Can a love that bloomed under a Blue Moon truly last forever? At a quiet home in Boston, Massachusetts, an elderly Filipina named Corazon is writing a love letter. Knowing she doesn't have ...
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Justine Laurier inherits of her father's company and thwarts the plans of a group of unscrupulous individuals who are hiding their illegal activities behind the screen offered by the "national security" and "state secrets".
Felix Ysagun Manalo is a sprawling historical epic that traces the origin of Iglesia Ni Cristo (The Church of Christ) which is established in the Philippines from its humble beginnings in 1914 through the present day.
Can a love that bloomed under a Blue Moon truly last forever? At a quiet home in Boston, Massachusetts, an elderly Filipina named Corazon is writing a love letter. Knowing she doesn't have much time left, Corazon is writing to every man named Manuel Pineda who's listed in the Philippine directory, identifying herself as his long-lost love. In the Philippines, an elderly man named Manuel Pineda is diagnosed with cancer, and told he only has a few months to live. Manuel decides that before he dies, he wants to find the woman he loves most, whom he hasn't seen in decades: Corazon. "Blue Moon" follows Manuel's daunting search for Corazon all over the Philippines. He's joined by his emotionally distant son Rod and recently-separated grandson Kyle. As Rod and Kyle accompany Manuel in his search for his lady love, they discover that there were actually two ladies named Corazon in Manuel's life: the nurse whom Manuel married after World War 2, and the spunky girl who was Manuel's first love ... Written by
Initially disqualified by the Metro Manila film fest selection committee allegedly for being a different movie from the originally submitted script. It was later reconsidered after the production maintained the story was the same but was only re-titled. From the original Philippines play date of 25 December 2005 (the start of The Metro Manila Film Festival), it was moved to 1 January 2006. See more »
Historical inaccuracies, painful unrealism, and laughable absurdity destroys viewing experience
How can producers go far into a story in order to make a sure-fire blockbuster chick-flick? How much absurdity and inaccuracy can one take in one movie-viewing? All These questions and more will (or will not) be answered by watching the Metro Manila Film Festival Entry entitled 'Blue Moon', a Danielle Steel-type romantic epic starring Mark Herras, Jennylyn Mercado, Eddie Garcia, Christopher de Leon and Dennis Trillo.
The story revolves around an aging Manuel (Eddie Garcia) and his search for his lost love named Corazon. What follows are is a series of plot twists which involve decades of family relationships straight out of a Danielle Steel novel. After all of the trials and hardships thrown upon the main characters, they triumph over impossible odds; never mind the historically inaccurate portrayal of World War II Philippines and the absurdity of certain circumstances, all that matters in the movie is that it made the audience cry.
It was not hard to feel for the characters in the movie, most effective portrayals include Christopher de Leon and Dennis Trillo, the only actors who carried the movie all the way. The only hindrance for a total enjoyment of the film was the World War II sequences of Mark Herras and Jennylyn Mercado, whose bland-to-overacting acting can easily be noticed, which utterly destroyed the viewing experience. The flashback scenes are creamed with over-the-top impossible and historical inaccuracies, unbelievable training scenes, stinky CGI of aerial dogfights, and laughable teenybopper scenes obviously written in to attract a younger audience. In my humble opinion, I believe that the movie could have been a lot better without the cheesy flashbacks and the full concentration was centralized on the present time, through the character portrayals of Eddie Garcia, de Leon, and Trillo.
All in all, the makers of the film could have made "Blue Moon" a great film, almost in the same level of Abaya's "Jose Rizal" if they had only avoided the clichés of the common romance epics and instead focused on character and plausible plot development.
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