Dave is a married man with two kids and a loving wife, and Mitch is a single man who is at the prime of his sexual life. One fateful night while Mitch and Dave are peeing in a fountain, lightning strikes and they switch bodies.
A comedy centered around four couples who settle into a tropical-island resort for a vacation. While one of the couples is there to work on the marriage, the others fail to realize that participation in the resort's therapy sessions is not optional.
John Beckwith and Jeremy Grey, a pair of committed womanizers who sneak into weddings to take advantage of the romantic tinge in the air, find themselves at odds with one another when John meets and falls for Claire Cleary.
Two salesmen whose careers have been torpedoed by the digital age find their way into a coveted internship at Google, where they must compete with a group of young, tech-savvy geniuses for a shot at employment.
A bounty hunter learns that his next target is his ex-wife, a reporter working on a murder cover-up. Soon after their reunion, the always-at-odds duo find themselves on a run-for-their-lives adventure.
A couple of married guys are always looking at other women. Their wives are fed up with their behavior, and grant them a 'hall pass': a week off their marriage allowing them to do anything. But the guys take their time and their week is almost up. What they don't realize is that at the same time their wives make connections of their own. Written by
When Gary is arrested (in his dream sequence) he demands to see "a barrister". In England, barristers do not represent clients who are under arrest at a police station (a solicitor does that). See more »
[after defecating in a golf sandtrap]
Anyone got any napkins?
See more »
There is a blooper scene after the credits: Stephen Merchant (Gary) films the burying scene, and the "corpse" sits up and scares him. See more »
Moderately entertaining, but still very far from the Farrelly bros' best times
I remember that there was a time in which I was enthusiastic to see the phrase "A new movie from co-directors Peter and Bobby Farrelly!", but that was 10 years ago. The Farrelly bros. made four brilliant comedies in a row (Dumb and Dumber; Kingpin; There's Something About Mary; and Me, Myself and Irene), and back in that time, many people (including me) considered them as the kings of the modern cinematographic comedy. However, it seems that the time diluted the sense of humor they showed in those four movies, or maybe, the commercial success impulsed them to "evolute" to a less coarse and more emotional style (which would eventually be usurped by director Judd Apatow and his imitators). Anyway, I found the films they made after Me, Myself and Irene to be insipid comedies with trite scatological humor and cloying emotions. Now, Hall Pass is another mediocre comedy in their filmography, but I found it to be much better than their two previous films (Fever Pitch -2005- and The Heartbreak Kid -2007-).
The screenplay from Hall Pass is too predictable and a bit weak, but that is partially redeemed by some good moments of reflexive comedy. On the other side of the coin, we also have too many apparatus scenes of slapstick and vulgarity which feel too forced. Something which was done well by the Farrelly bros. in Hall Pass was filling some supporting roles with exaggerated characters which satirize very particular strata from North American society. I have to say that the absurd version of the perfect suburban family led by the characters Ed and Britney made me to have some laughs, something which is also a merit of the competent performances from Rob Moran and Lauren Bowles; and I also liked the character of the classic old-young man, which is well interpreted by Richard Jenkins.
I think it would have been more interesting to see an interpretation of the story told by Hall Pass made with the style of films like Bob & Carol & Ted & Alice or An Unmarried Woman, but well, I guess that the political correction has became more important for the Farrelly bros. than the narrative irreverence, so we can expect in here the trite moral lessons, various illogical jokes and forced comic rudeness which already characterize the work from these filmmakers. At least, Owen Wilson and Jason Sudeikis managed to take the maximum advantage out of the mediocre screenplay by bringing good performances, something which also applies to Jenna Fischer and Christina Applegate as their characters' wives. In summary, I did not like Hall Pass very much, but at least it did not bore me and it occasionally made me laugh, something which makes it worthy of a slight recommendation.
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