Katniss Everdeen voluntarily takes her younger sister's place in the Hunger Games, a televised fight to the death in which two teenagers from each of the twelve Districts of Panem are chosen at random to compete.
In a world divided by factions based on virtues, Tris learns she's Divergent and won't fit in. When she discovers a plot to destroy Divergents, Tris and the mysterious Four must find out what makes Divergents dangerous before it's too late.
It was great to be alive, once, but the world was perishing. Factories were shutting down, transportation was grinding to a halt, granaries were empty--and key people who had once kept it running were disappearing all over the country. As the lights winked out and the cities went cold, nothing was left to anyone but misery. No one knew how to stop it, no one understood why it was happening - except one woman, the operating executive of a once mighty transcontinental railroad, who suspects the answer may rest with a remarkable invention and the man who created it - a man who once said he would stop the motor of the world. Everything now depends on finding him and discovering the answer to the question on the lips of everyone as they whisper it in fear: Who *is* John Galt? Written by
The first time we see Dagny Taggart in her apartment, as she's clicking on the television, a computer monitor visible at scene left is showing a black & white photo of Ayn Rand, the author of the book which is the source of this film. See more »
The change of seasons in the Colorado scenes clearly do not match the dates shown in the film. The aspen trees are always shown at the beginning of their seasonal change, which would take place in late September and into October and would not be seen at other times. See more »
Who is John Galt?
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I have to admit that it's been years since I read the book (required high school reading) and while I struggled to get through it, I did appreciate the concepts of a dystopian United States, the philosophy of Objectivism and the idea that civilization and society simply cannot continue to exist where there is no creativity.
Almost none of this is covered in this first part of the trilogy. Don't get me wrong, the film covers a lot of ground, in fact it's front-loaded with heavy doses of exposition. The problem is the film is shot like a PBS made-for-TV movie (mainly a series of talking heads) and the stiff dialog is lifelessly delivered by TV actors that lack big screen presence.
Now, don't mistake me for one of those people who feel the subject matter of the book is too didactic for mass appeal, I just think this low-budget and amateur version lacks the fire and fury that Rand's novel deserves.
I'm not saying not to see it, just avoid the mistake I made. Go in with no expectations.
Hell, it might even make you want to pick up the book and give it a read.
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