Around 1940, New Yorker staff writer Joe Mitchell meets Joe Gould, a Greenwich Village character who cadges meals, drinks, and contributions to the Joe Gould Fund and who is writing a ... See full summary »
In an attempt to resurrect the slapstick comedy of Laurel and Hardy or The Marx Brothers, Stanley Tucci and Oliver Platt team-up as two out-of-work actors who accidentally stowaway on a ... See full summary »
A wealthy American Quaker woman rebels and marries a French baron for love. A plan to start a Parisian salon with a distinctively democratic air brings conflict with her new surroundings ... See full summary »
When an affluent matriarch gathers her dysfunctional family for a holiday at their Northern California lake house, her carefully constructed weekend begins to come apart at the seams, leading her to question her own role in the family.
Leads are well-matched, but material is off-putting and mostly intolerable...
A self-described 'funny magician' and his wife, a retired dancer, indulge in role-playing games to keep their minds off their recent misfortune in losing their daughter. Freely-adapted from Theo van Gogh's 1996 Dutch-language film of the same name, this talky effort from director/co-writer/lead actor Stanley Tucci is a smoothly-paced yet internally-mercurial drama which is alternately thoughtful and boring. Tucci and Patricia Clarkson (not surprisingly) match up well together on-screen--but of all their many character incarnations here, I never felt I was seeing living, breathing human beings. The film is a high-wire act, all show and circumstance. Tucci's opening sequence, performing his joshing act in an intimate-yet-ornate nightclub, is a highlight; yet the modern-day mood is nearly destroyed by a child's narration, speaking pretentiously as if she were just retrieved from a 1950s film noir. *1/2 from ****
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