Walter Davis is a workaholic. His attention is all to his work and very little to his personal life or appearance. Now he needs a date to take to his company's business dinner with a new ... See full summary »
A man goes blind when remembering his lost girlfriend, but the doctors can't find anything wrong with his eyes. They fit him with an experimental device which allows him to see with the aid... See full summary »
Winsor McCay's last animated film, the 1921 classic "The Flying House - Dream of the Rarebit Fiend" follows a woman's dream about escaping foreclosure, taking to the skies with her husband - using their own house as a vehicle.
Cultural critic David Kepesh finds his life -- which he indicates is a state of "emancipated manhood" -- thrown into tragic disarray by Consuela Castillo, a well-mannered student who awakens a sense of sexual possessiveness in her teacher.
"A Modern Affair" is a romantic comedy about the strain of contemporary relationships, one woman's urgent desire for parenthood, and a solution to it all. Grace Rhodes is the perfect ... See full summary »
A bartender watches with amusement as two strangers meet and duel verbally in his bar. Katya, a former dancer, is trying to forget the death of her young daughter. Pom, a comedian known for... See full summary »
Leads are well-matched, but material is off-putting and mostly intolerable...
A self-described 'funny magician' and his wife, a retired dancer, indulge in role-playing games to keep their minds off their recent misfortune in losing their daughter. Freely-adapted from Theo van Gogh's 1996 Dutch-language film of the same name, this talky effort from director/co-writer/lead actor Stanley Tucci is a smoothly-paced yet internally-mercurial drama which is alternately thoughtful and boring. Tucci and Patricia Clarkson (not surprisingly) match up well together on-screen--but of all their many character incarnations here, I never felt I was seeing living, breathing human beings. The film is a high-wire act, all show and circumstance. Tucci's opening sequence, performing his joshing act in an intimate-yet-ornate nightclub, is a highlight; yet the modern-day mood is nearly destroyed by a child's narration, speaking pretentiously as if she were just retrieved from a 1950s film noir. *1/2 from ****
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