| David Suchet | ... | Hercule Poirot | |
| Robert Bathurst | ... | Gilbert Entwhistle | |
| Geraldine James | ... | Helen Abernethie | |
| Anna Calder-Marshall | ... | Maude Abernethie | |
| Monica Dolan | ... | Miss Gilchrist / Cora Gallacio | |
| Kevin Doyle | ... | Inspector Morton | |
| Michael Fassbender | ... | George Abernethie | |
| Fiona Glascott | ... | Rosamund Shane | |
| Julian Ovenden | ... | Michael Shane | |
| Lucy Punch | ... | Susannah Henderson | |
| William Russell | ... | Lanscombe | |
| Anthony Valentine | ... | Giovanni Gallaccio | |
| Benjamin Whitrow | ... | Timothy Abernethie | |
| Philip Anthony | ... | Vicar | |
| John Carson | ... | Richard Abernethie | |
| Dominic Jephcott | ... | Dr. Larraby | |
| Vicky Ogden | ... | Janet | |
| Annabel Scholey | ... | Actress 'Miss Sorrell' |
| Episode Crew |
Directed by | |||
| Maurice Phillips | |||
Writing credits | ||
| Agatha Christie | (novel) | |
| Philomena McDonagh | (screenplay) | |
Produced by | |||
| Michele Buck | .... | executive producer | |
| Phil Clymer | .... | executive producer: Chorion | |
| Helga Dowie | .... | line producer | |
| Delia Fine | .... | executive producer: A&E | |
| Trevor Hopkins | .... | producer | |
| Emilio Nunez | .... | supervising producer: A&E | |
| David Suchet | .... | associate producer | |
| Damien Timmer | .... | executive producer | |
Original Music by | |||
| Stephen McKeon | |||
Cinematography by | |||
| David Higgs | (director of photography) | ||
Film Editing by | |||
| Paul Garrick | |||
Casting by | |||
| Maureen Duff | |||
Production Design by | |||
| Jeff Tessler | |||
Art Direction by | |||
| Denise Bail | |||
| Pilar Foy | |||
| Paul Gilpin | (supervising art director) | ||
Costume Design by | |||
| Sheena Napier | |||
Makeup Department | |||
| Christine Greenwood | .... | makeup designer | |
| Susan Parkinson | .... | makeup artist (as Sue Parkinson) | |
| Kate Roberts | .... | makeup artist | |
| Sian Turner | .... | makeup artist: David Suchet | |
Production Management | |||
| Alasdair Whitelaw | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Sean Clayton | .... | second assistant director | |
| Jonathan Farmer | .... | first assistant director | |
| Rachael Haston | .... | third assistant director | |
| Emily Perowne | .... | trainee assistant director | |
Art Department | |||
| Tony Gibbs | .... | dressing props | |
| Emma Godwin | .... | assistant production buyer | |
| Jim Grindley | .... | property master | |
| David Lewis | .... | production buyer | |
| Paul Mitchell | .... | stand-by props | |
| Joanne Ridler | .... | stand-by art director | |
| Gus Wookey | .... | construction manager | |
Sound Department | |||
| Robert Alsop | .... | sound trainee | |
| John Downer | .... | supervising sound editor | |
| Billy Mahoney | .... | dubbing mixer | |
| Sarah Morton | .... | dialogue editor | |
| Adam Powell | .... | foley editor | |
| Filipa Principe | .... | foley editor | |
| Ashley Reynolds | .... | sound maintenance | |
| Andrew Sissons | .... | sound recordist | |
| Nigel Squibbs | .... | assistant dubbing mixer | |
| Paul McFadden | .... | adr editor (uncredited) | |
| Paul McFadden | .... | dialogue editor (uncredited) | |
Camera and Electrical Department | |||
| Andy Bell | .... | electrician | |
| Paul Edwards | .... | steadicam operator | |
| Dan Fontaine | .... | gaffer | |
| Jeremy Gee | .... | camera operator | |
| Jamie Phillips | .... | clapper loader | |
| Matt Poynter | .... | focus puller | |
| Steve Pugh | .... | grip | |
| Erin Stevens | .... | second focus puller | |
Costume and Wardrobe Department | |||
| Jason Gill | .... | costumer | |
| Charlotte Mitchell | .... | costumer | |
| Philip O'Connor | .... | dresser: David Suchet | |
| Gabrielle Spanswick | .... | costume supervisor | |
Editorial Department | |||
| Simon Giblin | .... | on-line editor | |
| Adam Harvey | .... | assistant editor | |
| Jet Omoshebi | .... | colorist | |
Other crew | |||
| Sam Baker | .... | assistant coordinator | |
| Sue Clegg | .... | script supervisor (as Suzie Clegg) | |
| Andrew Dalmahoy | .... | location manager | |
| Elton Farla | .... | medical coordinator | |
| Thom Green | .... | production runner | |
| Paula Jack | .... | dialect coach | |
| Gail Kennett | .... | production executive | |
| Jude Liknaitzky | .... | script editor | |
| Peter Mares | .... | publicist | |
| Rebecca Maybury | .... | assistant accountant | |
| Gina Nocero | .... | publicist | |
| Emily Perowne | .... | floor runner | |
| Sheila Price | .... | production accountant | |
| Patrick Smith | .... | publicist | |
| Tom Stourton | .... | location manager | |
| Rebecca Sutton | .... | production coordinator | |
| Peter A. Tullo | .... | location manager (as Peter Tullo) | |
| Beth Willis | .... | script editor | |
| Series Crew These people are regular crew members. Were they in this episode? |
Produced by | |||
| Nick Elliott | .... | executive producer (episode "Jewell Robbery at the Grand Metropolitan") | |
Sound Department | |||
| Lionel Strutt | .... | adr mixer | |
Costume and Wardrobe Department | |||
| Leonie Barker | .... | wardrobe mistress | |
Other crew | |||
| Mark Albela | .... | location manager | |
| Daren Thomas | .... | location runner | |
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David Suchet is Agatha Christie's mustached detective Hercule Poirot in "After the Funeral," produced in 2005. Anyone who has heard David Suchet speak with his own British accent knows what a shock it is, because his accent as Poirot is so perfect and organic to the character. Suchet is the Poirot of Agatha Christie's books, and although I confess a love for Peter Ustinov in the role, his portrayal doesn't have that much to do with what Christie wrote.
In this episode, Poirot is asked by a solicitor friend to investigate the possible murder of one of his clients. Enroute on the train, the solicitor recounts the events after the death - a strange will disinheriting the expected heir and the pronouncement of the man's sister that he was murdered. When Poirot meets the family, he discovers adultery, lots of secrets, another will and murder.
The story is excellent with rich production values and a wonderful, detailed depiction of the time period. All of the acting is superb, particularly from Monica Dolan, who plays Miss Gilchrist. Poirot here is without Hastings, his beautiful office, or Miss Lemon but he's effective nonetheless.
I had the privilege of seeing David Suchet on Broadway in "Amadeus." Breathtaking. What an actor - when he's playing Poirot, all I see IS Poirot.