically how you would presume.
More interesting in edgier, less sympathetic roles, Catherine Zeta-Jones plays the icier aspects of her role well, but she is markedly less arresting when her character turns warm and gooey. The script also doesn't really respect her character much since she is made to look overly foolish and insensitive in her early scenes as a struggling mother figure. Aaron Eckhart seems to be playing more of a plot device as Nick, but he does it well, and the requisite sparks occur with Zeta-Jones. Cornering the market on playing put-upon children, Abigail Breslin is fine as Zoe, even though she has to be glumly depressed for much of the film. The usually more dimensional Patricia Clarkson plays Paula as a surprisingly brittle, opportunistic character, while Bob Balaban isn't given much to do at all as Kate's therapist but act as a bromide. Stuart Dryburgh's autumnal cinematography makes all the food look good, the stars as well, and minimalist composer Philip Glass, of all people, provided the unobtrusive soundtrack dominated by Puccini, Verdi, and Flotow arias. The most significant bonus item on the 2008 DVD is a twenty-minute episode of the Food Network's "Unwrapped" which includes interviews with the film's stars and the real chefs who concocted the dishes in the movie.