Around 1940, New Yorker staff writer Joe Mitchell meets Joe Gould, a Greenwich Village character who cadges meals, drinks, and contributions to the Joe Gould Fund and who is writing a ... See full summary »
In an attempt to resurrect the slapstick comedy of Laurel and Hardy or The Marx Brothers, Stanley Tucci and Oliver Platt team-up as two out-of-work actors who accidentally stowaway on a ... See full summary »
A bartender watches with amusement as two strangers meet and duel verbally in his bar. Katya, a former dancer, is trying to forget the death of her young daughter. Pom, a comedian known for... See full summary »
When an affluent matriarch gathers her dysfunctional family for a holiday at their Northern California lake house, her carefully constructed weekend begins to come apart at the seams, leading her to question her own role in the family.
A wealthy American Quaker woman rebels and marries a French baron for love. A plan to start a Parisian salon with a distinctively democratic air brings conflict with her new surroundings ... See full summary »
Unfortunately, I haven't had the chance to watch the first version of this film, the one that was made by Theo Van Gogh. Therefore, I'm not very sure that the summary I used is true for I don't know how much this "Blind Date" is different from Theo Van Gogh's "Blind Date." Anyway, I liked the way the film is made. It is very simple, yet deep and clever. The narrator is used in a very good way.
For a moment I was about to hate the ending, but the last camera movement fixed things. It was a clever and touching evening.
Performances are very, very good. And Tucci has done a good job as a director, making the film looks as simple as it should be.
On the other hand, the film could use a faster pace in some places, and closer shots in many cases would have done the film much better. But it is still a very good film and a very original one too.
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