Railroad executive Dagny Taggart and steel mogul Henry Rearden form an alliance to fight the increasingly authoritarian government of the United States.
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An uncompromising, visionary architect struggles to maintain his integrity and individualism despite personal, professional and economic pressures to conform to popular standards.
Katniss Everdeen voluntarily takes her younger sister's place in the Hunger Games, a televised fight to the death in which two teenagers from each of the twelve Districts of Panem are chosen at random to compete.
Director:
Gary Ross
Stars:
Stanley Tucci,
Jennifer Lawrence,
Liam Hemsworth
An aspiring author during the civil rights movement of the 1960s decides to write a book detailing the African-American maids' point of view on the white families for which they work, and the hardships they go through on a daily basis.
Director:
Tate Taylor
Stars:
Emma Stone,
Viola Davis,
Bryce Dallas Howard
Oakland A's general manager Billy Beane's successful attempt to assemble a baseball team on a lean budget by employing computer-generated analysis to acquire new players.
Director:
Bennett Miller
Stars:
Brad Pitt,
Jonah Hill,
Philip Seymour Hoffman
Disgruntled Korean War vet Walt Kowalski sets out to reform his neighbor, a young Hmong teenager, who tried to steal Kowalski's prized possession: his 1972 Gran Torino.
Director:
Clint Eastwood
Stars:
Clint Eastwood,
Christopher Carley,
Bee Vang
An airline pilot saves almost all his passengers on his malfunctioning airliner which eventually crashed, but an investigation into the accident reveals something troubling.
Director:
Robert Zemeckis
Stars:
Nadine Velazquez,
Denzel Washington,
John Goodman
When a tragedy strikes close to home, four police officers struggle with their faith and their roles as husbands and fathers; together they make a decision that will change all of their lives.
It was great to be alive, once, but the world was perishing. Factories were shutting down, transportation was grinding to a halt, granaries were empty--and key people who had once kept it running were disappearing all over the country. As the lights winked out and the cities went cold, nothing was left to anyone but misery. No one knew how to stop it, no one understood why it was happening - except one woman, the operating executive of a once mighty transcontinental railroad, who suspects the answer may rest with a remarkable invention and the man who created it - a man who once said he would stop the motor of the world. Everything now depends on finding him and discovering the answer to the question on the lips of everyone as they whisper it in fear: Who *is* John Galt? Written by
Robb
The first time we see Dagny Taggart in her apartment, as she's clicking on the television, a computer monitor visible at scene left is showing a black & white photo of Ayn Rand, the author of the book which is the source of this film. See more »
Goofs
When Dagny gets in her car after leaving the roadside diner in Brandon, WY, the license plate is a red Colorado plate. When she arrives in Wyatt Junction, CO, the plate is a county 22 Wyoming plate. Same car, different plates. See more »
Quotes
Henry Rearden:
The next time you decide to throw a party, can you stick to your own crowd? Don't bother inviting people you think are my friends.
Lillian Rearden:
But Henry, you don't have any friends.
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Having read the book, seen the movie, and read a representative sample of user reviews, I feel I can confidently make a few points that may help those who haven't seen the movie yet.
The negative user reviews found here can all be placed in one of three distinct categories: (1. Those who disagree with Rand's philosophy for whatever personal reasons they have and would despise the movie for that reason alone, even if it were a cinematic masterpiece (it's not -- not bad under the circumstances, but "The Fountainhead" it's not); (2. Those who agree with Rand's philosophy and enjoyed the book, but are repulsed by the relatively low-budget treatment of the film and the somewhat stunted screen writing that isn't entirely faithful to the original work, and (3. Those who are completely ignorant of Rand's work and are seeing the film and judging it in a relative vacuum (these negative reviews do, in my opinion, have a certain merit inasmuch as the film doesn't really stand on its own as something that would appeal to the general movie-going audience).
That said, I enjoyed the movie. I agree with Rand's philosophy (not the "all-about-me" world view that her dissenters accuse her of espousing), so seeing it on the big screen is refreshing for me. The main faults I find with it are no doubt due to condensing roughly 350-400 pages of book into about 90 minutes of film without butchering it beyond recognition (films adapted from Stephen King's works generally have the same faults) compounded by a woefully inadequate budget. That the finished product came out as good as it did (budget limitations notwithstanding) is a testament to the production team.
In summary, the book is far superior to the movie (as is almost always the case), but I found the movie to be, frankly, a better adaptation than I expected and well worth seeing -- if one can identify with or at least appreciate the ideology presented.
48 of 74 people found this review helpful.
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Having read the book, seen the movie, and read a representative sample of user reviews, I feel I can confidently make a few points that may help those who haven't seen the movie yet.
The negative user reviews found here can all be placed in one of three distinct categories: (1. Those who disagree with Rand's philosophy for whatever personal reasons they have and would despise the movie for that reason alone, even if it were a cinematic masterpiece (it's not -- not bad under the circumstances, but "The Fountainhead" it's not); (2. Those who agree with Rand's philosophy and enjoyed the book, but are repulsed by the relatively low-budget treatment of the film and the somewhat stunted screen writing that isn't entirely faithful to the original work, and (3. Those who are completely ignorant of Rand's work and are seeing the film and judging it in a relative vacuum (these negative reviews do, in my opinion, have a certain merit inasmuch as the film doesn't really stand on its own as something that would appeal to the general movie-going audience).
That said, I enjoyed the movie. I agree with Rand's philosophy (not the "all-about-me" world view that her dissenters accuse her of espousing), so seeing it on the big screen is refreshing for me. The main faults I find with it are no doubt due to condensing roughly 350-400 pages of book into about 90 minutes of film without butchering it beyond recognition (films adapted from Stephen King's works generally have the same faults) compounded by a woefully inadequate budget. That the finished product came out as good as it did (budget limitations notwithstanding) is a testament to the production team.
In summary, the book is far superior to the movie (as is almost always the case), but I found the movie to be, frankly, a better adaptation than I expected and well worth seeing -- if one can identify with or at least appreciate the ideology presented.