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Affected by tragedy, a married couple decide to role play a blind date.

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(based on the film by), (original screenplay) (as Valéry Boutade) | 5 more credits »

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Cast

Complete credited cast:
...
Don
...
Janna
Thijs Römer ...
Waiter
Gerdy De Decker ...
Tango Dancer
...
Cute Woman
Robin Holzhauer ...
Little - Girl
...
Child (voice)
Peer Mascini ...
Sole Drinker
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Storyline

A married couple has suffered a tragedy, and now the only way they can now relate to one another is by meeting as different characters through a series of personal ads. Written by Anonymous

Plot Summary | Add Synopsis

Taglines:

First date, second chance

Genres:

Comedy | Drama | Romance

Certificate:

TV-MA | See all certifications »
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Details

Country:

|

Language:

|

Release Date:

18 September 2008 (Netherlands)  »

Also Known As:

Untitled Stanley Tucci Project  »

Filming Locations:

 »

Box Office

Budget:

£1,500 (estimated)
 »

Company Credits

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Technical Specs

Runtime:

| (DVD)

Sound Mix:

Color:

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

Tony Shalhoub was originally cast in the lead, but when production was postponed he had to drop out. Director Stanley Tucci decided to take the part. See more »

Connections

Featured in Siskel & Ebert: Episode dated 19 September 2009 (2009) See more »

Soundtracks

Madame Ivonne
(1933)
Performed by Ciriaco Ortiz
Music by Eduardo Pereyra
Lyrics by Enrique Cadícamo
Courtesy of Interstate Music Ltd.
See more »

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User Reviews

 
Leads are well-matched, but material is off-putting and mostly intolerable...
26 March 2011 | by (las vegas, nv) – See all my reviews

A self-described 'funny magician' and his wife, a retired dancer, indulge in role-playing games to keep their minds off their recent misfortune in losing their daughter. Freely-adapted from Theo van Gogh's 1996 Dutch-language film of the same name, this talky effort from director/co-writer/lead actor Stanley Tucci is a smoothly-paced yet internally-mercurial drama which is alternately thoughtful and boring. Tucci and Patricia Clarkson (not surprisingly) match up well together on-screen--but of all their many character incarnations here, I never felt I was seeing living, breathing human beings. The film is a high-wire act, all show and circumstance. Tucci's opening sequence, performing his joshing act in an intimate-yet-ornate nightclub, is a highlight; yet the modern-day mood is nearly destroyed by a child's narration, speaking pretentiously as if she were just retrieved from a 1950s film noir. *1/2 from ****


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