For young Raf, who lives in a shabby suburb of London with his unemployed and permanently drunk father Mario, motorbike riding is everything. Raf uses every free minute he gets to tinker ... See full summary »
Andrew Lee Potts,
Based on Michael Chabon's novel, the film chronicles the defining summer of a recent college graduate who crosses his gangster father and explores love, sexuality, and the enigmas surrounding his life and his city.
Thirty-somethings Michaël, Nabil and Sylvain head to New York to surprise their friend Samia on her birthday, secretly arranged with the help of another friend, Gabrielle. The two women had... See full summary »
Two women get on the highway heading to Santa Fe. Marilyn dreams of winning a contest held by a famous belly dancing company, while her friend, Mona, has a secret: she's a fugitive from justice - accused of her mother-in-law's death.
Everyone wants a piece of a celebrity. Pierre is a political reporter, assigned to write a fluff piece on Katya, a blond who acts in slasher movies and a Fox show about single girls in the city. The interview, at a restaurant, goes badly: she's late, he's unprepared and rude. After leaving, he bangs his head in a fender bender and she takes him to her loft to clean the wound. Lubricated by alcohol and competitive natures, the interview resumes. She takes phone calls from her fiancé, Pierre reads her diary on her computer. They discuss wounds, he expresses concern, father-daughter feelings arise. Out come camcorders to tape their darkest secrets. Is friendship or more in the offing? Written by
Much more interesting and better done than I expected. I'm usually not an advocate for remakes, but when they are done to honor the original film instead of to simply make money I'm all for it. This one does that and more and is the best remake since The Departed. It works for a long list of reason's, most particularly because of the performances. Buscemi is fantastic as a slime ball and always has been. This is one of his better performances of the last couple of years. He relishes in this character, and it shows. He is funny, and disturbing at the same time. Sienna Miller has been becoming a better and better actress over the last year or so. She deserved an Oscar nomination for her performance in the underrated Factory Girl last year, and deserves another one for Interview. She plays a roll similar to herself, or at least her image. Many people say this is easier, but it actually isn't. It is extremely difficult and very emotionally draining. It is rare to find a performance like this that works so well. She is stunning, and deserves better work. The style of the film is interesting. This is thanks to Buscemi's odd, and very experimental direction. Against the odds it works, and elevates the film above just strong acting. Much of the style can also be attributed to the screenplay. The dialogue and characters are expertly drawn. They also are odd, and occasionally stilted, but that's part of why they work so well. It's been a long time since such a stilted and mediocre script worked so perfectly. Even when I say all this though I must say I did have some problems. While I was consistently entertained the "message", if you will, never quite came across. It is a strong one, and should have been paid more attention too. The director of the original film was a strong advocate for free speech, and stood for many wonderful things. He was murdered in 2004 tragically for offending someone with something he said and believed. This film is obviously channeling his beliefs and I just wish it had either forgotten them, or drawn them a little better. However it still works perfectly as an entertainment, which is after all the point of movies.
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