| Photos (See all 43 | slideshow) | Videos (see all 5) |
| Steve Buscemi | ... | Pierre Peders | |
| Sienna Miller | ... | Katya | |
| Michael Buscemi | ... | Robert Peders | |
| Tara Elders | ... | Maggie | |
| David Schechter | ... | Maitre'd | |
| Molly Griffith | ... | Waitress | |
| Elizabeth Bracco | ... | Woman at Restaurant | |
| James Villemaire | ... | Man at Restaurant | |
| Jackson Loo | ... | Fan at Restaurant | |
| Craig muMs Grant | ... | Cab Driver (as muMs) | |
| Doc Dougherty | ... | Truck Driver | |
| Donna Hanover | ... | Commentator | |
| Wayne Wilcox | ... | Hunky Actor | |
| Danny Schechter | ... | Political Pundit | |
| Philippe Vonlanthen | ... | Autograph Seeker #1 | |
| Yan Xi | ... | Autograph Seeker #2 | |
| Steve Sands | ... | Paparazzi | |
| Craig Grant | ... | Paparazzi | |
| JoJo Whilden | ... | Paparazzi | |
| James Franco | ... | Boyfriend on Phone (voice) | |
| Katja Schuurman | ... | Lady in the Limo |
Directed by | |||
| Steve Buscemi | |||
Writing credits(in alphabetical order) | ||
| Steve Buscemi | screenplay | |
| Theodor Holman | original screenplay | |
| David Schechter | screenplay | |
Produced by | |||
| Alan Delsman | .... | associate producer | |
| Barbara Delsman | .... | associate producer | |
| Ellen Havenith | .... | associate producer | |
| Pim Hermeling | .... | co-executive producer | |
| Scott Hornbacher | .... | producer | |
| Mark Kamine | .... | line producer | |
| Nanette Lepore | .... | co-executive producer | |
| Al Miller | .... | co-executive producer | |
| Harry Pappas | .... | associate producer | |
| Michael Paszt | .... | associate producer | |
| Bob Savage | .... | co-executive producer | |
| Nicolas Stiliadis | .... | executive producer (as Nick Stiliadis) | |
| Gijs van de Westelaken | .... | producer | |
| Ellen Verbeek | .... | co-producer | |
| Bruce Weiss | .... | producer | |
| Boyd Willat | .... | co-executive producer | |
Original Music by | |||
| Evan Lurie | |||
Cinematography by | |||
| Thomas Kist | |||
Film Editing by | |||
| Kate Williams | |||
Casting by | |||
| Sheila Jaffe | |||
| Georgianne Walken | |||
Production Design by | |||
| Loren Weeks | |||
Set Decoration by | |||
| Christina K. Tonkin | |||
Costume Design by | |||
| Victoria Farrell | |||
Makeup Department | |||
| Julia Brusilovsky | .... | additional hair stylist | |
| Julia Brusilovsky | .... | additional makeup artist | |
| Maya Hardinge | .... | key makeup artist | |
Production Management | |||
| Ellen Havenith | .... | production supervisor | |
| Mark Kamine | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Nancy Herrmann | .... | first assistant director | |
| Doesjka van Hoogdalem | .... | assistant director | |
| Michael L. Walker | .... | key second assistant director | |
Art Department | |||
| Pastor Alvarado III | .... | property master | |
| Paul Pitalo | .... | on-set dresser | |
Sound Department | |||
| Travis Call | .... | audio post supervisor | |
| Allen Lau | .... | assistant sound editor | |
| Cory Melious | .... | foley recordist | |
| Lucas Nalepinski | .... | sound assistant | |
| Mary Ellen Porto | .... | supervising sound editor | |
| Esther Regelson | .... | dialogue editor | |
| Brian Vancho | .... | foley artist | |
| Tony Volante | .... | sound re-recording mixer | |
Stunts | |||
| Roy Farfel | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Rashad Clinton | .... | grip | |
| Autumn Eakin | .... | first assistant camera | |
| Nicole Emmons | .... | electrician | |
| Kris Enos | .... | first assistant camera | |
| Darren Frohlich | .... | gaffer | |
| Anthony Gamiello | .... | key grip | |
| Emile Groenewoud | .... | gaffer | |
| Adam Lukens | .... | additional electrician | |
| Brian Smith | .... | additional electrician | |
| Martijn van Beenen | .... | camera operator | |
| Kevin Vincent | .... | best boy electric | |
| Menke Visser | .... | camera operator | |
| Matthew Walker | .... | rigging gaffer | |
| JoJo Whilden | .... | still photographer | |
| Casey Wooden | .... | additional electrician | |
Casting Department | |||
| Deanna Gallucio | .... | extras casting associate | |
Costume and Wardrobe Department | |||
| Jessica Chaney | .... | wardrobe supervisor | |
