Directed by | |||
| Paul Johansson | |||
Writing credits | ||
| Ayn Rand | novel and | |
| John Aglialoro | screenplay | |
| Brian Patrick O'Toole | screenplay | |
Produced by | |||
| John Aglialoro | .... | producer | |
| Howard Baldwin | .... | executive producer | |
| Bruce Wayne Gillies | .... | line producer | |
| Harmon Kaslow | .... | producer | |
| Mike Marvin | .... | executive producer | |
| John Orland | .... | post-production producer | |
Original Music by | |||
| Elia Cmiral | |||
Cinematography by | |||
| Ross Berryman | |||
Film Editing by | |||
| Jim Flynn | |||
| Sherril Schlesinger | |||
Casting by | |||
| Sharon Howard-Field | |||
| Ronnie Yeskel | |||
Production Design by | |||
| John Mott | |||
Set Decoration by | |||
| Lori Mazuer | |||
Costume Design by | |||
| Jennifer L. Soulages | |||
Makeup Department | |||
| Tanya Cookingham | .... | additional makeup artist | |
| Becky Cotton | .... | key makeup artist | |
| Shandra Page | .... | key hair stylist | |
| Sabine Roller | .... | makeup department head | |
| Samantha Wade | .... | hair department head | |
Production Management | |||
| Bruce Wayne Gillies | .... | unit production manager | |
| John Orland | .... | post-production producer | |
| Kyle Sonia | .... | production supervisor | |
| Steve Yandrich | .... | production supervisor | |
Art Department | |||
| John P. Bozajian | .... | assistant property master | |
| John Brunot | .... | property master | |
| James J. Burke | .... | graphic designer: additional photography | |
| Natalie Contreras | .... | assistant property master | |
| Joe Dea | .... | storyboard artist | |
| Scott DeSapio | .... | graphics | |
| Jim Jones | .... | props | |
| Erin McKenna | .... | scenic painter | |
| Ian McMains | .... | set dresser | |
| Drew Rebelein | .... | construction coordinator | |
Sound Department | |||
| David Aaron Brun | .... | sound effects editor | |
| Richard Bullock Jr. | .... | boom operator | |
| Ken Dufva | .... | foley artist | |
| Gilda Garcia | .... | audio assistant | |
| Dennis Grzesik | .... | additional production sound mixer | |
| Paul Hammond | .... | sound re-recordist | |
| David Holmes | .... | sound mixer | |
| Zheng 'Joe' Huang | .... | audio assistant | |
| Matthew Kallen | .... | director of sound services | |
| Stanley Kastner | .... | sound re-recording mixer | |
| Eric Raber | .... | adr mixer | |
| Courtney Schade | .... | post-production sound coordinator | |
| Mike Szakmeister | .... | dialogue editor | |
| David F. Van Slyke | .... | supervising sound editor | |
| Stacey A. Washer | .... | additional boom operator | |
Special Effects by | |||
| John C. Hartigan | .... | special effects coordinator | |
Visual Effects by | |||
| William L. Arance | .... | digital effects artist | |
| Jennie Bozic | .... | digital compositor | |
| Josh Bryson | .... | digital compositor | |
| Maxx Burman | .... | matte painter | |
| Michael Cook | .... | visual effects artist | |
| Eve Serena Fizzinoglia | .... | visual effects coordinator | |
| Diego Galtieri | .... | digital compositor | |
| Bhavana Gidwani | .... | visual effects producer: Labyrinth Cinematic Solutions | |
| Martin Hilke | .... | compositor | |
| Kristin Johnson | .... | matte painter: Stargate Studios | |
| Daniel Kumiega | .... | visual effects | |
| Christopher D. Martin | .... | digital compositing supervisor | |
| Anthony Ocampo | .... | cg artist | |
| Megan Omi | .... | digital compositor | |
| Tony Pirzadeh | .... | visual effects producer | |
| Jon Rosenthal | .... | digital effects artist | |
| Mark Spatny | .... | visual effects supervisor | |
| Ryan Wieber | .... | digital compositor | |
| Kaitlyn Yang | .... | visual effects intern | |
Casting Department | |||
| Joe Cappelletti | .... | adr voice casting | |
| Candido Cornejo Jr. | .... | casting assistant | |
| Tracy Dixon | .... | extras casting | |
| Caitlin Gallo | .... | casting assistant | |
| Joseph Hicks | .... | extras casting | |
| Sharon Howard-Field | .... | casting | |
| Justin S. Lee | .... | casting assistant | |
| Jan F. Morris | .... | casting assistant | |
| Colby Peck | .... | casting assistant | |
| Ronnie Yeskel | .... | casting | |
Costume and Wardrobe Department | |||
| Annalisa Adams | .... | costumer | |
| Raissa Bretaña | .... | costume intern | |
| Karen Hare | .... | additional costumer | |
| Erich A. Muller | .... | set costumer | |
| Christi Work | .... | costume supervisor | |
Editorial Department | |||
| Matthew Blackshear | .... | digital intermediate editor | |
| Tim Brinker | .... | assistant editor | |
| Michael Cioni | .... | digital intermediate supervisor | |
| Richard A. Eisenstein | .... | post-production technician | |
| Sybille Herwig | .... | post-production coordinator | |
| Justin S. Lee | .... | post-production assistant | |
| Kevin London | .... | digital intermediate engineer | |
| Mark Reaser | .... | hd mastering | |
| Ian Vertovec | .... | digital intermediate colorist | |
Music Department | |||
| Elia Cmiral | .... | composer: theme music | |
| Mike Flicker | .... | supervising music editor | |
| John Samuel Hanson | .... | score programmer: synth and percussion | |
| Eric Jasper | .... | composer assistant | |
| Steve Kempster | .... | music scoring mixer | |
| Robert Puff | .... | music librarian | |
| Robert Puff | .... | music preparation | |
| Steve Weisberg | .... | music supervisor | |
Transportation Department | |||
| Matthew Ballard | .... | transportation coordinator | |
| Shay Morgan Brook | .... | stakebed driver | |
| William Clark Coit III | .... | driver | |
| Louis Dargenzio | .... | transportation coordinator: reshoots | |
| Guy J. Graves | .... | genny operator | |
| Guy J. Graves | .... | transportation captain | |
| Shawn Rader | .... | driver (uncredited) | |
Thanks | |||
| Jason Jones | .... | special thanks | |
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| Ayn Rand: A Sense of Life | Ayn Rand & the Prophecy of Atlas Shrugged | The Passion of Ayn Rand | The Fountainhead | The Interpreter |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
I am not in the film industry so maybe I didn't catch some editing issues since I thought the move was great. Ayn wrote Shrugged in such a cinematic way, it was great to see the sweeping landscapes, witty banter, and some steamy scenes come to life on the big screen. It was really great to see some beautiful scenes of the rail and steel industry.
The actors were excellent, especially the main characters. Bowler and Schilling nailed it.
Now, I'm a huge fan of the book, so I'm a bit biased towards the story, but I thought the movie was entertaining, paced well and held true to key aspects of dialogue and scenes. I think people will enjoy it even if they haven't read the book, and hope it inspires people to read the book.
From the sounds of it, Part 2 and 3 are a go and will be released Tax Day 2012 and 2013.