In the 1970s, a young trans woman, Patrick "Kitten" Braden, comes of age by leaving her Irish town for London, in part to look for her mother and in part because her gender identity is beyond the town's understanding.
A look at the life of Alfred Kinsey, a pioneer in the area of human sexuality research, whose 1948 publication "Sexual Behavior in the Human Male" was one of the first recorded works that saw science address sexual behavior.
In the highlands of Scotland in the 1700s, Rob Roy tries to lead his small town to a better future, by borrowing money from the local nobility to buy cattle to herd to market. When the ... See full summary »
In the 1860s, five men have been tracking a sixth across Nevada for more than two weeks. They shoot and wound him, but he gets away. They pursue, led by the dour Carver, who will pay them each $1 a day once he's captured. The hunted is Gideon, resourceful, skilled with a knife. Gideon's flight and Carver's hunt require horses, water, and bullets. The course takes them past lone settlers, a wagon train, a rail crew, settlements, and an Indian philosopher. What is the reason for the hunt; what connects Gideon and Carver? What happened at Seraphim Falls? Written by
Colonel Carver's rifle in the film is an iron-framed Henry 1860, which indicates that it was one of the first 400 built before the more familiar brass was added in late 1862. See more »
When Gideon rides past the wagon train of (possibly) Mormons, the sunlight in his closeups is coming from a different direction than the shots of the immigrants. This is especially noticeable when the woman calls out, "God sees your sin!" See more »
Well, we definitely got I'm. I wouldn't say gut shot, but got 'im pretty good.
He didn't even take his rifle. Horse run off though.
It's cleared up some. Why don't we get a move on.
Let him bleed...
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Written by Abby Everett Jaques and David Von Ancken and directed by Von Ancken, "Seraphim Falls" is a rough, tough, old-fashioned western set on the dusty plains and snow-covered mountains of western Nevada. The plot is little more than a straightforward revenge tale involving Liam Neeson (sans Southern accent) as a sadistic Rebel army colonel who hires a posse to track down the marauding Union officer he believes slaughtered his family in the days following the Civil War. The officer, played with steely-eyed determination by Pierce Brosnan, is a savvy, quick-on-the-draw survivalist who, through sheer ingenuity and skill, stymies and outwits the colonel and his men at every turn.
What "Seraphim Falls" lacks in substance, it more than makes up for in grit and style. For even though there isn't a great deal of depth to the characters, there's much pleasure to be derived from merely watching two actors of the caliber of Neeson and Brosnan squaring off in a grueling game of cat-and-mouse played out in a punishing, unforgiving landscape. Brosnan's character achieves an almost Superman-like quality as he stays one step ahead of his pursuers, devising ever-more elaborate means of ensnaring them in his traps. The movie takes a decidedly metaphysical turn in its closing stretches, with the divine Anjelica Huston, no less, appearing out of nowhere as a desert apparition to set the boys straight on a few eternal verities like redemption and forgiveness. But it is as a simple tale of vengeance and obsession that "Seraphim Falls" most captures our imagination and interest.
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