6.4/10
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167 user 212 critic

The Losers (2010)

PG-13 | | Action, Adventure, Crime | 23 April 2010 (USA)
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A CIA special forces team are betrayed and left for dead by their superiors, galvanizing them to mount an offensive on the CIA.

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(screenplay), (screenplay) | 1 more credit »
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3,112 ( 443)
1 win & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Aisha (as Zoë Saldana)
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Cougar (as Oscar Jaenada)
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Max
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Fadhil
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Jolene
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Goliath Guard
Daniel Kalal ...
Goliath Guard
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Goliath Guard
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Goliath Guard
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Storyline

A tale of double cross and revenge, centered upon the members of an elite U.S. Special Forces unit sent into the Bolivian jungle on a search and destroy mission. The team-Clay, Jensen, Roque, Pooch and Cougar -find themselves the target of a lethal betrayal instigated from inside by a powerful enemy known only as Max. Presumed dead, the group makes plans to even the score when they're joined by the mysterious Aisha, a beautiful operative with her own agenda. Working together, they must remain deep undercover while tracking the heavily-guarded Max, a ruthless man bent on embroiling the world in a new high-tech global war. Written by Warner Bros. Pictures

Plot Summary | Plot Synopsis

Taglines:

Roque - Demo And Tactical See more »


Motion Picture Rating (MPAA)

Rated PG-13 for sequences of intense action and violence, a scene of sensuality and language | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

23 April 2010 (USA)  »

Also Known As:

Los perdedores  »

Filming Locations:

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Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend:

$9,406,348 (USA) (25 April 2010)

Gross:

$23,580,735 (USA) (20 June 2010)
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Company Credits

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Technical Specs

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

At the beginning of the movie, as the team is making their assault in the Bolivian jungle, the fighter plane used to destroy the compound is a MIG-21 "FISHBED". See more »

Goofs

When Jensen goes to the Goliath Enterprises building, a woman enters the door right after him. In the next shot Jensen is already at the main desk when the woman enters the door. See more »

Quotes

Max: Home again, home again... jiggedy jig.
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Crazy Credits

Part of the closing credits are seen in a montage of "The Losers" artist Jock's artwork (some original, some from the source comic). See more »


Soundtracks

Big Bad Wolf
Written by Kelvin Swaby (as K. Swaby) & Daniel Taylor (as D. Taylor)
Performed by The Heavy
Courtesy of Counter Records/Ninja Tune
By arrangement of Zync Music Group, LLC
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Frequently Asked Questions

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User Reviews

 
a guilty Saturday-afternoon pleasure
26 April 2010 | by (United States) – See all my reviews

The Losers isn't a movie I can recommend outright as a really fantastic example of its genre, far from it. It has some logical gaps, especially towards its ending with the character resolutions (or lack thereof), and the use of slow-motion in the action scenes already dates it to an extent by its 'Hipness'. But it's also got just the right attitude, humor and energy to get by as what I might call a 'Saturday afternoon' quickie. This is the kind of flick that a guy would watch when he should be doing something else around the house or something. It's tough and unapologetic and a little too slick to be anything else than what it is. I enjoyed The Losers against my better judgment.

The premise and follow-through is kind of predictable, as it's about a group of elite fighters (think the A-Team) who get double-crossed by a rogue CIA agent and find a possible entry point with a mysterious woman to get back at him and clear their names. We see who will probably betray who, or what twists might occur, and sure the BIG WEAPON (in caps) that is used by Max (played with a cartoon character debonair by Jason Patric) is so preposterous as to be wholly entertaining. But the cast is up for playing these parts with every ounce of fun and excitement in the material, and I liked seeing the camaraderie between Morgan, Evans and Elba (the latter really coming into his own as a star), and Zoe Saldana shows off again how she's becoming a formidable talent in Hollywood films.

It's a hard movie to always defend for its plot inconsistencies, but it works in its own lets-just-play-it-loose logic. And sometimes the actors just cut loose, which is nice; seeing Chris Evans somehow inject life into using 'Don't Stop Believing' by Journey in an espionage scene is one of the most brilliant things of the year (if only because, simply, how could you use that song again after the Sopranos). And when it comes time for the BIG action set-piece at the end, it gives a good dose of what action movie fans look for: plausible implausibility, some gritty violence (albeit PG-13, it's still pretty intense), and a few real surprises in the course of events, for better and worse. I can't stress enough that it's not a particularly high achievement in its sort of movie. But for what it sets out to achieve, it does alright, which is enough sometimes.


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