A marksman living in exile is coaxed back into action after learning of a plot to kill the president. Ultimately double-crossed and framed for the attempt, he goes on the run to track the real killer and find out who exactly set him up, and why.
Frank Martin puts the driving gloves on to deliver Valentina, the kidnapped daughter of a Ukranian government official, from Marseilles to Odessa on the Black Sea. En route, he has to contend with thugs who want to intercept Valentina's safe delivery and not let his personal feelings get in the way of his dangerous objective.
A tale of double cross and revenge, centered upon the members of an elite U.S. Special Forces unit sent into the Bolivian jungle on a search and destroy mission. The team-Clay, Jensen, Roque, Pooch and Cougar -find themselves the target of a lethal betrayal instigated from inside by a powerful enemy known only as Max. Presumed dead, the group makes plans to even the score when they're joined by the mysterious Aisha, a beautiful operative with her own agenda. Working together, they must remain deep undercover while tracking the heavily-guarded Max, a ruthless man bent on embroiling the world in a new high-tech global war. Written by
Warner Bros. Pictures
When Jensen unlocks Max's hard drive, the code that comes up on screen is actually the source code of the web page for ordering a trial version of MathCore, a program for compiling mathematica functions. See more »
When the gang debates at the table after finding the hard drive, the second scene is altered, clearly visible because Aisha's band tattoo is suddenly on her right arm and Cougar's watch suddenly is on his left. See more »
Can you stand?
I've been shot in *both* of my legs. What kind of dumb-ass question is that, really?
So now we're Mister Grumpy-pants? You know, you're not the only one who got shot today.
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There is a scene in the closing credits: the Losers attend a soccer match for Jensen's niece. See more »
The Losers isn't a movie I can recommend outright as a really fantastic example of its genre, far from it. It has some logical gaps, especially towards its ending with the character resolutions (or lack thereof), and the use of slow-motion in the action scenes already dates it to an extent by its 'Hipness'. But it's also got just the right attitude, humor and energy to get by as what I might call a 'Saturday afternoon' quickie. This is the kind of flick that a guy would watch when he should be doing something else around the house or something. It's tough and unapologetic and a little too slick to be anything else than what it is. I enjoyed The Losers against my better judgment.
The premise and follow-through is kind of predictable, as it's about a group of elite fighters (think the A-Team) who get double-crossed by a rogue CIA agent and find a possible entry point with a mysterious woman to get back at him and clear their names. We see who will probably betray who, or what twists might occur, and sure the BIG WEAPON (in caps) that is used by Max (played with a cartoon character debonair by Jason Patric) is so preposterous as to be wholly entertaining. But the cast is up for playing these parts with every ounce of fun and excitement in the material, and I liked seeing the camaraderie between Morgan, Evans and Elba (the latter really coming into his own as a star), and Zoe Saldana shows off again how she's becoming a formidable talent in Hollywood films.
It's a hard movie to always defend for its plot inconsistencies, but it works in its own lets-just-play-it-loose logic. And sometimes the actors just cut loose, which is nice; seeing Chris Evans somehow inject life into using 'Don't Stop Believing' by Journey in an espionage scene is one of the most brilliant things of the year (if only because, simply, how could you use that song again after the Sopranos). And when it comes time for the BIG action set-piece at the end, it gives a good dose of what action movie fans look for: plausible implausibility, some gritty violence (albeit PG-13, it's still pretty intense), and a few real surprises in the course of events, for better and worse. I can't stress enough that it's not a particularly high achievement in its sort of movie. But for what it sets out to achieve, it does alright, which is enough sometimes.
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