| Cast overview, first billed only: | |||
| Shannyn Sossamon | ... | ||
| Edward Burns | ... | ||
| Ana Claudia Talancón | ... | ||
| Ray Wise | ... | ||
| Azura Skye | ... | ||
| Johnny Lewis | ... | ||
| Jason Beghe | ... | ||
| Margaret Cho | ... | ||
| Meagan Good | ... | ||
| Rhoda Griffis | ... | ||
|
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Dawn Dininger | ... | |
| Ariel Winter | ... | ||
| Sarah Jean Kubik | ... |
Monster Ellie
(as Sarah Kubik)
|
|
| Raegan Lamb | ... |
Laurel Layton
(as Regan Lamb)
|
|
| Karen Beyer | ... | ||
After the death of their friend Shelley, Leann Cole receives a voice mail from the future of the date and time when she would die. On the scheduled day, Leann sees weird things and in the precise informed hour, Leann is attacked by a supernatural force on a footbridge over a train station while talking to her friend Beth Raymond. Beth meets Leann's boyfriend Brian, who also received a call, and witnesses his death on the street. When her roommate Taylor Anthony receives a call, Beth befriends Det. Jack Andrews, who tells her that his sister was the first victim of the phone call. They decide to investigate the connections of Jack's sister and find the name of Marie Layton, who apparently abused of her daughters. Jack and Beth run against time trying to save Beth from her fate. Written by Claudio Carvalho, Rio de Janeiro, Brazil
Of all the atrocities I've seen on the big screen, this flick just might be the worst. Combining poor story-telling, bad characters, and laughable special effects, One Missed Call is pure crap. As much as I hate to slam something with the lovely Shannyn Sossamon in it, I can't stop myself with this. Poor choice, Ms. Sossamon.
The only thing the film does decently is building up suspense, and there are some intense moments. But then the pay-off is so cheesy I found myself laughing. And the story doesn't even make sense, especially with an ending that kills any possibility of reality.
Horror has really seen a downfall in recent years, but this film is the worst. It seems that intelligent thrillers/horror films have completely left the market. With torture porn films like the Saw franchise taking over the marketplace, wonderful movies like 2006's The Descent are rare triumphs. I want more of those. 2/10 stars.
Jay Addison