IMDb RATING
5.4/10
101K
YOUR RATING
14th-century knights transport a suspected witch to a monastery, where monks deduce that her powers could be the source of the Black Plague.14th-century knights transport a suspected witch to a monastery, where monks deduce that her powers could be the source of the Black Plague.14th-century knights transport a suspected witch to a monastery, where monks deduce that her powers could be the source of the Black Plague.
- Awards
- 2 nominations total
Kevin Killebrew
- Demon
- (voice)
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- Writer
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Featured reviews
"Season of the Witch" was a hotly anticipated release for me, even though the mid-January release date and the heap of poor reviews were suggesting I should give it a miss. I'm very aware that some Hollywood attempts at historical movies can be appalling, but there is always hope that you will witness something rather special.
So I stuck to my guns and went to see it at the cinema in all its big screen glory. I'm glad to say that I was not disappointed and would have happily sat through an extra half an hour (the film only runs for 95 minutes).
Although it is far from being a classic, "Season of the Witch" fares better than most with good performances from three of the lead actors, Nic Cage, Ron Perlman and Claire Foy. Furthermore, the action is paced nicely throughout the story, keeping the tension levels and the viewer's interest high from start to finish.
The scenery is also used to excellent effect, helping to evoke the danger and despair of the period. The scenes set amongst the squalor of the villages helps to convey the desperate conditions that many people were living in. This helps give "Season of the Witch" a sense of realism that it occasionally lacks elsewhere.
The film makes a small attempt at ridiculing the religious ideals of the time but it's neither here nor there. It's simply an excuse to take the viewer to the dark depths that pervaded 14th century Europe.
On the downside, the special effects aren't very special, if you'll excuse the pun, and the dialogue occasionally borders on the cheesy but all in all, the film manages to succeed at delivering what the viewer wants - the fantasy of swords and sorcery, and ultimately the battle between good and evil.
For fans of the genre, this is a must see. For others, "Season of the Witch" won't give you a breathtaking viewing experience but it won't hurt either. I'd recommend that it is certainly worth a rental.
So I stuck to my guns and went to see it at the cinema in all its big screen glory. I'm glad to say that I was not disappointed and would have happily sat through an extra half an hour (the film only runs for 95 minutes).
Although it is far from being a classic, "Season of the Witch" fares better than most with good performances from three of the lead actors, Nic Cage, Ron Perlman and Claire Foy. Furthermore, the action is paced nicely throughout the story, keeping the tension levels and the viewer's interest high from start to finish.
The scenery is also used to excellent effect, helping to evoke the danger and despair of the period. The scenes set amongst the squalor of the villages helps to convey the desperate conditions that many people were living in. This helps give "Season of the Witch" a sense of realism that it occasionally lacks elsewhere.
The film makes a small attempt at ridiculing the religious ideals of the time but it's neither here nor there. It's simply an excuse to take the viewer to the dark depths that pervaded 14th century Europe.
On the downside, the special effects aren't very special, if you'll excuse the pun, and the dialogue occasionally borders on the cheesy but all in all, the film manages to succeed at delivering what the viewer wants - the fantasy of swords and sorcery, and ultimately the battle between good and evil.
For fans of the genre, this is a must see. For others, "Season of the Witch" won't give you a breathtaking viewing experience but it won't hurt either. I'd recommend that it is certainly worth a rental.
I watch a lot of movies. I've seen a lot of Nick Cage's movies. Some are better than others - but he always seems to deliver "something" in each and every one. He's got this odd, weird - psycho kind of persona that just works in these adventure/fantasy/horror flicks. These kind of films just need the main actor be a tad "off". Trust me, there have been other films were he's been certifiable crazy - and this one pales in comparison in spots - but yet there is still that unmistakable Nick Cage fingerprint.
I love Ron Perlman too. The banter and friendship between him and Cage was enjoyable. I love Perlman in the "Hellboy" series. I loved him in this for all the same reasons. It was like "Hellboy", but without all the makeup.
I've read in other reviews people didn't like the special effects. I loved them - and thought they were excellent. Nothing about them was distracting - only an asset to the movie.
I highly recommend this movie. It's fun, exciting, scary at moments - and well worth a watch.
I love Ron Perlman too. The banter and friendship between him and Cage was enjoyable. I love Perlman in the "Hellboy" series. I loved him in this for all the same reasons. It was like "Hellboy", but without all the makeup.
I've read in other reviews people didn't like the special effects. I loved them - and thought they were excellent. Nothing about them was distracting - only an asset to the movie.
I highly recommend this movie. It's fun, exciting, scary at moments - and well worth a watch.
I am really wondering why is this movie rated so poorly. Yes, it isn't a movie which would be a surprise and something new. Season of the witch is a movie that will be just perfect for anyone who wants to fill his/her Saturday afternoon in warm couch with beer/hot tea and snacks.
