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A poignant and moving urban drama, focusing on the growing problem of sexual assault in Mexico City. Director Sistach fictionalizes the true story of a friendship between two adolescent ... See full summary »
A 10 year old girl convinces a lonely classmate that she is a witch, forcing the child to become her assistant. Though their games are initially rather naive, they gradually take a nasty and violent turn.
Carlos Enrique Taboada
Ana Patricia Rojo,
Elsa María Gutiérrez,
Renata is a young high-class girl and Ulises is a poor guy. They both fall in love, but they must fight against everyone, specially Renata's rich parents, who want to stop their love by ... See full summary »
Luis Fernando Peña,
Set in 1930's in Puebla, Mexico, a young woman finds herself in an arranged marriage to a prominent politician (Andres Ascencio). As his career progresses, she finds it more difficult to remain a loyal, loving wife.
Ana Claudia Talancón,
Daniel Giménez Cacho,
José María de Tavira
This comedic drama features two young couples, and another couple of old friends who reenter the two couples lives. The story takes place mostly in two apartments across the street from ... See full summary »
"A troubled journey through the byways and back alleys of a mind out of balance." Sister Marie Fenche is a woman on the verge of collapse. Barely able to distinguish reality from fantasy, ... See full summary »
The story of a disciplined and sexually driven man who keeps his family isolated in his home for years to protect them from the "evil nature" of human beings while inventing (with his wife)... See full summary »
Alejandro Iñårritu seems to have a bit of influence over Mexican cinema the last few years which is a shame since he's only made one great film, Amores Perros. For every brilliant young director like Fernando Eimbcke and his masterful, Temporada de Patos, which gives us a wonderful cinematic experience, and a unique perspective of Mexico, we get a dozen directors following Iñårritu and trying to outdo his "cinema of the unpleasant". It's all here, no color, the use of cold blues and greens, ridiculous use of telephoto lenses which scream art! You know your in trouble when the over stylized cinematography has bullied the thin story out of the way. And what little story is here, focuses on the unpleasantness of the human condition, see Iñårritu's 21 Grams or Babel. Highly recommended if you're a sadist. But if you want a pleasant cinematic perspective of Mexico, rent Temporada de Patos or heck, even Zurdo.
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