On a flight from Los Angeles to New York, Oliver and Emily make a connection, only to decide that they are poorly suited to be together. Over the next seven years, however, they are ... See full summary »
A master chef, Kate, lives her life like she runs the kitchen at upscale 22 Bleecker Restaurant in Manhattan--with a no-nonsense intensity that both captivates and intimidates everyone around her. With breathtaking precision, she powers through each hectic shift, coordinating hundreds of meals, preparing delicate sauces, seasoning and simmering each dish to absolute perfection. Written by
The music that plays when Kate talks to Zoe at her mother's grave is from the soundtrack to Ladder 49 (2004). See more »
Blue painters tape on the floor in the hallways between the two rooms marking the spot where the actors stand in several scenes. Also, the rug in the hallway is there when there is no blue tape, gone when the tape is there. See more »
Why do you come to see me every week?
My boss said she'd fire me if I didn't get therapy.
Why do you think, she thinks you need therapy? Why?
You know what, I haven't the faintest idea
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Unlike the trailers imply for this movie, "No Reservations" is more a family drama rather than a romantic comedy. There is lavish bitter dark pathos of death in the beginning of the movie and the more colorful look at restaurant cooking while there are bits of humor scattered like sweets throughout the movie. There are some amazing close up scenes that really grab the attention of the audience with the emotions and captivating context of the scenes, the color motif is brilliant. Overall, the script is basic and mostly predictable with some good tie-ins and closures. It's Catherine Zeta Jones that really makes this movie deliciously sparkle. Entertaining and fun for the summer with good flashes of cooking on part with "Ratatouille" that came out just a little earlier. As an aside, Patricia Clarkson had an earlier role in another cooking film, a romantic, comedy fantasy entitled "Simply Irresistible" (1999) with Sarah Michlle Geller in a more gracious supporting role. Seven out of Ten Stars.
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