A marksman living in exile is coaxed back into action after learning of a plot to kill the president. Ultimately double-crossed and framed for the attempt, he goes on the run to track the real killer and find out who exactly set him up, and why.
Frank Martin puts the driving gloves on to deliver Valentina, the kidnapped daughter of a Ukranian government official, from Marseilles to Odessa on the Black Sea. En route, he has to contend with thugs who want to intercept Valentina's safe delivery and not let his personal feelings get in the way of his dangerous objective.
A tale of double cross and revenge, centered upon the members of an elite U.S. Special Forces unit sent into the Bolivian jungle on a search and destroy mission. The team-Clay, Jensen, Roque, Pooch and Cougar -find themselves the target of a lethal betrayal instigated from inside by a powerful enemy known only as Max. Presumed dead, the group makes plans to even the score when they're joined by the mysterious Aisha, a beautiful operative with her own agenda. Working together, they must remain deep undercover while tracking the heavily-guarded Max, a ruthless man bent on embroiling the world in a new high-tech global war. Written by
Warner Bros. Pictures
Production designer Aaron Osborne and cinematographer Scott Kevan attempted to enhance the color scheme of the comics, where only two to three colors were used to convey the tone of each setting, so they charted the whole movie with certain color schemes for each location and different shades as time passed("Every chapter of the comic books is a new environment distinguished by different color palettes - so every time we are in a new city or country, the aesthetic of the film changes completely, so there is no homogeneous look. It's very eclectic."). See more »
During Clay's fight with Aisha in the hotel room, flames start erupting, at ground level, all around the room, with no visible cause. In a room fire, flames will always rise upwards and then spread outwards. If the flames in a fire reach as low on the ground as shown in the scenes, the occupants would already be dead and the room would be an inferno. See more »
What the hell am I looking at here, Wade?
Clay and his unit.
"Clay and his unit?" That sounds like a porno, Wade.
You had them killed four months ago.
I've done a lot in four months, Wade. I'm a very busy man.
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Part of the closing credits are seen in a montage of "The Losers" artist Jock's artwork (some original, some from the source comic). See more »
They certainly are The Losers if you like your story as intense as the action.
'Pay attention to the plot' are five words definitely not needed when watching The Losers. However: 'Let the gargantuan explosions wash over because it's a weekend' are ten words that will become apparent in the first few minutes.
Clay, Jensen, Roque, Pooch and Cougar are Special Forces unit who were sent to Bolivia end up getting deceived by the usual nutter with his usual deformity and his usual essence of mystery. From here on out it's true Michael Bay dedicated destruction with a sprinkle of wit, mainly thanks to Chris Evans (shame he couldn't have done the same for Fantastic 4) and Pooch's delivery of the line: 'Oh, this is Stupid Question Day' you had to be there.
It has a few shockers, despite being built on predictable foundations, which won't make you likely to stop rustling through the popcorn but gives the film a fluent flow as to not make the whole experience completely monotonous. Meaning the only losers here are the ones who turn a deaf ear to the humour and a blind eye to the action because they weren't expecting an experience that is almost as mentally relaxing as Paracetamol.
To put it simply The Losers is fun. Non-stop male responsive happiness from the inception to the finale.
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