| Virginia Cook | .... | assistant costume designer | |
| Jackie Freeman | .... | additional costumer | |
Editorial Department | |||
| Alexandra Keddeman | .... | post-production | |
| Stanley Kolk | .... | on-line editor | |
| Léon Verkade | .... | on-line editor | |
Music Department | |||
| Nancy Allen | .... | music editor | |
| Lynn Geller | .... | music supervisor | |
| Marvin Pontiac | .... | composer: additional music | |
Other crew | |||
| Joe Belschner | .... | balloon operator | |
| Shannon Causey | .... | location manager | |
| John Joshua Clayton | .... | business operations | |
| Anne Marie Dentici | .... | production assistant | |
| Charlie Dibe | .... | assistant production coordinator | |
| Lindsay Feldman | .... | production coordinator | |
| Kyle Gilman | .... | title designer | |
| Elizabeth Hannah | .... | intern: pre-production | |
| Doesjka van Hoogdalem | .... | creative consultant | |
| Christopher Johnston | .... | location manager | |
| Anne Bergstedt Jordanova | .... | stand-in: Sienna Miller (as Anya Samantha Jordanova) | |
| Kevin Pazmino | .... | key production assistant | |
| Esq. Robert L. Seigel | .... | legal services | |
| Deidre Schrowang | .... | production accountant | |
| Adam VanWagner | .... | office production assistant | |
| Tim Wilson | .... | stand-in: Steve Buscemi | |
| Robert C. Yu | .... | acquisitions executive | |
Thanks | |||
| Robert Altman | .... | love and thanks | |
| Alexis Bittar | .... | thanks | |
| Cindy DiPrima | .... | thanks (as Cindy Di Prima) | |
| Linda Emond | .... | special thanks | |
| Amy Felmeister | .... | thanks | |
| Suzanne Fiol | .... | special thanks | |
| Isa Freeling | .... | special thanks | |
| Carlos Gauchos | .... | thanks | |
| Theo van Gogh | .... | film dedicated to (as Theo) | |
| Jeanine Hage | .... | special thanks | |
| Ruud Huisman | .... | special thanks | |
| Bert Janssens | .... | special thanks | |
| Nanette Lepore | .... | thanks | |
| Scott Melrose | .... | special thanks | |
| Faraone Mennella | .... | thanks | |
| Merel Notten | .... | special thanks | |
| Mauri Pioppo | .... | thanks | |
| Scott Pugh | .... | thanks | |
| Chad Reddel | .... | thanks | |
| George Sheanshang | .... | special thanks | |
| Patricia Spuijbroek | .... | special thanks | |
| Lee Stollman | .... | special thanks | |
| Jade Trau | .... | thanks | |
| Aida Turturro | .... | special thanks | |
| Lennart Van Der Meijlen | .... | special thanks | |
| John Ventimiglia | .... | special thanks | |
| Nicole Vicius | .... | special thanks | |
| Jessica Weiss | .... | special thanks | |
| Kathleen Williams | .... | thanks | |
| Susan Wright | .... | thanks | |
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| Thank You for Smoking | A Face in the Crowd | Factory Girl | Saving Face | Kings & Queen |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
This movie was originally made in Netherlands (2002) by a Dutch Director Theo Van Gogh. As I am staying in Amsterdam, that know-how interested me and on top of that I have a liking for Steve Buscemi (obviously after seeing Fargo).
This is a story of a political journalist Pierre Peters (Steve) who is given a job to interview a B-grade movie celebrity Katya (Sienna Millers). They meet each other at a restaurant, dislike each other instantly, part their ways and immediately bump into each other again to land up in Katya's spacious flat. The remaining story unfolds with each of them trying to outsmart the other by being witty. There is a final twist in the movie that makes the viewers satisfy.
Both the characters are complex, especially of Katya and I should say that even though Sienna Millers has tried her best and acted well too, still her character remains un-defined and shallow. This is the major slack in the scripting. Steve is wonderful and decent in this role. This is a special kind of cinema mostly experimental where the camera revolves around two characters in a room. But obviously Steve would have found the original movie so inspirational that he took the challenge to Amercianise it with him on the driving seat as Director and Lead Actor.
Good movie, especially if you are of a kind you are a risk-taking movie goer, and open to different kind and genre of cinema.
(Stars: 6.5 out of 10)