Atmosphere of the movie is really nice, I liked the factor of paranoia which slowly gets into minds of main characters. Movie tempo unwraps in best possible way, not too slow and not too fast, and it will keep you in the center of action and happenings all of the time. Pure fun in my opinion! Characters aren't elaborated to some detail levels, but just enough for you to like and know them. Music in the movie, I don't know was it something wrong with me, but now when I try to remember the music - I just can't! Was it because the music wasn't there, or it was really bad, or I was in a weird mood? Don't know!
All in all a good movie with good tempo and plenty of fun, I would recommend it. Oh yes, and it has a cool little twist at the end, a bit naive and without much sense maybe, but I loved it since I didn't expect it.
Atmosphere of the movie is really nice, I liked the factor of paranoia which slowly gets into minds of main characters. Movie tempo unwraps in best possible way, not too slow and not too fast, and it will keep you in the center of action and happenings all of the time. Pure fun in my opinion! Characters aren't elaborated to some detail levels, but just enough for you to like and know them. Music in the movie, I don't know was it something wrong with me, but now when I try to remember the music - I just can't! Was it because the music wasn't there, or it was really bad, or I was in a weird mood? Don't know!
All in all a good movie with good tempo and plenty of fun, I would recommend it. Oh yes, and it has a cool little twist at the end, a bit naive and without much sense maybe, but I loved it since I didn't expect it.
Season of the Witch is getting ravaged by reviews as I write this. Is it that bad? I don't think so. Is it fantastic then? Well no. This is one of those sword and sandal fantasy films that tread the middle ground, having an interesting premise set up in a fantasy fellowship quest, only for the execution to be hovering around mediocre standards following a rote formula of introducing the problem, gathering the players, and have them encounter sequence after sequence of battle obstacles on the way to their objective.
Nicolas Cage and Ron Perlman play buddies Behman and Felson respectively, knights of the Crusade who make a reputation of being fearsome warriors fighting for a higher cause, only to desert their army and turning their backs from continuing onto Jerusalem after realizing that they are nothing but fighting pawns for the whims of man. Their services get called for by a town inflicted by a plague because of a curse by a girl (Claire Foy) whom they deem a witch, and the agreement forged was for them to escort her to a monastery for a group of monks to decide on the authenticity of the claim, and if so, decide and inflict punishment.
Gathering Priest Debelzag (Stephen Campbell Moore), guide Hegamar (Stephen Graham), one of the remaining fighting fit soldiers of the town with Eckhart (Ulrich Thomsen) and a priest in training Kay (Robert Sheehan) whom the party picked up early in their journey, the group has to band together if they are to get to their destination in one piece, with the accused girl being locked up in a cage but always seem to be drawing undue attention to herself, raising questions about her innocence as we get to see her demonstrate abilities and superhuman strength even, while putting on a saccharine sweet face. Now while all these may point to certain plot loopholes and irrational human behaviour, I'm willing to overlook these flaws since they do get addressed in the final reveal, so all's not totally lost in Bragi F. Schut's story.
Battle sequence design was a little sleepy, and although the introductory big battle scenes involving soldiers of the Crusade were plentiful, it didn't go beyond the usual slash-parry- stab-wash-rinse-repeat cycle coupled with cheesy dialogue exchange between Behman and Felson that try to pass off as comedy. There's an awfully long and painfully executed crossing of a creaky bridge that doesn't seem to want to end, but otherwise passable CG was employed in an attack of wolves, and the money shot in the final battle where all hell breaks loose in the monastery with grotesque looking winged beasts and the expected big boss to fight in an all out melee done arcade style.
Some will probably find the themes here quite objectionable, especially since it sets its sights squarely on how religion gets manipulated by the few, and made suggestive queries what if the Crusade wasn't a calling made by god as claimed by the messengers, but of more negative forces since it involves the killing of innocents. What more, this was played out in quite direct fashion when the final act made that cross-reference in point blank fashion. It's bold in its statement and association, which otherwise the story here lacks any selling points to make an audience sit up and take notice
I'm not sure what Ron Perlman is doing here - the billing on the poster doesn't seem to give him much respect, preferring to marquee Cage alone instead, so while there are inside nods to Hell and the devil and demons here, I'm hoping that we'll get to see another installment of Hellboy instead. Under Dominic Sena's vision, you'd know what to expect when you scan through his resume, being responsible for flicks like Whiteout, Swordfish, and yet another Nicolas Cage starrer in Gone in Sixty Seconds. They're no more than Guilt Trips with potential not lived up to, so don't expect a classic or a masterpiece, but at best entertainment that will struggle to satisfy jaded audiences.
