Critic Reviews



Based on 13 critic reviews provided by
Chicago Reader
What promises to be a standard postmortem on 60s ideology becomes a thoughtful essay on the choices we all make between work, family, and personal freedom.
At its exhilarating best, Following Sean is reminiscent of the lauded British documentaries that began with "7 Up.''
Portland Oregonian
Perhaps Following Sean is as much of a cultural oddity as "Sean" itself turned out to be. But it's a decidedly interesting one nonetheless.
If Arlyck's own life feels unworthy of the attention, Sean's illuminating, unconventional and contemporary story makes up for it.
What emerges from Arlyck's musings is a penetrating cinematic essay on how generations in the last century struggled to take hold of history and reconfigure the shape of daily life.
The Hollywood Reporter
Arlyck's artful use of "then and now" images illustrates the relentlessness with which time moves forward. Youth is, indeed, elusive. His seductive film is a retrieval mission and, as such, it is ineffably sad.
L.A. Weekly
Sean's grandfather was the colorful longshore Communist Archie Brown, and part of the film's charm lies in its evocation of a generational mural that includes old Marxists, flower children and the progeny of red-diaper babies.
Arlyck's compulsion is to our great fortune. Patient and elegant, his film is a quietly devastating meditation on family, work, and the unrelenting passage of time.
If ''Sean" was about conviction and revolution, Following Sean is about ambivalence and resignation. In either case it's pretty easy for a funny-provocative kid to stand out.
New York Post
Arlyck spends more time following himself and his own lefty family than checking up on Sean.

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