Nicolas Cage and Ron Perlman play buddies Behman and Felson respectively, knights of the Crusade who make a reputation of being fearsome warriors fighting for a higher cause, only to desert their army and turning their backs from continuing onto Jerusalem after realizing that they are nothing but fighting pawns for the whims of man. Their services get called for by a town inflicted by a plague because of a curse by a girl (Claire Foy) whom they deem a witch, and the agreement forged was for them to escort her to a monastery for a group of monks to decide on the authenticity of the claim, and if so, decide and inflict punishment.
Gathering Priest Debelzag (Stephen Campbell Moore), guide Hegamar (Stephen Graham), one of the remaining fighting fit soldiers of the town with Eckhart (Ulrich Thomsen) and a priest in training Kay (Robert Sheehan) whom the party picked up early in their journey, the group has to band together if they are to get to their destination in one piece, with the accused girl being locked up in a cage but always seem to be drawing undue attention to herself, raising questions about her innocence as we get to see her demonstrate abilities and superhuman strength even, while putting on a saccharine sweet face. Now while all these may point to certain plot loopholes and irrational human behaviour, I'm willing to overlook these flaws since they do get addressed in the final reveal, so all's not totally lost in Bragi F. Schut's story.
Battle sequence design was a little sleepy, and although the introductory big battle scenes involving soldiers of the Crusade were plentiful, it didn't go beyond the usual slash-parry- stab-wash-rinse-repeat cycle coupled with cheesy dialogue exchange between Behman and Felson that try to pass off as comedy. There's an awfully long and painfully executed crossing of a creaky bridge that doesn't seem to want to end, but otherwise passable CG was employed in an attack of wolves, and the money shot in the final battle where all hell breaks loose in the monastery with grotesque looking winged beasts and the expected big boss to fight in an all out melee done arcade style.
Some will probably find the themes here quite objectionable, especially since it sets its sights squarely on how religion gets manipulated by the few, and made suggestive queries what if the Crusade wasn't a calling made by god as claimed by the messengers, but of more negative forces since it involves the killing of innocents. What more, this was played out in quite direct fashion when the final act made that cross-reference in point blank fashion. It's bold in its statement and association, which otherwise the story here lacks any selling points to make an audience sit up and take notice
I'm not sure what Ron Perlman is doing here - the billing on the poster doesn't seem to give him much respect, preferring to marquee Cage alone instead, so while there are inside nods to Hell and the devil and demons here, I'm hoping that we'll get to see another installment of Hellboy instead. Under Dominic Sena's vision, you'd know what to expect when you scan through his resume, being responsible for flicks like Whiteout, Swordfish, and yet another Nicolas Cage starrer in Gone in Sixty Seconds. They're no more than Guilt Trips with potential not lived up to, so don't expect a classic or a masterpiece, but at best entertainment that will struggle to satisfy jaded audiences.
Season of the witch was a far better film than critics and fellow moviegoers led me to believe. The story is about Cage and Pearlman teaming up to take a witch to a castle where she will be put on trial. Chaos and terror ensue as they treck the mountainside and forest. The film depicts the times very well...and most the accents aren't that bad. But the thing i wasn't expecting was to see Cage actually put some effort into his role. Instead of woodenly walking through the film with terrible hair, Cage shows some true emotion and his hair ain't half bad. Cage is hit or miss, sometimes he's good ("Bad Lieutenant"), sometimes he's bad ("The Knowing"). I think Cage gets an A for effort. It's no his best acting but it's an improvement. Pearlman is great as the sidekick/friend and gets most of the good lines. The special effects are kinda lame and the film drags in certain spots, but overall "Season of the witch" is a decent thriller with some cheesy dialouge. This movie isn't bad as everyone makes it out to be. If you have low expectations like I did, you'll probably get a lot more enjoyment out of it.
Oh, and the priest named De Balzak...pretty hysterical name.
Oh, and the priest named De Balzak...pretty hysterical name.
Storyline
Did you know
- TriviaFor the role, Nicolas Cage learned horseback riding from Camilla Naprous and her team of horse trainers in England. Cage also worked with a fight choreographer to learn sword fighting.
- GoofsWhen Felson fights the altar boy Kay he states "stand and fight like a man you little jackrabbit". The jackrabbit is indigenous to regions of North America not Europe so a crusader in medieval times would be unaware of them.
The crusader would also not be speaking modern English. This is a rough translation of the Middle English that was spoken in the Middle Ages.
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Temporada de brujas
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $40,000,000 (estimated)
- Gross US & Canada
- $24,827,228
- Opening weekend US & Canada
- $10,612,375
- Jan 9, 2011
- Gross worldwide
- $91,627,228
- Runtime1 hour 35 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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